We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Deluxe vinyl edition of this legendary outta time private press LP, cut by the duo of electric guitarist Doug Snyder and drummer Bob Thompson in Ohio in 1972...Amazing, unique, celebrated, and genuinely rare artifact from Rural Ohio. After stepping out of a Stooges concert in 1971, Doug Snyder and Bob Thompson set up a studio in their kitchen and attempted to record a record HEAVIER than the Stooges. They were completely successful, and the resulting LP, their only release at the time (put out b…
"Probably one of the weirdest discoveries in the field of collectable German albums in recent years, Staff Carpenborg's sole output was first brought to the spotlight by the compilers of the celebrated Kraut! Demons! Kraut! CD series in the mid-'90s. Since then, rumors and interest about the album have risen exponentially since this weird record (and we mean WEIRD) is one of the earliest known examples of Kraut rock. How such a demented collection of tunes found their way on the budget Ma…
On a hot Minneapolis night in the summer of 2001, the legendary avant/jazz group Curlew played a scorching gig at the now-defunct Gus Lucky's Gallery. Gussie documents that evening: the veteran improvising group dispensed with their compositions altogether and took an eminently successful walk along the free-improv tightrope. The ever-evolving lineup featured George Cartwright (saxophones), Davey Williams (guitar), Chris Parker (piano), Fred Chalenor (bass), and Bruce Golden (percussion). A limi…
Improvising drone-rockers Bad Statistics hail from Wellington, New Zealand, hurling Nordic doom, kraut rock and feral skronk into an industrial blender, and delivering a noisy, prolonged earful of lethargic experimental nonsense. Vocalist and saxophonist Thebis Mutante sounds like Mark E. Smith with stomach ache on 'If I Were A Pint Of Milk', groaning and whinging his way through a moribund death rattle of a song, seeing out a twenty-one minute duration that feels approximately four times as lon…
RESTOCKED, last copies...Awesome Asmus Tietchens LP housed in a beautiful cover and blue vinyl limited edition "Every now and then Asmus Tietchens leaves his serious self behind, like an outta body experience, and enters the Aroma Club. Somewhere in the 80s he released four synth based LPs on Sky (and subsequently recorded on CD by Die Stadt), and then in the last years of the old millennium he returned to playing this kind of music on cheesy keyboards as Hematic Sunsets, producing by now, inclu…
long deleted, very few availabe...Many if not most of Derek Bailey's fans (I was going to write "hardcore fans," but aren't we all?) will be surprised at the existence of these extremely early solo recordings, originally issued by Incus back in 1973. Even for a label as unorthodox as Incus, the TAPS represented a unique but very short-lived experiment in "marketing"; basically, Derek decided that it would be interesting, cheaper, and "less formal" to issue some of his favorite recent solo improv…
Germany's answer to Daphne Oram or Raymond Scott - or more likely an elaborate wind-up perpetrated by Jan Jelinek, on whose Faitiche label her "archive" recordings sporadically appear - Ursula Bogner is back. Whether or not it's Jelinek behind the Bogner corpus (and I think by now we know the answer to that), there's no disputing the consistently brittle beauty, dizzying complexity and easy charm of her radiophonic constructions. You certainly get a lot of Bogner for your buck on Sonne = …
Phil Musra, Micheal Cosmic, Hüseyin Ertunç; Intex/Cosmic labels... these are LEGENDARY names from the US underground jazz music scene of the 70's... They released one LP under each name and if you got one of those rare gems, you'd easily feel LUCKY! Musra album came out back in 1974, more then 35 years ago... so we're really pleased here at Sagittarius A-Star to be able to present the come back of such an underrated musician, who got style, a unique one for sure! His compositions are reall…
Hard ripping and slightly insane improvisation from Brooklyn's Talibam! (Matt Mottel and Kevin Shea) with saxophonist Alan Wilkinson on a deluxe hand-numberd LP with inserts. Determined to continue collaborating with revolutionary blitzkrieg musicians in perpetuity, Brooklyn's Talibam! (Matt Mottel and Kevin Shea) were set up on a blind date with Alan Wilkinson by Bo' Weavil Recordings for a London basement show in May 2008. Like a late '60's Sadean love-in ripe with Joycean epiphanies, T…
New European folk/trance orkustra from Denmark with their debut release on Qbico. Various acoustic instruments cohere in hymns to the roar of the cosmos that are as dippily fried as the first Siloah LP and as aggressively invasive as Pelt at their most planet-levitating. Their name comes from Shirley Collins's tracing of the idea of the true love knot to the Danish word Trulofa.
