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I Malamondo
Restored & Remastered From The Original Master Tapes On 2LP! Another great Morricone score to the 1964 "mondo film," a type of sensationalist pseudo-documentary (also known as a "shockumentary"). The film, directed by Paolo Cavara, dealt with bizarre activities in Europe, including a cemetery orgy and nudist skiing in the Swiss Alps.
This soundtrack has been restored and remastered from the original master tapes. It features seven unreleased tracks and two tracks released on vinyl for the very…
Variations IV, Vol. II
A 1965 journey into found sound; this is John Cage. Another seminal volume of indeterminate music, from an icon of experimental sounds. Reissued for the first time and thematically on gorgeous clear vinyl! It could be argued that there is no more controversial figure in music history as avant-garde electronic composer John Cage. Perhaps best known for his composition “4'33"" which consisted of Cage sitting at a piano for four-plus minutes of total silence, Cage was both loved and loathed …
Syntheticopia
Space is the place - at least, it's the place uppermost in the mind of midwest US label Past Inside The Present owner Zakè and his sonic partner Ossa - location given as the north pole according to his Twitter - as they embark on collaborative 10 tracks. The fact that the National Aeronautics and Space Administration - NASA to you and me - has supplied them with celestial sound emissions for the tracks is a bonus. But ultimately, the real headline factor once it's actually on your turntable is t…
1976 La Bande Perdue
For the first time after 45 years Mutant Embryo Records is proud to announce the release of Archaïa's 1976 lost tape!! Band's first ever recordings which meant to be the precursor of their legendary 'Archaïa' 1977 debut LP. Played & recorded by the initial members Michel Munier & Pierrick Le Bras, on Revox R-t-R recorder, long before Philippe Bersan's arrival, this tape provides a sacramental & ritual aspect Archaïa's duet expressed at the time! The absolute environment of primitive paganism, ri…
Joy Of A Toy
An original member of Soft Machine, Kevin Ayers embarked on a solo career following a US tour with the Jimi Hendrix Experience in 1968. He was one of the first signings to EMI’s Progressive imprint Harvest and recorded his debut album in the Summer of 1969 at Abbey Road studios.
‘Joy Of A Toy’ is a classic of psychedelic and progressive rock, featuring contributions from his former Soft Machine band mates, David Bedford and such wonderful songs as ‘The Lady Rachel’, ‘Stop This Train (Again Doing…
Air Pressure Fluctuations
Here is a CD containing a recording of air pressure fluctuations. When played on ordinary audio equipment, the recorded air pressure fluctuations (technically named infrasound) are reproduced at 360 times the original speed, and thus can be perceived by our ears as sounds.Here is a CD containing a recording of air pressure fluctuations. When played on ordinary audio equipment, the recorded air pressure fluctuations (technically named infrasound) are reproduced at 360 times the original speed, an…
High Fidelity
Housed in a gatefold sleeve with a 36-page catalogue. The first LP is John Cage Speaks MUREAU by John Cage, its title assembled from the first syllable of the word "music" and the author's name "Thoreau." Malte Hubrig writes "The performance of Mureau -- its letters, syllables and words read by John Cage in a uniform intonation of the voice -- frees language of its meaning and opens it to sound." The second LP is Terry Fox's Culvert, a performance that took place at the University of Montana in …
Vier Stücke
Four pieces from arguably the most cited sound-sculpt of our time, recently fêted via an exposé in The Wire (October 2001). 'Vocrolls II' (1988) consists of recordings of a glass sphere coming to rest in a Tibetan metal bowl, processed in physics-defying fashion through an early desktop port of the now-prevalent phase vocoder algorithm. 'Mouse Ware' (1998) is the soundtrack to an installation (10 different makes and models of computer mouse are preserved in alcohol, accompanied by 10 user-friend…
The Complete Liberty Recordings
Formed in London in 1969, High Tide featured the intense guitar playing of Tony Hill (formerly with The Misunderstood), the violin and keyboard skills of Simon House, bassist Peter Pavli and drummer Roger Hadden. The band was managed by Clearwater, also home to Hawkwind, Skin Alley and Cochise and were signed to Liberty Records soon after their formation. Their debut album, the stunning ‘Sea Shanties’ was recorded at Olympic studios and some of the heaviest gothic psychedelic rock record ever re…
Thelonious Monk With John Coltrane 1957 (Revisited)
“Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way – through the senses, theoretically, technically. I would talk to Monk about musical problems and he would sit at the piano and show me the answers just by playing them.“ – John Coltrane
Mephistopheles To Orgasm (Revisited)
“He was nomadic. The strongest and most lasting thing you can say about Alan is that he was
an original, as original as you can get. He didn’t want any academic guidelines to equip him to
reinvent the wheel. If he saw something like that, he’d go the other way.” – Wayne Shorter
The Legendary Trio At Birdland 1960 „Revisited"
"This Revisited disc chronicles the trio in transition. Formed in autumn 1959, the group recorded its debut album in December. Following a coast-to-coast tour, it opened at Birdland in March 1960, when the first five tracks here were recorded on two separate dates. Already cooking, by the time of the April and May recordings the trio was touching on the interactive magic heard on ezz-thetics’ At The Village." – Chis May
At The Golden Circle Stockholm (Revisited)
"For the followers of Ornette Coleman’s music, 1963 and 1964 were the lost years. His final session for Atlantic Records, Ornette on Tenor, was in March 1961, and though he played sporadic club dates in ’62, his self-produced Town Hall concert in December was to be his last significant appearance until he accepted a Village Vanguard gig in January 1965. The reasons for this hiatus, apparently, were personal, economic, philosophical, pragmatic, and artistic, all at the same time to varying degree…
At Antibes 1960, Revisited
"Mingus the visionary composer. Mingus the virtuoso bassist. Mingus the volcanic bandleader. As the 1960s began, with the new decade bringing a radically expansive new view of the possibilities of jazz expression, Charles Mingus, by virtue of his brilliantly nonconformist creative imagination, willingness to take risks along experimental paths, and (because of, or in spite of) an oft-times confrontational rebellious nature, had established himself among those in the forefront of the music's mode…
With Archie Shepp, 7-Tette & Orchestra - Revisited
While his recordings with Archie Shepp and 7-Tette established Bill Dixon as a distinctive jazz modernist, ahead of the curve, creating a niche within a crowded field of emerging artists, it is Intents and Purposes (Orchestra) that established his singularity. Together, they constitute the first chapter of a recorded legacy that continues to grow in status and influence. – Bill Shoemaker
Quartet to At Judson Hall "Revisited"
By 1966, the first wave of free jazz had established the foundation upon which this radically generated music could be understood and personalized, shared as a communal activity and still invested with significant singular characteristics. Noah Howard and his bandmates represented a second generation, as creative attitudes were expanding.
New York Art Quartet "Revisited"
"If we just could have hung on for another year,” Rudd said of both NYAQ and the Jazz Composers Guild, “things could have turned out much differently. Things were about to flip, in a good way. A lot of government programs were starting up that we could have gotten
grants from. There was a change in perception about the music that was happening. People were starting to consider it as art. The music was moving out of the bars and coffee houses and into museums and concert halls. But, the Guild l…
Ornette At 12 Crisis To Man On The Moon Revisited
"The title Ornette at 12 is something of a misnomer. Although Ornette is Denardo’s middle name, why wasn’t the album called Denardo at 12, his age at the time of the concert? Is there a hidden meaning related to Ornette’s own childhood? According to John Litweiler’s book A Harmolodic Life, he was either 13 or 14 when he received his first horn. If the year 1956 is meant to represent a significant event in Ornette’s musical life, it does mark his meeting with Don Cherry and Billy Higgins, and their…
Live in Paris (1974) Lost ORTF Recordings - LP
Another absolutely mind-blowing gem from Transversales Disques, Archie Shepp's "Live in Paris (1974) Lost ORTF Recordings" is some of the best jazz of the era that almost no one ever heard. Fully mastered from the original tapes and capturing one of the great giants of free jazz in a crucial moment of change - tracing toward funkier, fusion tinged compositions, and more straight ahead bop at the boundaries of spiritual jazz - the historical importance and raw beauty of these never before release…
In Electric Time
*2024 stock* On June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder/curator Lance Hill. Hill recalls: "Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he star…