The musicians on the album were a combined who’s-who and who’s-gonna-be-who of their respective scenes: Brandee Younger (harp), Joel Ross (vibraphone), Tomeka Reid (cello), Dezron Douglas (double bass), Shabaka Hutchings (tenor saxophone), Junius Paul (double bass), Nubya Garcia (tenor saxophone), Ashley Henry (Rhodes piano), Daniel Casimir (double bass), Josh Johnson (alto saxophone), Miguel Atwood-Ferguson (violin), Jeff Parker (guitar), Anna Butterss (double bass), and Carlos Niño (percussion). In our original press release, we called it “an inspiring display of the organic global inter-connectedness of the Black American music tradition in 2018.” In our off-the-record conversations at the time, we said ‘it’s like Dr. Dre’s The Chronic, but for jazz’.

Universal Beings earned rave reviews across the board. It was a consensus year-end favorite (as seen in NPR Music, WIRE Magazine, New York Times, Chicago Tribune, LA Times, Rolling Stone, Vice, Stereogum, the list goes on…) that cemented McCraven as a must-buy album producer and a must-see live performer, and brought enough energy to our “plucky Chicago indie label” that we were able to move out of a closet and into an actual office.

The IA11 Edition of Universal Beings comes on classic black 140-gram vinyl 2xLP inside a heavyweight reverse-board jacket, with a 16-page 11x11" insert booklet (with unpublished photos and four conversations between IARC co-founder Scott McNiece and musicians Joel Ross, Junius Paul, Nubia Garcia, and Anna Butterss), IARC 2025 obi strip and printed poly-lined printed inner-sleeve. Pressed at Pallas in Germany, with lacquers cut by Daniel K at SST.