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Lentifero
Cancrena III is a solo side project from [fla] - Splinter Vs Stalin. Death ambient - drone - lofi - hopeless and slow cancer. Limited edition. 50 hand-numbered copies in special cardboard sleeve (black/silver). Typographic print.
Diabolik
Solid power electronics by E. Gorreri. Dedicated to Diabolik of course. (past works: split with The Rita, with Macelleria Mobile di Mezzanotte, with Fecalove and with Splinter vs Stalin)
Ponytail, Ponytales
Tommaso Clerico and Luca Sigurta' mixed noise, ambient, fake hip hop and weird techno: the new frontier of melanchofreak or if you prefer a ride on deformed flying horses. Second album full of guest stars, from the legend of American noise To Live and Shave in L.A. to the giants of no(w)wave Zeek Sheck and MC Trachiotomy, plus some incredible Italian artists such as Bologna Violenta, Madame P, IOIOI and Trashsound.
Document
Corrado Altieri (CANDOR CHASMA, TH26, MONOSONIK) gives us an extraordinary synthesis of electronic noise music playing only analog and digital equipment without computer assistance. From power electronics to drone music with a master impro touch.
Moltiplicazioni
Distorted digital sound with interesting sides of matter. Borghi gets the electro-acoustic music out of quicksand showing an hot and dark way to escape. Made using custom max/msp applications, analog effects and varied sound sources. Great first work! "Andrea Borghi’s solo album is ultimately more rewarding for its (relative) sparseness, with some unspectacular but extremely effective laptop treatments adding some fizz to his thrummed fuzz bass jams. It’s still a case of listenin…
UNO
Recording between 2015 and 2016 in Venice during the 56th Biennale of International Art and in Pietrasanta at Molize Studio.Mastered by Riccardo Mazza.
Tropico
Second album after well acclaimed Xax, Tropico is the proof of Vipcancro’s ability to make trips over the edges of industrial-drone-noise exploring several aspects of contemporary music too. Maybe avant or maybe impro, amazing music of course!
Eternally now
More music by Gianluca Becuzzi (see Vital Weekly 810 for his previous release), and another one that doesn't reveal much in terms of information. Just a titles and the year it was produced. Its however some kind of concept album. The opening and closing tracks are 2:33 each, while the three tracks in the middle last 12:48. Also from the titles there are similarities: 'Culture vs Nature', 'Nature vs Culture', two parts of 'The Essential Nowhere' and 'Rings Of Time'. Probably that should give the …
Slow And Distant Corrosion
*50 copies limited edition* Lichen functions like nothing else on earth. This combination of algae, fungus, and bacteria serves as a keystone species to keep the entire ecosystem healthy and on track. Thanks to their ability to take nutrients from air, sun, and rain, and their capacity to survive with very low water contents, these species can thrive on every continent, including Antarctica. They can spread their secondary metabolites that make the rocks slowly flake off, participating in soil f…
Lullabies And Other Stories
CD edition. Solo album by Walter Prati, here back on his cello driving us through an illuminating and sublimative journey. Walter Prati’s composition for cello seems to interpret this range of facets, these transparent and elusive angles. Contemplative music, to a certain extent, but also ready to express fragments lyrically, and their rushing to compose a mosaic. For reasons I cannot explain, I catch a glimpse of several iridescent colours, between turquoise and hard blue with odd crimson strip…
Stridulum (The Visitor)
"Stridulum (aka. The Visitor) is a 1979 sci-fi horror that featured a star-studded cast including Mel Ferrer, John Huston, and Shelley Winters. The score was written by Italian composer Franco Micalizzi and while the movie wasn't a huge commercial success, the soundtrack became a favourite amongst collectors even if Micalizzi is still best known for his Poliziotteschi scores and collaborations with director Umberto Lenzi. His trademark sound was still there for all to hear and now three key cuts…
European Recordings Autumn 1964 - Revisited
"Albert Ayler With Don Cherry European Recordings Autumn 1964 Revisited” in this context will inevitably make some people think of Revenant, the label that in 2004 issued a nine-CD box of Albert Ayler materials, almost all of them rare and unissued. The release prompted some revisionist thinking about Ayler, who has remained a controversial figure in modern jazz, hailed as a genius, dismissed as a hoax or a man in the grip of an autism, an avant-gardist who suddenly decided to be a populist inst…
Music for Tomato Plants
Tip! Loris S. Sarid is a Rome born musician and sound designer living in Glasgow (Scotland). Music for Tomato Plants was born while taking care of a little tomato plant, grown on the windowsill of his flat during the winter 2020. The album is a homage to the unapparent courage of simplicity, and the beauty and lightness of the most ordinary things.
“In the same spirit of Mort Garson, Green-House and others who synthesize the natural and musical worlds, this ambient serenade for tomato plants is …
Close Your Eyes, You Can Be A Space Captain (Book+CD)
The book details the history of The Legendary Pink Dots, the band well-known for combining melody and mood in beautiful, haunting songs and soundscapes. This book documents the band’s first decade in all its despair and glory. Based on their extensive discography, it combines facts and confabulation from various members of the Legendary Pink Dots and close associates. With unique images and an exclusive compact disc featuring Dots-songs from the 1980s (including two previously unreleased ones!) …
Nul Nul - The Complete Edition
In October 1984, Frans de Waard started his Korm Plastics label and his music project Kapotte Muziek. Shortly after, a fellow student, Christian Nijs, joined him as a musical partner. They quickly released a few cassettes and contributed to international compilations, and Nijs started a short-lived label, Disabuse Transmissions. In the summer of 1985, they published the first issue of Nul Nul, a fanzine, to promote their projects and to support the industrial music scene in The Netherlands and B…
Musique pour le film d’un ami
First ever reissue of impossible to find French soundtrack. Mixing elements of spiritual jazz, free funk and dirty grooves, the album was mixed by Jef Gilson.
Maison Rose
*2022 repress.* An album such as this obviously owes a lot to the atmosphere in which it was recorded, which we can imagine was magical. We know it took place in Fromentel, Normandy, in a farm converted into a studio by the producer Jacques Denjean, known for his work with Dionne Warwickor Françoise Hardyas well as having been a member of the Double Six. It was also at Fromentel, that Denjean would record two fantastic albums with Albert Marcoeur. When Emmanuelle Parrenin followed in his footste…
Quetzalcoatl
Before coming to Europe, in 1970, pianist Manuel Villarroel was a vet in his native Chili. A few years later, as leader of the Machi Oul Big Band, he returned to the animal kingdom. A very specific kind of animal, for sure, the Quetzalcoatl, also known as the Feathered Serpent. What is behind this title (also the name of one of the three original compositions on this album released on the Palm label in 1976), is first and foremost a sort of homecoming…
After discovering the jazz of Herbie Hancoc…
Terremoto
To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful. Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Ma…
Madagascar Now - Maintenant 'Zao
** Carefully remastered. 4 page booklet with rare and unpublished photos ** While he was working on the repertoire for the new version of his group Malagasy, with young Malagasy musicians he had met in Paris in 1972 (and who can be heard on the album "Malagasy At Newport-Paris"), Jef Gilson realised that two of his new discoveries, in addition to being established polyinstrumentalists (who both had sharpened their skills in the legendary seja-jazz band from La Réunion, Le Club Rythmique), were a…