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*300 copies limited edition* "Jens Brands has created a large number of installations, musical performances, and interactive media works. He uses the concepts of parallel activities rather than ideas of fusion. The pieces presented on this recording focus on sonic events related to electronic music (such as intense volumes and dynamics, white noise, square or sine waves) but stay entirely acoustic. On a live performance of the ratchets, the sounds are generated with the idea of a physical, scul…
Originally discovered in a musty charity shop by Live Adult Entertainment, and issued in minuscule numbers on CD in ’21, Christian Love Forum’s raverential debut ‘Naked Light’ documents the fraternal post-church jams of siblings, Scott, Kiro and N•X, plus their mate Steve, who would regularly channel the light and pain of Sunday mass sermons into their ecclesiastic crud. As previously heard on their blink ’n miss ‘Unconditional Love’ tape, the trio express their higher purpose thru ribboning mic…
“The artistry of ABoneCroneDrone is in the attention to detail. The album is beautifully performed, mixed and compiled with intelligence and strong sense of structure. It makes good use of a listener’s valuable time while issuing a challenge to hear in a fresh way.” John L. Walters.
Efraín Rozas’ "Still" posed this question in the form of an installation made for quadraphonic sound, architecture and light. Still was first developed at Queenslab as part of a one-month residency with The Kitchen, New York City in April 2021. This album is a live, stereo room recording of Still as it was presented over three one-hour viewings.
*2023 stock* Geir Sundstøl has made a name for himself as an innovative session musician on hundreds of Norwegian and international albums. 2015 saw the release of Furulund, the first self-composed long player from this Master of Strings. Langen Ro, Norwegian Grammy winner Brødløs and St.Hanshaugen Steel, followed soon after. Now, the stage is set for something quite different. The Studio Intim Sessions, Volume 1, Sundstøl's fifth solo album, has taken a trip on its own, away from the cinematic …
I:Cube has made a new album. It is a very “hands on” album, as the eight tracks on show were created almost entirely by improvising with electronic hardware – synthesizers, sequencers, drum machines and effects units – and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track. During the time he spent recording it, which was in part inspired by the processes behind his ‘Cubo Live Sessions’ series, I:Cube had fun, experimented, …
*300 copies limited edition* Unreleased but perfectly formed "hidden" album, recorded in 1989-90 by Nuno Rebelo on the wake of his "Sagração Do Mês De Maio" double LP (composed in 1988 as soundtrack to the third Manobras de Maio fashion event in Lisbon). The tracks convey a sense of investigative curiosity regarding computer composition and they sound wonderfully artificial. Titles as "Moon OK", "Tiny Space Ships" or "Dança Das Creaturas Elásticas" ("Elastic Creatures Dance") embody this idea of…
New Forces is proud to offer a reissue of this hyper-limited Skin Crime tape from 1997, originally available in only a handful of copies. Skin Crime on this recording was Patrick O'Neil and Scott Hull. An essential part of the noise archive, and a unique entry in the legendary Skin Crime catalog.
"1997. I get a postcard in the mail from GX asking if we'd like to play at a show he's setting up. Of course I said yes. I talked things over with RRRon, who had also been invited, and we decided that i…
*100 copies limited edition* Carreira's Cross emerges from three intense days of immersive creation and spontaneous interplay between the Portuguese duo Worksite & Workshop — Zé Quintino and Tiago Maduro — recorded on the 7th, 8th, and 9th of July, 2021. In those sessions, the two artists wove together a sonic tapestry where shifting electronic textures met finely detailed field recordings and subtly hypnotic rhythmic patterns. The result is a work that feels at once exploratory and deeply cohes…
*200 copies limited edition* Die Sonne Satans (also known as Die Sonne Satan) is the musical creation of Paolo Beltrame. The name Die Sonne Satans is borrowed from the title of Georges Bernanos' novel "Sous le soleil de Satan", which Maurice Pialat adapted into the eponymous film in 1987. Die Sonne Satans is driven by the desire for self-determination in opposition to dogmas or conventions supported only by tradition, authority, or revelation. It remains one of the most creative and simultaneous…
*200 copies limited edition* Few films in the history of cinema have achieved the haunting, meditative power of Andrei Tarkovsky’s Solaris (1972). This masterpiece of science fiction transcends the genre’s typical preoccupation with technology and speculative futures, reaching instead into the depths of human consciousness, memory, and the aching poetry of the unknown. Adapted from Stanisław Lem’s novel of the same name (in turn, one of the greatest masterpieces of speculative science fiction na…
A document of a performance last autumn at Parisian Improv spot Instants Chavires, in which Günter Müller is flanked by two very different but distinctive users of the electric guitar. On one side of the stage is Keith Rowe, who's worked for half a lifetime to unsettle the boundaries between music and noise. On the other is the restrained presence of Taku Sugimoto, whose crabbed phrases waft above the shifting timbral networks laid down by the other two. The trio's music is dominated by rasps an…
"The first word that came to mind on playing Extracts was understatement, with an almost oriental minimalism and profundity on display. At times I was forced to check whether sounds were coming from the speakers or from outside. However, this is a far cry from the Radu Malfatti school of implied music since it is very much about close group interplay. Simon H. Fell's sonorous bass is of particular note, underpinning, colouring and giving the proceedings a kind of still, stately authority. Likewi…
Christian Wolff, prepared piano, whistles, stones. Michael Pisaro, electric guitar, harmonica, stones. Recorded in 2014. Chistian Wolff (1934), American composer of avant-garde music. Michael Pisaro (1961), guitarist andcomposer, member of Wandelweiser. The album was mastered by Joe Panzner and designed by Yuko Zama
An extended work from Antoine Beuger and Michael Pisaro, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle on love and permanency realized in tone and voice."
"The work begins in very un-Wandelweiser fashion, with a strong note played on, I think, a harpsichord (prepared spinet?), quite forthrightly. After several identical notes, a recording of an interior space enters and a surprising sequence of chords occurs, four of them, very…
Unusual sound work from the Japanese duo of Takahiro Kawaguchi and Utah Kawasaki (Astro Twin), using self-made instruments and electronics to create unexpected sonic emissions that follow curious paths that are separated by periods of quiet or textural sound.
Takahiro Kawaguchi was born in Osaka, Japan, in 1980. He works in Osaka and Tokyo in various electroacoustic genres, using field recordings or creating sound installations, or presenting sound live. The common concept of all his works is: "…
*2022 stock* Futura Marge presents Warrior. Recorded october 13th, 2013 at John Kilgore Sound and Recording, New York. All music by Richard Bonnet Richard Bonnet / guitar Tony Malaby / saxophones Antonin Rayon / Hammond organ Tom Rainey / drums
*2022 stock* Futura Marge presents Alice's Evidence by Sophia Domancich Quintet . Recorded live on 24 and 25 May 2016 at La Dynamo in Pantin (France).Ray Anderson (trombone), Géraldine Laurent (alto saxophone), Sophia Domancich (piano), Hélène Labarrière (double bass), Nasheet Waits (drums)
Souffle Continu records is thrilled to present Byard Lancaster – Us, Mother Africa, Exactement and Funny Funky Rib Crib. His all 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under th…