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Given
"The piece given may be characterized as a certain activity, a special kind of practice. We practice as a trio (two players and one producer), hoping that anything might emerge: we gather to share a beautiful time together, exchanging our hopes and longings, our suffering, and our pain. Why should there be music at all? Faced with this question and considering the state of our world, artists could often find themselves drawn toward a sense of meaninglessness. But this is not the end. In the face…
Forming - Concentric Rings in Magnetic Levitation
In late fall of 2018, Ryan traveled to Valencia, California to meet with Michael for a weekend of informal conversations at California Institute of the Arts. Before Ryan returned home to Colorado, Michael gifted him a recently released recording of Teodora Stepančić, Assaf Gidron, and Martin Lorenz’s realization of Michael’s Concentric Rings in Magnetic Levitation, a recording that profoundly impacted Ryan and served as the impetus for this recording.
A thrumming monadic field; a constellation o…
Svapiti
Born of Six, featuring Amelia Cuni, Catherine Christer Hennix, and Werner Durand, create exemplary drone compositions rooted in the traditions of Dhrupad, early minimalism and just intonation. Composed by Durand, Cuni, Hennix, Svapiti is one long composition measuring 55 minutes in length. 'A solid foundation is the best basis for the fundamental.' Narada´s exposition of the seven notes begins as follows: because Sadja (the tonic) arises from the combination of nose, throat, chest, palate, tongu…
Viva Negativa! A Tribute to the New Blockaders Vol. III
Viva Negativa! A Tribute To The New Blockaders: Volume III: USA. Volume III in a series of UK-European-US and Japanese artists' tributes to the pioneering UK Noise group The New Blockaders including exclusive tracks by Z'ev, Keith Fullerton Whitman, Alan Courtis, Controlled Bleeding, Plethora, Macronympha, Prurient, Richard Ramirez, Blue Sabbath Black Cheer, Carlos Giffoni, AMK, Aaron Dilloway, Wolf Eyes, Idea Fire Company, Mnortham, Thurston Moore, Jim O'Rourke, Damion Romero, The Haters, Emil …
Omminggg And Schlomminggg
Important Records present Omminggg and Schlomminggg, the second release by continuous music pioneer Charlemagne Palestine and Grumbling Fur, consisting of London based multi-disciplinary artists Daniel O'Sullivan and Alexander Tucker; the Time Machine Orchestra being the extended drone arm of Tucker and O'Sullivan's experimental avant-pop conception. This double LP captures a performance of the trio at Copenhagen's illustrious Jazzhouse on November 28th, 2016. The pin-drop acoustic clarity of th…
Born Again in the Voltage
**Packaged in a jewel box with full color artwork and a 4 panel booklet. Incl. bonus track "Bestie Infinite" from 2018 split LP with Eleh** . Born Again In The Voltage is an astonishing collection of electro-acoustic pieces for Buchla 200 system, cello, and voice composed and produced by Caterina Barbieri at Elektronmusikstudion (SE) between 2014 and 2015. Cello by Antonello Manzo. Images by Giovanni Brunetto; Photography by Angelo Jaroszuk Bogasz; Layout by Important Records. Mastering by Giuse…
Alchemic Heart
"Alchemic Heart is a special project presented by Vampillia who have colored these two colossal compositions with beautiful contributions by members of the Boredoms, Jarboe (ex-Swans), Inswarm and Japanese Noise-God Merzbow. Layered strings, piano, bass, noise and voices are weaved mysteriously and expand as two magnificently parallel aesthetic worlds. Comprised of two pieces, 'Sea'/'Land,' a primitive landscape is created via listening and destroyed when the pieces are complete. Vampilli…
Letters Never Sent
Alina Kalancea is a sonic alchemist who can warp and weave electronic signals into complex tapestries of synthesized analog timbre. These transportive environments were recorded using the artist's personal collection of historic Buchla electronic music instruments including Allen Strange's expanded Music Easel. Letters Never Sent, Alina Kalancea's second full length for Imprec follows 2021's double LP titled Impedance and is being released at the same time as a new cassette titled Alchemy. Kalan…
Music For The Film "Who I Am"
Misha Panfilov's "Music For The Film 'Who I Am'" is a soundtrack composed for Sofia Kruusamägi's short dance film. The music is characterized by repetitive rhythms and patterns, a deep groove, and a blend of hypnotic and evocative sounds that reflect the artistic and emotional depth of the film. Originally recorded in June 2021, it was released as a lathe cut in 2022 and showcases Panfilov's skills as a composer, multi-instrumentalist, and producer. The soundtrack captures the film's introspecti…
Corsano Baiza Watt Trio
Yucca Alta Records is ecstatic to present our inaugural release: the debut, self-titled LP from the Corsano Baiza Watt Trio.