VERY LAST COPIES AROUND Stasis and stability are nowhere to be found here. Instead, an ever-changing dialogue between structure and chaos shifts from one performer to the next, never resting long before launching again into shuddering flight. Accoustic instruments and vocals form a familiar reference point, but studio treatments take the music into psychedelic and cinematic realms. In their words, “Improvisation is a way to experiment without thinking. When our improvisations ‘work’, the music j…
Vinyl Lp, edition of 300 copies. The work of the Berlin-based composer Andrew Pekler has been been documented in various releases for labels such as ~scape, Staubgold and Kranky. When asked by Giuseppe Ielasi for some material to be released on Schoolmap Records, Pekler immediately considered the possibility of taking the many unused music fragments that had been collecting cyber-dust on various hard drives and bringing them into some kind of order. Raw sketches, orphaned sounds, finished pieces…
Ben Chasny (COMETS ON FIRE) might beat you if you call his solo work folk music. Hypnotic, mesmerizing, full of rough edges & elliptical turns round & round. First studio record from the highly prolific Chasny, joined by free-jazz sensation CHRIS CORSANO on drums & absolutely no computers. Chasny says "I see my music as being much more from the underground class of '92 than this folk scene...it has the same rock to folk quotient as Zep 3...Rock is the new folk & folk fucked rock without the reac…
Cut at Dubplates & Mastering, Berlin August 2011. 'Elemental Disgrace' is an album that needs to happen now. Finally, the next phase has arrived - a stunning double side-long record of some of the U.S. best underground synthesizer music we have heard here at the Spectrum Spools headquarters. Whatever rise to the synthesizer came later on in the 00's is hardly of any concern to Greh Holger and his Hive Mind project. Having released private press cassettes of solo synth works as far back as 2002, …
The title Whiter than white sounds like an advert for soap. Adverts and soap are precisely what Les Belles Noïseuses blame. Or even more precisely what they represent: consumption, conformity, economic liberalism. However, don't expect to get a speech from Les Belles Noïseuses. Only feelings, emotions, dreams and nightmares are conveyed through their refined musical structure. The doom-jazz double-bass reminds the best from Mick Karn. The minimalist guitar scrapes melody to the bone, to the aton…
LAST COPIES Now deleted, this is the super-limited transparent vinyl. Revolving around a collaborative new arrangement of Sakamoto's classic 'Merry Christmas Mr. Lawrence', this third outing for Carsten Nicolai and Ryuichi Sakamoto has been once again packaged and delivered with utmost attention to detail from the quite remarkable Raster Noton imprint. Designed to accompany their extensive tour through much of Asia and Europe this Summer, 'Revep' is another indispensible record from two absolute…
Awesome artist record, this is the 2nd edition with hand stamped cover, nice gatefold + insert "in 1971 dietrich albrecht changed his real name officially to albrecht/d.a/d. was born in 1944,lives in stuttgart/germany since 1958and acts like an artist since 1966.he worked and performed with beuys, throbbing gristle, vostell, paik, saree and many more.he invented permanent instant performance.he saved raoul hausmann from being forgotten.his work includes:mail art: endless music: processed copies:…
the new record is a full lp (+/-40min) from marcia bassett's solo project zaïmph. marcia is well known for her leading role in freefolk/improv groupssuch as double leopards and ghq, as well as for her groundbreakingwork with free guitar/flesh metal duo hototogisu. with her soloproject zaïmph she starts off from the base these groups laid outand takes things to another level, shredding boundaries betweendark noise, drone and psych music. it's deeply meditative yet darklydisturbing and emotionally…
Kranky manage to sieve through the muck and pluck out another breathtaking album, the debut from Autistic Daughters - a collaboration between Dean Roberts, Werner Dafeldecker and Martin Brandlmayr (Radian). Those of you out there (and there are many) who revere Talk Talk’s ascent into heavenly climes with their “Laughing Stock” and “Spirit of Eden” albums will immediately find themselves seduced by this project’s wondrous effervescence. Except whereas Talk Talk emerged from a pop-focused univers…
With a treasure trove of analogue, swirling effects, arch songcraft and a sweet yet assured vocal delivery, Trowel & Era brings to the table the epic debut long player by the one man band Apothecary Hymns (AKA Alex Stimmel). Stimmel has made a collection with one foot in kaleidoscopic coastal loner psych that floats on a musical bed of whimsical levity and another foot rooted firmly in the grand ethos of east village troubadours of the mid 60s." Alex Stimmel: acoustic & electric guitars 6 & 12 …