We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

The Head As Form​’​d In The Crier​’​s Choir
Tip! The compositions on this album, written between 2022 and 2024, form a conceptual suite and an observance of the mental dances that we construct to understand acts of passage; the ways that we commune, memorialize, and carry symbols back into the world beyond representation. To this end, The Head as Form’d in the Crier’s Choir engages two references to the ancient Greek myth of Orpheus: Rilke’s Sonnets to Orpheus, a collection of poems from 1922, and Monteverdi’s L’Orfeo, an early baroque op…
Two Sisters
** Limited Edition Dark Green Vinyl 2LP Gatefold with a 20 page booklet. Comes with an exclusive coil bound 52 page A4 landscape score book to full album ** The new album from Sarah Davachi on her own Late Music imprint is a collection of nine extended compositions for chamber ensemble and solo pipe organ.  "The expanded instrumentation on this album includes carillon (a keyboard instrument comprised of very large cast-iron bells), choir, string quartet, low woodwinds, and trombone quartet, alon…
The Will of Tongues
The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens. Over the last decade, Davachi has emerged as one of the most singular voices working at the intersection of minimalism, early music, and electro…
Paris 1919
** Remastered from the Original Tapes. Deluxe Edition Reissue Sanctioned by John Cale Himself. Includes Previously Unreleased Outtakes & a Brand-New Recording** John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote m…
Maison Rose
*2022 repress.* An album such as this obviously owes a lot to the atmosphere in which it was recorded, which we can imagine was magical. We know it took place in Fromentel, Normandy, in a farm converted into a studio by the producer Jacques Denjean, known for his work with Dionne Warwickor Françoise Hardyas well as having been a member of the Double Six. It was also at Fromentel, that Denjean would record two fantastic albums with Albert Marcoeur. When Emmanuelle Parrenin followed in his footste…
Song Of Soil
2024 Repress. Masahiko Togashi was a pivotal figure in the development of the Japanese free jazz scene in late 60s. Percussionist and composer, he lost the use of the legs in an accident which nevertheless didn’t not prevent him from continuing an astonishing career that includes long and established collaborations with figures of the likes of Steve Lacy, Charlie Haden, Mal Waldron and Paul Bley. This session, recorded in Paris at the Ramèse Studio Du Village in 1979, sees an explosive collabor…
Bjerge, Strand
Recorded over two December days in Copenhagen and shelved for nearly three years, Bjerge, Strand gathers Jakob Bro with Charles Lloyd, Larry Grenadier and Jorge Rossy, and arrives on Loveland Music on CD, alongside a limited double vinyl edition, with artwork by the painter Tal R. Bro invited Lloyd to The Village Recording in Vanløse in December 2023, bringing along the rhythm section he had formed in 2019 with Grenadier and Rossy, the two players who spent two decades refining the piano trio al…
From Such a Blue Sky
The astounding second outing from the duo of Midori Takada & Jakob Bro, arriving on Copenhagen's Loveland Records just under a year after 'Until I Met You'. Across six tracks, subtle abstraction amongst sprawling ambiences, "Fourth-World" sensibilities, and pulsing minimalism. CD edition.
8
Loveland Music presents 8, a studio recording featuring an all-star ensemble of Jakob Bro, Brian Blade, Craig Taborn, Chris Cheek, Jesper Zeuthen, Anders Christensen, Larry Grenadier & Marcus Gilmore, playing compositions by Paul Motian and Jakob Bro. The album was recorded in a single session at New York's Power Station with engineer James Farber, following a week-long residency at the Village Vanguard.  "Danish guitarist and composer Jakob Bro is celebrated for his pure reflective expression a…
Live at The Village Vanguard
Loveland Music proudly announces the release of Live at The Village Vanguard, a remarkable new recording that brings together seven of the most distinctive voices in modern jazz. Recorded in the legendary New York room that has defined generations of improvised music, this album captures the raw immediacy and atmospheric depth of a once‑in‑a‑lifetime gathering. Subtle, deeply melodic, and unhurried, Live at The Village Vanguard reveals Bro’s unique gift for creating spacious musical landscapes w…
The Montclair Session
Loveland Music is proud to announce the release of The Montclair Session, a rare meeting of four titans of contemporary jazz: trumpeter Wadada Leo Smith, guitarist Jakob Bro, pianist Marilyn Crispell, and drummer Andrew Cyrille. Recorded in Montclair, New Jersey, this album captures the essence of improvisation at its most searching, delicate, and alive.   Each of the four musicians brings a lifetime of artistry to the music. Wadada Leo Smith, a pioneer of creative music and recipient of numerou…
Murasaki
A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…
Forme
*200 copies limited edition* "Maurizio Bianchi, referred to as the father of Italian electronic music, rarely looks backward. When asked where to start exploring his extensive discography, he recommends an album from his early period in the 1980s and whatever release is his latest. This relentless push for novelty has been at the core of his experimentalism for almost five decades. Despite his long career, he remains in the vanguard. Bianchi’s early work is a departure from traditional musical f…
Acousmatomisation
*150 copies limited edition* Italian 'industrial music' overlord Maurizio Bianchi returns to Grubenwehr Freiburg for another release in tandem with our partner label Attenuation circuit. For this collaborative album with Fallen Sun which is the industrial / noise project from Malaysia and U.S. sound artist and writer Thomas Bey William Bailey, he has reactivated his early project name Sacher Pelz. Acousmatomisation is a programmatic title, as are all the track titles with their references to phy…
Mestari
Souffle Continu Records present the first time vinyl reissue of Perception's Mestari, originally released in 1973. To finally become oneself: that was the lesson, in the 1960-1970s, that European musicians attracted to improvisation had learned from American free-jazz. Following this idea, the musicians of Perception, whilst individually accompanying Mal Waldron, Slide Hampton, Johnny Griffin, or Hank Mobley when they played in Paris, decided early on to break free from what was going on across …
Diriaou
Diriaou (“Thursday” in Breton) captures the singular collaboration between Kristen Noguès-pioneering Celtic harpist and explorer of Breton tradition-and legendary British saxophonist John Surman, renowned for his atmospheric jazz on ECM. Recorded live in 1998 at the Dre Ar Wenojenn festival, this album presents the duo weaving together original compositions and traditional melodies into a tapestry of free folk, modal improvisation, and ambient soundscapes. Noguès, deeply rooted in Breton music y…
Terremoto
Tip! To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful. Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylo…
Après la Marée Noire
If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself… In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…
Dazibao N°2
Reissue of François Tusques's Dazibao n°2, originally released in 1971. This was of course not the first time that François Tusques was a "headline act". In 1965, he recorded, with other like-minded Frenchmen (François Jeanneau, Michel Portal, Bernard Vitet, Beb Guérin, and Charles Saudrais), the first album of free jazz in France, named... Free Jazz. In 1967, Tusques again served up Le Nouveau Jazz, in the company of Barney Wilen (and Beb Guérin, Jean-François Jenny-Clark, and Aldo Romano). Thr…
Piano Dazibao
To avoid the “Quésaco?” on the sleeve of Piano Dazibao, François Tusques explains everything: A wall mural on which the Red Guard expressed their opinions during the Chinese proletarian cultural revolution. So much for the “Dazibao”, very good; but the piano in all that? The piano, François Tusques was self-taught and his work was influenced by Jelly Roll Morton and Earl Hines before discovering Thelonious Monk, Bud Powell and then… free jazz. In Paris in 1965, Tusques mixed with Michel Portal, …