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500 copies, numbered edition, few available. 1980 was an incredibe year for London’s experimental music scene with many different strands. Recommended Records were rereleasing the first two Faust LP’s, L. Voag had found ‘the way out’, Swell Maps were ‘in occupied Europe’. Throbbing Gristle and other industrialists were giving plenty of live actions. Nurse With Wound had just released their first LP, as had This Heat. The other great LP on Piano Records by Steve Beresford was also on the shelves.…
Originally created as a 6-part radio series in 1965, and released in 1966 by Sveriges Radio. This is the first LP recording by either of these composers. Recorded at EMS (Elektron Musik Studion), the newly established studio facility at Swedish Radio. This pioneering work did not easily fit in any category that existed at the time. Inspired by the work of Öyvind Fahlström (who was a pioneer of concrete poetry along with the Lettrists and Futurists), a few young Swedish artists began exploring ne…
*2026 stock* Hand marbled LP covers with foil embossing and screen printed info. Each cover is unique. Marbled vinyl.
Kjetil Brandsdal: Record players/sound effectsThore Warland: Percussion/sound effects.
Recorded at Consulatet, Stavanger. Benefits & Savings recorded live at RIMI/IMIR Scenekunst, Stavanger. Recorded and mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. Foil by Bokbinderiet Erland. Thank you: Gaute Granli, RIMI/IMIR Scenekunst. F…
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
Comes in a heavy gatedold sleeve and with printed innersleeves. Peter Brotzmann reflected: "The idea of expressing my love of and admiration for Albert Ayler - both man and music - in a musical statement is not new. We both tried to do similar or almost identical things at the same point in time, each independently and without knowing anything about each other - each of us within his own culture." This album was recorded in August 1993 during the Free Concerts series at Townhall Charlottenburg i…
Black Truffle is thrilled to present the first ever solo Donso n’goni recording from octogenarian Swedish multi-instrumentalist Christer Bothén. Active in the Swedish jazz and improvisation scene since the 1970s, often heard on bass clarinet, Bothén travelled to Mali in 1971, eventually making his way to the Wassoulou region in the country’s south where he encountered the Donso n’goni, the sacred harp of the hunter caste of Wassoulou society. Though playing the instrument has traditionally been …
"A real cause for celebration. A performance distinguished by gleeful energy and audacious dada wit. It possesses a vigor of discovery and invention that makes it sound timeless." - Cadence "A great and enjoyable session from three of the most creative and unique musicians in European avant-garde music." - All Music Guide"Wonderful, intoxicating stuff. Together theses three troubadours tiptoe exaggeratedly through pastiches of bop, cabaret, baroque, and lounge, and work through dozens of mood ch…
Cien Fuegos present a reissue of the Peter Brötzmann Octet's Machine Gun, originally released in 1968. One of the most important albums of European free jazz, finally in the Cien Fuegos series. Recorded May 1968 at "Lila Eule", Bremen. Recorded with a whiff of revolution in the air back in May '68, this landmark Brotzmann LP taps into the spirit of its time with a robust garage rock sensibility, lending a considerable urgency to the session, with the highest volume passages taking up far more ai…
*230 copies limited edition* Ahti & Ahti is the duo of Finnish sound artists Marja Ahti and Niko-Matti Ahti. Operating on the fringes of the musique concrète tradition, their work combines recordings of spaces and events, beings and objects, carefully aligned in an associative way.
Nokivesi (soot-water) embraces sound montage and cut up conversations alongside instrumental and electronic sound, combining the complexity of the field-recorded sounds and compositional sensitivity. Originally create…
Bongo Joe and Sofa Records reissue the 1981 debut by Max Cilla, the Martinican flautist who spent his life restoring the bamboo flute of his island's hillsides to a music that had nearly forgotten it.
*100 coipes limited edition* Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one p…
The idea for this album began taking shape in 2021 and has slowly evolved into a seven-track snapshot of Juli Deák’s musical world and artistic thinking. Coming from the challenging, refined, and often seemingly flawless sound of classical music, the flutist began redirecting her musical voice toward a much more personal space through experimentation and improvisation. What eventually grew into this project originally began as a handful of unfinished ideas—which only revealed their true meaning …
*2024 stock* Antipodean Anomalies 2 is Left Ear Records most ambitious project to date, a compilation that took over 4 years to license and includes 17 artists across a double LP. AA2 picks up where the first iteration left off, with co-compilers Chris Bonato & Bridget Small continuing to dig through the music of the geographically isolating and maverick landscapes of Australia & New Zealand. As with the first iteration, Left Ear continues to excavate the music from these vast micro-scenes that …
Deeply tied to the composer’s own life, the narrative of Lacrimosa invites reflection in the face of loss. This sonic work draws inspiration from Alice Coltrane’s spiritual Eternity (1976) as well as the traditional structure of the Requiem, a mass for the dead. One of its sections, the Dies Irae, evokes Judgment Day and concludes with the Lacrimosa (literally, “full of tears”), depicting the weeping of souls in search of salvation.
In Lacrimosa, Low Jack transforms autobiographical elements int…
The first few minutes of ‘3 × hullo, hullo’ sound like a little mole creeping up through the soil. The little thing hoes and scoops up some sand, building a small pile of dirt. But then, anger... because this drives them mad—those who want their lawns clean and spotless. A clean lawn: a desire we inherited from the Brits. Dumped into our collective consciousness by humorless Victorians who enjoyed having their black pudding on the lawn. An uninspired impression from their misreading of Italian p…
Previously unreleased music from the archives of Can cofounder Holger Czukay will be released as an album in the new year. Out on March 28th through Grönland Records, Gvoon - Brennung 1 contains 65 minutes of material that's believed to date back to the '90s. The genesis for the release started last year at Berlin dance performance Take Off Sound, when artist Arthur Schmidt, AKA Gvoon, brandished a flash drive and handed it to Dirk Dresselhaus. It is a case of pop cultural archaeology. A search …
Songs Before Bed (2022) marks Otto Benson’s first physical release under his own name, following earlier work under aliases including Memo Boy, OTTO, and Pudding Club.
Originally published as a digital-only release through Otto's own WNOADIARWB website and platforms on New Year's Eve 2022, Songs Before Bed bridges the gap between the more experimental psychedelic electronic works of OTTO and his most recent release, the acclaimed Peanut, released on NYE 2025. Blending brief pop fragments with me…
"This collection of tracks came about during a period of transition for me, from changing the way I wanted to make music to a method that was more intuitive and free-flowing. I spent a lot of time experimenting with sequencing and different bits of hardware I'd acquired. I was also playing around with an old four track cassette recorder, which was loads of fun. I think the end result feels a little broader in sound and composition as all but one of these tracks were the result of recording a liv…
In a Word, the sixteenth installment of the intergenerational collaboration series FRKWYS, brings together postminimalist composer Daniel Lentz with vocalist and sound artist Ian William Craig for an album that embraces erosion and the fertility of the loam left behind. A document of shared transformation, Lentz’s elegant piano figures and Craig’s trembling tenor are wilted, warbled, and looped through manipulated tape machines in a real time composition that evokes a strange warmth and layered …