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2025 stock ** "The 7th full-length album from the Russian masters of "stockmarket industrial". "Styx" is the most mainstream-oriented work in the Cyclotimia discography. The music here is free of experimental and academic explorations traditional for the band; here the emphasis is made on the rhythmical component. Inexorable like an economic recession and steadfast like a financial indicator chart, eleven compositions depict the sickly technogenic reality of the planet wrapped by networks of glo…
2010 release ** "As the title suggests, the new work by Russian masters of electronic soundscapes represents a score to an imaginary sci-fi movie. The musicians call themselves admirers of old-school Sci-Fi / Cyberpunk genres, and for a long time they have felt a desire to make some music inspired by soundtracks of sci-fi blockbusters from 70-80-s... Spaceship battles, alien colonies, teleportation and mysterious droid ceremonies are only part of the images created by this music. The album conta…
2000 release ** "Entropy Stereo Recordings presents Branches by Northwoods Improvisers. This album represents a slightly different approach for the group. While the Northwoods have collectively used a wide variety of instruments on previous recordings, here they choose to explore the possibilities with the marimba, bass, and drum combination. The album opens with the original composition "Kuntu" which launches into a high energy 7/8 African groove. In fact, rhythms are the key to Branches. Throu…
Killer. Edition of 300 copies, black vinyl 180gr. At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficul…
The soundtrack of “100,000 Dollars for Ringo”, composed by the talented Bruno Nicolai, stands as a cornerstone of the Italian Western music scene. This 1965 film, directed by Alberto De Martino, tells the story of Lee Barton (played by Richard Harrison), a gunslinger returning to his hometown in search of vengeance and redemption. While it adheres to the classic narrative tropes of the Western genre, the film distinguishes itself through its emotional intensity and some creative directorial touc…
Tip! A lost bit of 70s Italian modal jazz, with spiritual overtones and global percussion from drummer extraordinaire Tullio De Piscopo – an incredible set of heavily rhythmic grooves recorded in Milan in 1978 – originally a tiny edition effort on Carosello Records, and the most impressive rediscovery yet from New Platform! For the occasion, the Tullio De Piscopo Quintet meets Argentine percussionist Luis Agudo, who played for years alongside Brazilian guitarist Baden Powell and later with the…
Tip! Despite the title of the album, it is the Tullio De Piscopo's third work, recorded in 1976. Comprising nine tracks in total across its two sides, “Vol. 2” falls somewhere between fusion and prog, straddling darker, brooding temperaments with joyous, funky lines. Predictably, as is nearly the case with music of this sort, the playing and artistry is top-notch, the band locked together with remarkable precision, but the journey that “Vol. 2” takes is far from expected. Interspersed throughout…
2024 Repress. LP version, originally released 1997, the first Jim O'Rourke album for Drag City. "Make no mistake, Bad Timing is not a pop album by any standards. But it is a musing on popular standards and uses much of the same instrumentation that many of our country's most popular records have. Yes, Bad Timing is a theme record, Jim O'Rourke's pop opera, just waiting for someone to come along and play with it. Based on John Fahey-esque 6-string acoustic guitar foundations, each of the three pi…
2008 release ** "Iron Molar, roots in the glorious HC of the 90s and present immersed in a noise that the CD artwork denounces as blatantly bastardnoisian. Luckily appearances can be deceiving and, I don't know if intentionally or not, their path takes roads far enough from the noisy rallies and rarefied panoramas of the Bastard Noise project, to face a middle way that is certainly not innovative but at least detached from too easy comparisons. In the tracks of Sounds For An Awesome Suspension …
2001 release ** "For his first CD, Laurent Grappe has created a fascinating electro-acoustic tale. Le Luxe de la Réflexion! (The Luxury of Reflection!) blurs distinctions between field recording and acousmatics, urban and rural, French and Arab. At the center of the work is Isabelle Bassil, a Lebanese woman splitting her time between France and Lebanon. Her life experience, bridging two cultures, provides the main thread. Her interventions are spoken in Arab and other protagonists speak French, …
2003 release ** "Justin Bennet, Anne Wellmer and Stephie Buttrich fuse minimal electronica and free improvisation in a set of 16 warped and lovely songs."
2001 release ** "Gravitar were an American band who appear to be influenced by K.K. Null’s work in Zeni Geva, with similar dense walls of oppresive guitar but more expansive in it's approach. Self-proclaimed as the "world's loudest Jazz band" and described by WM. Rage as "Too noise for rock, too rock for noise...". Extreme music inspired by everything from Charlie Parker to John Zorn to the sound of breaking glass. Heavy and harsh walls of psychedelic noise!!!"
2004 release ** "First edition of Nick Grey's debut album: an unexpected, elegant cross between avantrock and classical music, not far from the Tindersticks' poignant laments, David Bowie's "Outside" LP and Current 93's haunted ballads. "Regal Daylight", which features the participation of Nick's father, Romanian tenor Vasile Moldoveanu, is a hypnotic, lyrical and intimate experience."
1998 release ** "This big band, led by T.S. Heg (alto sax & keyboards) is nominally a 'jazz outfit', but since in addition to lots of reeds, brass, bass and drums, they work with guitars, synths, sampling, etc., it's a fairly safe bet that this isn't 'just' a jazz album. Mostly structured with some very crazed, free parts, I guess you could compare them to Doctor Nerve in that regard, even though they sound nothing like Nerve."
2002 release ** The 10 year anniversary full-length CD from the trio Stilluppsteypa with all new music, the last album recorded with Heimir Bjorgulfsson who has left the group. The most melodic and rhythmic Stilluppsteypa ever! Contains a 20-page booklet with texts on the history of the band by people such as Andrew McKenzie, Jim Haynes and Frans De Waard.
After their excellent Polydor debut suffered from lack of promotion, Second Hand’s sophomore LP surfaced on Mushroom, the noncommercial label formed by Vic Keary, Mike Craig, and Neil Richmond, allowing for unfettered experimentation. With George Hart on bass, new frontman Rob Elliott and drummer Kieran O’Connor on vibraphones, Ken Elliott takes melodic command on Mellotron, piano and organ, the disc a freakily esoteric juggernaut. This lost masterwork here comes with rare bonus tracks ‘Dip It O…
This extremely rare psychedelic album contains two long tracks, which provide an interesting forty-seven minutes long surreal experience for willing listeners. Led by Japanese guru Karuna Khyal, the band literally shows a narcotic and hypnotic groovy feel heading to massive bluesy tribal section. A cult in its own !
Think about Can as performed by a shaman commune ! Two long LP-side size compositions, focusing on tribal rhythms (without real drummer), heavy-folk and electronic samples and loops. Takahashi Yoshihiro (Brast Burn) was the man behind this cultish project originally released in 1974. Buried deep in time, this obscure artifact is something of a revelation. No group information was ever given, and no production date or location is indicated, however, it would seem that this record and the "Brast B…