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Subversion
Subversion’s lone self‑titled effort is a jagged artefact of post‑punk dissent: sharp‑edged guitars, brittle rhythms and urgent, slogan‑skewering vocals carving out songs that feel like manifestos scribbled in the margins of a collapsing system.
La Vieille Que L'On Brûla
La Vieille Que L'On Brûla by Ripaille is a baroque‑tinged prog fable: harpsichord‑like keys, acoustic guitars and theatrical vocals recounting witch‑trial tales with a mix of pastoral charm, satirical bite and intricate arrangement.
Quad Sax
Quad Sax’s self‑titled release revels in the possibilities of four saxophones and nothing else: tightly voiced chorales, pointillist counterpoint and raw honks spinning from cool modernism to playful chaos without ever touching a rhythm section.
La Clef Des Songes
Pentacle’s La Clef Des Songes unlocks a distinctly French prog dreamscape: lyrical vocals, flowing guitar work and subtle symphonic touches combining into songs that feel like folktales told in shifting, mist‑lit harmonies.
The World Of Genius Hans
The World Of Genius Hans finds Moving Gelatine Plates stretching out into longer, more intricate forms: extended suites, rich horn voicings and mercurial grooves building a strange, storybook universe where virtuosity and eccentricity walk hand in ha…
Moving Gelatine Plates
On their self‑titled debut, Moving Gelatine Plates fuse Canterbury whimsy with French jazz‑rock bite: knotty horn lines, fuzz bass and nimble drumming tumbling through tunes that are as playful as they are technically fearless.
L'uccello dalle piume di cristallo
* Black vinyl edition. Gatefold cover * Dario Argento’s opera prima ‘L’uccello dalle piume di cristallo’ was premiered in 1970 and marked an historical and revolutionary debut, being a truly original and innovative thriller. The stylistic choices of …
Il gatto a nove code
2025 much-needed repress. Black Vinyl. "Il Gatto a Nove Code" (The cat o 'nine tails), filmed in 1971, is the second film by Dario Argento, a horror thriller still distant from his horror works for which he will later become famous on an internation…
Et après...
Mémoriance’s Et après... is a cinematic slice of French symphonic prog: narrative suites, mellotron swells and dramatic vocals unfolding like a dystopian concept film scored for rock band and orchestra in miniature.
Racines Synthetiques
On Racines Synthétiques, Joël Fajerman and Jan Yrssen plant electronic seeds in pastoral soil: vintage synths, sequencers and string machines tracing lyrical miniatures that imagine nature re‑composed through early‑digital circuitry.
Les Poumons Gonflés
Les Poumons Gonflés finds Etron Fou Leloublan at their most joyously unhinged: jagged rhythms, rasping horns and yelped vocals tumbling through songs that splice punk urgency, free improvisation and absurdist theatre into something uniquely volatile.
Blå Vardag
Blå Vardag (“Blue Weekday”) by Atlas is a slice of Scandinavian jazz‑rock melancholy: Fender Rhodes, sax and supple grooves painting portraits of urban drift where fusion chops serve an atmosphere of cool restraint and pale‑sunlight introspection.
Someone Somewhere
Someone Somewhere was assembled from original tapes during the band's active period (73-77). Acanthe was a French Classic Rock/Prog band in activity in the mid 70’s (from 73 to 77), but that has never seen its music reflected on a official release. F…
The Rapist
Scorpion Violente’s The Rapist is a deliberately abrasive slab of minimal synth sleaze: cheap drum machines, monotone vocals and lurid basslines grinding through repetition until the line between satire, menace and dark humour becomes productively un…
Morricone (Complete Film Music Discography) - book
368 pages, simply titled Morricone, a sprawling — and rather massive looking — catalogue raisonné centered on the Ennio Morricone extensive discography, this is actually the first comprehensive publication dedicated to his film music, which was able …