Color of Time II
*200 copies limited edition* Past Inside the Present is proud to begin its summer slate with a new, full-length suite from Color of Time, the duo comprising label veterans Kévin Séry (aka From Overseas) and Nick Turner (aka Tyresta). Each artist is known for his own kind of spacious, heart-rending drone, and on II, they occupy a sonic universe in which melancholy themes linger over drifts of harmonic guitar and arrays of intricate detail. The delicacy of these environments results from a passion…
Los Angeles, Not the Totimorphous
Los Angeles, Not the Totimorphous surveys The Haters’ uncompromising presence in Los Angeles, led by GX Jupitter-Larsen since 1979. This documentation compiles both contemporary and archival performances: the 2024 45th Anniversary Show at Coaxial Arts Center with GX, AMK, John Wiese, and Elden M weaponizing transistor radios, turntables, tape, and rust; a 2011 suitcase-smashing set at LACE; and a 1991 event devoted to tearing paper. Each iteration presents entropy and action as its own aesthetic…
Opus 17
* Double CD edition. Metallic silver ink printed on high gloss paper * Eliane Radigue's complete Opus 17, her finest and final work created using feedback, is contained on this double CD. With Opus 17 Radigue perfected her slow mixing technique with sublime results. Imperceptible transformations envelop the attentive listener who is confronted with an immensely physical experience. Time is suspended in powerfully poetic and artful ways as Radigue masterfully sculpts the physical matter of sound …
11 Dec 80
11 Dec 1980 is a two CD set containing Eliane Radigue's live performance of Chry-Ptus (1971), her first work for modular synthesizer, and the world premier of parts one and three of Triptych (1978). Triptych part 2 is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has charact…
Triptych
2024 small repress. "Back to music after three years of silence... On the suggestion of Robert Ashley, Douglas Dunn commissioned this piece from Éliane Radigue for choreography. Only the first part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27 1978. Recorded in the composer's studio in Paris. After the premiere of Adnos I (IMPREC 028CD) in San Francisco in 1974, a group of French students introduced Éliane Radigue to Tibetan Buddhism. When she returned t…
Vice Versa, Etc.
2021 restock. "Includes liner notes & archival photographs. 1970 was an important year in Eliane Radigue's musical life since it was the year just before she acquired her ARP 2500 synthesizer. Since 1967, she had been using the feedback as a material; feedback from two tape recorders reworked through intensive studio techniques: slowing down, alteration, superimposition, montage. In 1970, the last year she dedicated to feedback, several milestone pieces saw the light of day: Omnht, a wonderful s…
Central Palace Music
Central Palace Music, performed by Catherine Christer Hennix's just-intonation ensemble The Deontic Miracle, is the first in a series of archival Hennix releases to be issued via Imprec. This previously unheard piece was taken from an eight day festival organized in the Spring of 1976 at the Museum of Modern Art in Stockholm. The group features Catherine Christer Hennix on Renaissance oboe and custom sinewave generators, Peter Hennix on Renaissance oboe and Hans Isgren on sheng.Central Palace Mu…
Live At Issue Project Room
BLUES ALIF LAM MIM IN THE MODE OF RAG INFINITY/RAG COSMOSIS is a new composition from Catherine Christer Hennix's expanded just-intonation ensemble, the Chora(s)san Time-Court Mirage. This expanded ensemble includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, an expanded brass section with the addition of Paul Schwingesnschlögl and Elena Kakaliagou as well as the additon of Marcus Pal and Stefan Tiedje on electronics.Packaged in a lavish, oversized letterpressed jacket …
Live
Magnificent reissue of this tape obscurity from 1980, Cluster's eighth album (the first of three live LPs) originally released on the YHR label (which was curated by Pump's David Elliott), also including archival material never before issued on CD. With so much stuff from this era coming to the surface recently it's sometimes easy to get blasé about it all, but this is one you really ought to give your fullest attention to. As the title says, this was recorded live in Vienna in 1980 at th…
Requiem
On Requiem, Vancouver-based composer and musician Anju Singh combines funerary violin and harsh noise, as illustrated in an excerpt from liner notes by Gordon Ashworth (Oscillating Innards, Knelt Rote): "Requiem is an album of the violin engaged in a multi-dimensional way. Merging forms of music and anti-music; burning a violin as a means of achieving the instrument's ultimate dramatic and sonic potential, and guiding the ritual object into a symbolic death."
Singh is recognized in the noise w…