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*2022 stock* Radio makes an impression, casting songs far and wide to end up on innumerable receivers, within countless ears. This instant of reception inserts a soundtrack to physical location and the encounters happening, intensifying music's ability to give emotional charge: a sound in the distance, playing on a stranger's ghetto blaster, or traveling from an open window, across a city street, to arrive at the moment to become forever associated with a certain happening, where song and event …
*2022 stock* 'I left Chile five years ago to try my luck in a Europe which was beginning to smell disaster. Cuts to civil rights at the same time that the process of privatizations, all shielded by a smoke screen erected by the "European crisis", seemed to me a sadly familiar scenario. I felt myself not only as someone coming from the end of the world, but also as someone coming from the future. In Chile the neoliberal model made its first roots over 25 years ago, leaving deep scars in a society…
*2022 stock* Essay, sentimental diary, and critical pamphlet, Techno Casa binds together the textual production originally composed for a series of eleven video works presented during 2013 through site-specific installations. Through an all-encompassing stream of consciousness, Riccardo Benassi delivers a critical reflection on the impact of technology in our daily relation to space, and how technological devices have radically altered the structures for living and organizing the real, from arch…
*2022 stock* Christof Migone's Sound Voice Perform documents the performance, sound, and video works of the Canadian artist. Working since the mid-80s, Migone weaves together a multitude of media, from radio to telephones to digital objects, to form a stunning and highly dynamic practice. Combining an acute sonic sensibility with performative usages of the body, video, and the voice, his work engages corporeal presence with a subtle invasion, unsettling speech and gesture through investigative a…
With its new project focusing on the songs of fishermen in Portugal, the FLEE platform attempts to combine in-depth anthropological research with a hybrid contemporary and artistic reflection on an important facet of Portuguese social and cultural history.
Through working songs from the 1940s, 60s and 80s recorded in the Algarve region, the project attempts to document the history of these fishermen, the nature of their hardships and often exploitative conditions, as well as their gradual encoun…
"Tradition belongs more to the present than the past. For three weeks Parisian cellist and composer Gaspar Claus met with traditional and modern Japanese musicians in a Tokyo studio to record Jo Ha Kyu. Performing with Claus on this piece are: Eiko Ishibashi (voice, piano, drums), Keiji Haino (voice), Kakushin Nishihara (voice, satsuma biwa), Ryuichi Sakamoto (piano), Hirochimi Sakamoto (electric cello), Sachiko M (sine wave), Otomo Yoshihide (turntable), Leonard Eto (wadaiko), Kazutoki Umezu (t…
Split release between ELEH and NYZ (David Burraston). Released alongside a full-length from NYZ via Important Records (IMPREC 453LP).ELEH: This side is possibly the artist's most complicated electronic composition. It navigates myriad timbral, tuning, and temporal processes while winding itself to completion. It was composed / constructed over a period of months in early 2019. NYZ: Two crunchy microtonal drone meditations in mono, using techniques of digital FM and hybrid analog / digital modula…
Beautiful ensemble performance of Duane Pitre's Feel Free including James Blackshaw on hammered dulcimer. LP pressed in an audiophile grade edition of 1000 copies.
Shortly after the release of Pitre's Feel Free, the composer set out for a 2012 solo tour in select European cities. To start off this tour he staged an ensemble performance of Feel Free, at London's renowned Cafe OTO. For his ensemble, Pitre chose to utilize only one veteran of a Feel Free performance (Jesse Sparhawk) and for th…
** Packaged in a deluxe, heavy duty tip-on gatefold sleeves printed by Stoughton; cut by Golden Mastering and pressed at RTI ** Alina Kalancea's Impedance is an entirely instrumental album spanning four sides, contains powerful rhythmic sequences, heart-beating frequencies and hypnotic loops that are paradoxically encapsulated in carefully crafted compositions which are full of secret passages and hidden doors. Kalancea's work creates ungraspable sonic experiences, which overtakes you, immersing…
Initially produced by Table of the Elements. Eliane Radigue's Adnos trilogy was composed between 1973 and 1980 and is among her finest compositions. Adnos is a deeply meditative work of infinite depth and sensitivity; one of the high points of modern minimal electronic composition. Packaged in a heavy duty 3CD jacket much like the recent Eleh releases and containing extensive archival materials.Eliane Radigue has composed for magnetic tape and electronic media since the late 1950's, when she st…
The second volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern:…
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
Death is Not the End teams up with folklorist Derek Piotr once more for this bumper archive of North American folk music, this time focusing on every version they could find of the ballad 'Lamkin'. It's a fascinating study that displays how a standard was able to shift and evolve as it moved from person to person over the decades.
London's Death Is Not The End rope in folklorist Derek Piotr to curate another mystical collection of crackly mountain music from North Carolina. Powerful, soul-stirring unaccompanied vocal music.
Tip! A collection of stunning Persian-tuned piano pieces cut from Iranian national radio broadcasts made for the Golha programmes between 1956 & 1965... Morteza Mahjubi (1900-1965) was a Iranian pianist & composer who developed a unique tuning system for the piano which enabled the instrument to be played in all the different modes and dastgahs of traditional Persian art music. Known as Piano-ye Sonnati, this technique allowed Mahjubi to express the unique ornamental and monophonic nature of Per…
A second volume of late 50s and early 60s Cambodian slow rock, pop and R&B tracks - following the first volume's featuring as compilation of the week on Lauren Laverne's BBC 6Music show. From the late 1950s onwards a music scene developed around Cambodia's capital Phnom Penh, inspired by the prevalence of imported rock & pop records arriving in the country from US & UK and also chanson and bolero records from France & Latin America. This collection documents some of these early home-grown slow r…
From the late 1950s onwards a music scene developed around Cambodia's capital Phnom Penh, inspired by the prevalence of imported early rock & pop records arriving in the country from US & UK and also chanson and bolero records from France & Latin America. This collection documents some of these early home-grown slow rock, pop & rnb 45 recordings from the early 60s, prior to the further embrace of US psych & garage rock-orientated sounds in the mid 60s and into the Vietnam war era.
*Limited, numbered edition of 50 copies.* 'After the passing of Keith Brewer last year, I talked with Peter Zincken of Nihilistic Recordings about what happened. Taint was among the first noise projects I discovered and I’ve been faithfully following wherever Keith went. This journey turned out to be highly rewarding as Taint and later Mania became a great source of inspiration. In 1989 Keith released his first tape as Mysogyny on Big Body Parts in The USA and Nihilistic Recordings in the EU. Th…
*Limited, numbered edition of 100 copies.* New York City-based Kjostad is the moniker of Stefan Aune, who is also involved in Form Hunter and Breaking the Will, in addition to running the New Forces label. Capturing highly personal sounds focusing on northern Minnesota, Aune adds layers of electronics and magnetic tape, weaving an organic tapestry of man-made and natural sonics. Captive explores the physicality of organic sound and the productive tension that arises when it is captured via analo…