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Concierto n° 1 para piano y orquesta \'Atlántico\' / La Luz del
Canary folklore: the Concierto Atlántico is based on two motifs that have been "united with the almost obsessive rhythm of the tango herréno, an essential element of the oldest folk music of the island." The piano piece Latir Isleño, on the other han…
Der Abgrund
"Der Abgrund is the last act of an unsolved theorem which must remains the same. It's the arcane enchanter of a denied truth since mimesis of itself, as not manifested manifestation that nevertheless perseveres on its concept of form beyond the form.…
Piano Works
Jan Philip Schulze has been playing Henze’s piano works “in his sleep,” as he says. Indeed he has worked with the composer intensively on every piece, yet during the recording sessions he was noticeably surprised, while listening back to recordings, …
Darmstadt 2004
The "devil's organist" in action: if you really want to know what the "Queen of Instruments" is all about, make sure to experience Wolfang Mitterer play it live.Mitterer's organ event at Darmstadt in 2004 included not only works for organ solo but al…
Eclipse
Originally released in 1975 as an LP on Iskra Records (ISKRA-001). 'First session 1: Gradually Projection'. 'First session 2: Gradually Projection'. 'Second session: Mass Projection'. New Direction Unit are Masayuki Takayanagi: electric guitar. Kenji…
I Love My Organ
The bulk of the material on Tom Recchion's second album for Birdman was recorded just after the completion of Chaotica in the mid-'80s, and sounds like a natural continuation of that record (despite the absence of any Esquivel). Recchion is assisted …
des Nichts, verlorene Schatten / l\'étendue des fins éclats, épa
Concentrated chamber music: Gerald Eckert captures the world of sounds in its manifold forms and shapes with meticulous care and maximum individuality.
Way Out
The Books have a terrific sense of humor-- and it makes The Way Out, an album built on eccentric vocal samples, a good-natured discovery instead of a cheap piece of mockery. Imagine if a blog had posted these clips of goofball hypno…
Glissando n.1
Restocked “A trance-tape piece, constituting the entirety of the genre called Illuminatory Sound Environment, composed in the 70s in response to Catherine Christer Hennix’s “Electric Harpsichord. ” John Berdnt’s enthralling liner notes explain ISE as…
Ktl
KTL is a collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). This is a six-part collision amongst the increasingly fading presences between the light and the dark, with some pieces recorded in a resistance…
Beasts Of No Nation / O.D.O.O.
After helping Fela Anikulapo Kuti with Teacher Don't Teach Me Nonsense, Wally Badarou then produced Beasts of No Nation. Another album that has been combined with this one is the 31-minute "ODOO (Overtake Don Overtake Overtake).
The butterfly and the bee
Following the success of their very first performance together at the 2004 FREEDOM OF THE CITY festival (heard on Emanem 4215), Roger Smith and Louis Moholo-Moholo went into the studio to record some more. Their second meeting went so well that they …
s/t
Born in 1934. Boeswillwald took an eclectic engineer training (electronics, sound recording) of fine arts (decorative arts) and theatre, and at the Sorbonne antique theatre. In 1953, he discovered the Sorbonne maison des lettres studio founded by …
Tempus Rei
The second part of Castle sonorisation serie by Alio Die, an epic and intense album with two long tracks, where the usual drones and loops, zither and field recorings go deep intoxicated into an old time surrealism. Limited 300 copies!
DW 17: Doubles / Schatten II
The unfolding of the differences is succeeded by ever new ramifications, versions, series. DW 17 Doubles/Schatten II as a new phase in the DW-Kosmos.
Quando Stanno Morendo
Works of art are often triggered by private events. Sarà dolce tacere (1960), for example, was written on the occasion of the 40th birthday of Bruno Maderna, Nono's (former) teacher and close friend; and also in 1960 Nono wrote Ha venido for his daug…
Musica Viva 13
In his Dis-Kontur and Sub-Kontur, the young Rihm strongly revolted against the emotional coolness he en-countered in the style of the musical avant-garde.
Chamber Music
“Art can give us a sense of the infinity of existence, the singular unity of all beings and phenomena as the apparent dualism between the inner and the outer is dissolved. Art can allow us to experience what it means to be alive. It can lead us back …