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In many respects Earl Howard’s (b. 1951) music is an anomaly that resists categorization and the seductiveness of genre. He is an important force in improvised music and yet his work employs complex structures and rigorous transitions of sound and texture. His electro-acoustic music is realized with a K-2600 Kurzweil that for Howard is not merely a keyboard synthesizer but an open system, a computer with a most effective interface with modules and a key map that enable more freedom in the compos…

Lejaren Hiller (1924-1994) is, understandably, best known for his computer-assisted compositions and works utilizing electronics. The three pieces included in this collection span a crucial fifteen-year period in Hiller's career. The first was written two years before Quartet No. 4 for Strings, The ILLIAC Suite. The second work was written three years into his time as a music professor at the University of Illinois, while the final sonata in this collection was written during his second year at …

music for bowed string instruments consists mostly of music composed by Malcolm Goldstein (b. 1936) between 2018 and 2019 while living in Montréal, Québec. The impulse to compose this series came from Goldstein’s experience as a teacher and performer of Béla Bartók’s 44 Duos for Two Violins (1931). Whereas Bartók’s series features a clear progression to the pieces, gradually increasing in technical and musical complexity from beginning to end, music for bowed string instruments has no such seque…

Peter Garland (b. 1952) studied with Harold Budd and James Tenney at Cal Arts and had long student-mentor friendships with Lou Harrison, Conlon Nancarrow, Paul Bowles and Dane Rudhyar. Like Harrison, Garland has forged his own musical vocabulary as a kind of new indigenous music, celebrating pan-cultural experience and vision, and unafraid to suggest that music can still give us a glimpse of that which is sacred. Waves Breaking on Rocks (Elegy for All of Us) (2003) is a suite of elegies that was…

Wrestling with the notion of balancing both formal construction and creative spontaneity has allowed Scott Fields (b 1952) to compose a powerful body of work with ties to extramusical concerns from the realms of literature, philosophy, and science. Seven Deserts (2019), rather than operating from a fixed narrative structure with predetermined events, lays out the ground rules for a manifestation that is absolutely identical in every performance in its operations and sonic vocabulary, but with ea…

Born in Michigan but for most of his life a true Californian, Robert Erickson (1917-1997) had a reputation as a maverick. His musical path was never a straight line, nor, really, a line at all but a landscape, with ranges of features rather than mere points of interest. He was a profound and original musical thinker who embraced the expressive possibilities of all music, from the Western classics and moderns of his own early education to Indian and Balinese traditions and all manner of contempor…

We want to fabricate a new music. We imagine a situation in which the sounding together of tones is never taken for granted, is continually renewed and reinvented. We know that the effect of any set of simultaneous tones, by means of the multiplication implicit in the harmonic series, totals much more than the number of notes played. A room can be made to vibrate with hundreds of frequencies by a single chord. We want to enter into a universe of harmony in which it becomes possible to hear into …

Max Giteck Duykers (born 1972) stands out for his ongoing dedication to the sound worlds made possible by the Pierrot ensemble. Therefore it is fitting that the first recording devoted exclusively to Duykers's music should feature two of the four "Pierrot sextets" he has composed this far, that the remaining four works on the disc are playable by P6/P6+ subsets, and that everything here (except for the one vocal work which adds guest soprano Zen Wu) is performed by members of Ensemble Ipse, the …

Rory Cowal is a distinctive pianist, one who draws liberally on classical chops, ample experience with improvisation, and a predilection for the new and uncharted. This makes him especially attractive to composers who wish to blur the boundaries between traditional styles and genres. A musical adventurer at heart, Cowal seems drawn to challenging and unusual projects. The eight pieces on this CD reflect this willingness to experiment, to not just play the same old (now canonic) warhorses of the …

Joseph Kubera, piano. Michael Byron (b. 1953) was a pupil of James Tenney, and later, of Richard Teitelbaum. The body of music he has composed over the past thirty years has been harmonically rich, rhythmically detailed, and increasingly virtuosic. Dreamers of Pearl (2004-05) evinces a sensitivity for the sound of the piano, a sensibility of extended playing-listening, and an interest in repetition and change through gradual and seemingly clandestine processes that transform and extend what we h…

In his compositions, composer/performer Kyle Bruckmann seeks to integrate rigor and internal logic with raw immediacy while fully engaging his fellow performers as not simply dutiful interpreters, but creatively invested collaborators. Aesthetically, the results evoke much from European modernism, but realized via idiosyncratic modular forms and process-oriented strategies equally indebted to the New York School and the jazz avant-garde. On Procedural Grounds (2010) is a half-hour work conceived…

Chris Brown’s (b. 1953) compositions Some Centre (2019) and First Light (2016), performed with such assured lucidity and subtle shading by the three members of The Chromelodia Project, engage with significant precursors in music and in literature, drawing upon their words and innovations, their insights and adventurous spirits while, in the process, transporting those uncompromising benefactors to a different frontier. Brown makes songs from poems by Emily Dickinson (1830–1886) and Jackson Mac L…

