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Creutzfeldt Jakobs is a strange instrumental pop band from Malmo, Sweden; their music is "inspired by old BBC-soundtracks and early 80´s balkan-synth scene, composed and recorded using old synths, tape decks and other forms of obsolete technology"; their songs talk about the history of the Soviet Union, with particular interest for the Perestroika-era. Well, something bizarre enough to make us fall in love immediately! "In the bright darkness" is a romantic concept album about the illusions, dr…
Evanescent lights in the night. Dirty cities. Cruel concrete buildings soaring in an ashen sky. On the paths of our imagination, dreams and fears intersect, generating accidents and strange mythologies of a near future. Cavern plays with the anguished fantasies of retro-futuristic sci-fi to compose deep and pulsating music that conveys a sense of agonizing wait. Here in the HDK headquarters we immediately fell in love with Cavern's music and decided to publish a cassette anthology entitled "Mon…
*100 coipes limited edition* Welcome to the third and final episode of the Perils in the slums saga! In the previous episode ("The corrupt magicians") our heroes found a key with a strange symbol, the same one they saw on the closed hatch in the orcs' basement (see Perils in the slums 1: the orcs commune). They then decide to return to the city sewers, re-cross the orcs' hideout and try if, as they think, the key opens the mysterious trapdoor. Obviously it works! They will get access in a new le…
In Italy, the Berlin School style of Electronic Music has found poor diffusion in the '70s; few were the musicians who have followed the German cosmic way: surely the most important among them was Baffo Banfi, keyboardist of the prog-band "Biglietto per l'Inferno" and author of beautiful albums with funny titles such as "Galaxy my dear" (1978) and "Ma, Dolce Vita" (1979), that we recommend everyone to listen to. It’s a pleasure to meet today in Italy new disciples of the cosmic couriers such as …
Double CD version...A masterpiece! RVNG seem to be doing an enviable job of unearthing some of the most pre-eminent performers of progressive synthesizer and horizontalist ambient world music and this guy, whose stunning 'Osmose' is rarely off my record deck, is surely one of the most treasured. His work during the 70s is, quite simply, incredibly important to lovers of esoteric spiritual synth music and will leave you with a massive helpless grin and a notable dearth of tension in your m…
For Moussavi Atrium is a brand new 38 minute piece from Eleh written for performance at the Cleveland Museum Of Contemporary Art (Cleveland MOCA) on September 28, 2013. " walks into a bar and asks for a pint of beer, the barman scowls at him and refuses. When pressed as to why, he says "I don't like your tone." Meanwhile a drunk in the corner tries to start a chant of "Eleh, give us a wave"...probably a sine it's time to leave.Yup, here's another tonal meditation from extreme minimal chappie…
One-time edition of 480. Eleh's Home Age series was composed and recorded over a period of five years and it reflects a search for color, form, connection, and growth. The handmade artwork contained in each package was created during the same period of time the music was composed and is an integral part of the meaning of Home Age. For this release, Eleh plays modular and analog synthesizers, piano, organ, bass, and symphonic chimes. Although Home Age is a two-part set, Eleh's upcoming Living Spa…
Black Truffle present the latest offering from underground legend Richard Youngs. Hyperactive since the late 1980s, Youngs is widely celebrated for his remarkably extensive and varied body of recordings. His works range freely over a vast terrain, wandering from tender acoustic balladry to raging psychedelic noise and orchestral D-beat, always imbued with his distinctive, often mournful, melodic sensibility and irrepressible sense of joyous experimentation. Comprised of two side-long pieces, CXX…
Works by Vladimir Ussachevsky, Otto Luening, Pril Smiley, Bülent Arel, Mario Davidovsky, Alice Shields . In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he dev…
Works by Bülent Arel, Charles Dodge, Ingram Marshall, Ilhan Mimaroglu, Daria Semegen, Alice Shields. The Columbia-Princeton Electronic Music Center was the first electronic music center to be established in the United States. From 1959 to the late 1970s, it was one of the premiere sound facilities in the world. The vast majority of pieces composed at the Center - approximately three hundred - were composed during this period. Some have become classics of music history. This selection, draw…
Philip Corner was an active member of Fluxus, a founder of the Tone Roads Chamber Ensemble, the resident musician and composer for the Judson Dance Theatre, and co-founder of Gamelan Son of Lion. The musical opportunities that these ensembles and their performances offered Corner ensured that he was both prolific and had or developed a deep understanding of the important artistic influences of that time. Corner uses a variety of scoring methods. He is truly the equal of John Cage in forcing us t…
** 2021 Stock ** Arte Quartett: Beat Hofstetter, soprano saxophone; Sascha Armbruster, alto saxophone; Andrea Formenti, tenor saxophone; Beat Kappeler, baritone saxophone Terry Riley, vocals, piano and harpsichord (Uncle Jard) A free spirit, maverick par excellence, creator of a personal compositional style that has spawned entire generations of epigones, Terry Riley (b 1935) embodies the best aspects of the American pioneer spirit, the positive and uncorrupted image of America (and California i…
Recorded during two days of extreme weather, Eleh's Snoweight conveys the mesmerizing force of a winter storm with sonic realism and romanticism. These two new compositions evoke both warm security and wild, blanketing intensity in ways that are both emotionally arresting and time stopping.
ELEH's Harmonic Twins is a slow moving monophony tuned to the overtone vocalizations generated by a particularly beautiful sound sculpture made by Harry Bertoia. These two pieces are inspired by early music, choral masses, motets, the cathedral reverberations of sacred geometry and deep bass. Harmonic Twins was originally debuted by ELEH at Unsound, Krakow in 2017.Harmonic Twins was pressed in an audiophile edition of 500 copies and is packaged in a heavy duty sleeve printed with metallic inks. …
Important Records present the first part of a re-release of Eleh's influential Radiant Intervals, originally released in 2010. Radiant Intervals is a meticulously nuanced and restrained exploration of the rhythmic and harmonic relationships inherent in pure analog frequencies, using a blend of intuitive and mathematically based tunings. Dense patterns of sound slowly unravel and are woven together again in new ways while harmonics hover and shift overhead. Radiant Intervals is a purely anal…
Ussachevsky was one of the most significant pioneers in the compositon of electronic music, and one of its most potent forces. He produced the first works of “tape music,” a uniquely American synthesis of the French musique-concrète and the German pure electronic schools. He co-founded the Columbia-Princeton Electronic Music Center in 1959 and directed its course for the next twenty years as the leading electronic music studio in the United States. This release couples two of his most powerful a…
Thollem McDonas : “This is the third trio album Nels and I have made together, each time with a different 3rd partner. The previous two were The Gowanus Session with William Parker and Radical Empathy with Michael Wimberly. Though each session has been unique in itself (different prescribed approaches, the environment and of course the uniqueness that each individual brings), there are definitely overarching themes pollinating each album. As the instigator of each of these sessions, I’ve always …
Small repress available, in process of stocking. Includes a facsimile of the original lyric sheet, liner notes, a letterpresses bookmark and an instant download.Buchla synth supremo Todd Barton’s hyperstitious soundtrack to Always Coming Home, an ‘80s American sci-fi novel by author Ursula K. Le Guin, is yet another ingenious recording dug out for reappraisal by Pete Swanson and Jed Middleman’s Freedom to Spend label - a division of RVNG Intl. Expect alien folk songs in made-up language, set to …
Cien Fuegos present a reissue of Sven-Åke Johansson's Schlingerland / Dynamische Schwingungen, originally released in 1972. Sven-Åke Johansson (Mariestad, Sweden, 1943) works as a composer, drummer, accordionist, poet, and visual artist. Longtime collaborator of the free improv scene in the German '60s with Kowald, Brötzmann, Schlippenbach. He contributed to numerous exhibitions, publications, and recordings. Sven-Åke Johansson - drums. Recorded 1972 in Stockholm, Schweden. Engineered by Göran F…
When two ex-Chausse Trappe and two members of Papier Tigre and La Colonie de Vacances got together mid-2017 to try out some of Meriadeg Orgebin’s ideas, it soon became the band Spelterini. Named after the tightrope artist Maria Spelterini, their music is always on the edge, tense yet flexible. They make their own fabric based on minimalism, drones, feedback and every accident, break or any other part is captured by the band and fuels the creative process, reenacting each performance and enhancin…