Compositions performed by Bethany Beardslee and Lynne Weber (sopranos), Jerry Kudern and Robert Miller (pianos). The four works on this recording span a period of a decade and are among the best of Milton Babbitt’s output, tape and otherwise. Philomel, for soprano, recorded soprano, and synthesized sound, is one of the undisputed classics of electroacoustic music and this is its definitive recording. Two versions of Phonemena —one for soprano and piano, the other for soprano and tape— another vi…

The Piano Concerto No. 2 is an experiment in classical form. The work contains the same sudden juxtapositions and abrupt contrasts of mood as his futurist music. But the excesses of his recent Ballet mécanique are compensated for by an almost spare, baroque orchestration and motifs that draw on Bach as much as on Stravinsky. In three movements, George Antheil employs a more restrained but still exuberant style. The beautifully meditative slow movement is followed by a virtuosic and compelling to…

The harp is a strange and compelling instrument that in its technological ancientness beckons composers and listeners alike to bask in its heavenly aura. Like hand drums and acoustic guitars, the immediacy of a harp's sound production demands an intimate, one-on-one relationship between listener and instrument/performer. This intimacy is why composers of all stripes write music for harp－it strips away habit and affectation. Its limits are challenges that distill the essence of a composer's style…

ATA are proud to release their latest recording of The Lewis Express – Doo Ha! Featuring flautist Chip Wickham and recorded live to 2-inch analogue tape at All Things Analogue Studios, Leeds, UK, this album is a living, breathing tribute to the golden age of soul-jazz — the electric alchemy of smoky clubs, Sunday afternoons at the record store, and the spiritual communion of groove and grit. But this isn't nostalgia. It's revival. It's a reminder that music has always been about feel, not files.…

Tip! Fantastic funk from one of the hippest combos currently working on the planet – the mighty Misha Panfilov Sound Combo, a group who effortlessly blend 70s-style funk with some sweet spacey sounds! The "astral" in the title here is very well-placed – as there's a slightly cosmic vibe to the cuts – almost as if Stereolab had formed a funk combo, as there's all these cool moogy and thereminy bits all throughout the music – while the drums pound with funky intensity, the guitars riff with non-st…

Like many Birch Book/In Gowan Ring fans, we have been waiting for new releases from B'ee. So today, IFP is happy to announce the imminent release of a live recording, which has been in the works for over 10 years. The concert was recorded thirteen years ago, in August 2011, when IFP and friends invited our beloved B'ee to visit us in Siberia, where we were based at that far time. “Live in Siberia” is a 70-minute immersion in the friendly atmosphere of a small chamber hall and enjoyment of those …

When Jacobo Vega-Albela left New Mexico for upstate New York to pursue a lifelong dream of becoming a performer and composer, he knew it would change him forever. Ready to expand his potential, he soon found himself on a path that some only fantasize about. He has since transformed his extraordinary journey and its captivating highs and lows into his first album with 577 Records.   “Un-Belonging is a record underpinned by tremendous joy, optimism, and love for the world counterbalanced by a pers…

First reissue of Walter Zimmermann's solo piano work Beginner's Mind, played by Herbert Henck and first released in 1978 on Beginner Records. The CD adds Abgeschiedenheit, after Meister Eckhart, released for the first time.

Oliver Coates' Throb, shiver, arrow of time is a portal into somatic chiaroscuro, aglow with the embers of imperfect memories and smudged with the plumes of internal echoes, which augment in vast, mercurial dimensions. The ten compositions of Throb, shiver, arrow of time find weightless melodies soaring across after-image gradients, while Coates reaches further to collapse the digital into the analogue and vice versa, allowing serendipity to reorganize the material and push outwards, so the musi…

Faun Tempol is an avante-garde psych-pop studio project based in Raleigh, North Carolina. Their work embodies the ongoing collaborative collision between multi-instrumentalists Thomas Simpson and Carter Gaj. Their debut double album, La Oprika, represents the sum total of a year spent tinkering with studio textures, rhythmic improvisations, unexpected compositional structures, and dream-bound excursions to fanciful locales. This album takes you on a psychedelic musical journey from start to fini…

"This new album from Les Truffles is as delicious as the thing they are named after, and as classy too. It's a deep dive into their smoky and seductive late night instrumental funk sound. The drumming is deft and feathery, the chords like puddles of bliss and the melodies hypotonic. Sometimes there is caution in the stick work to make for an unsettling mood, at others these sounds are warm and controlling for evening relaxation. Fans of El Michels Affair and Bad Bad Not Good will surely lap up t…

Superb tripped out psych-garage-fuzzy funk by the Tallinn group Penza Penza (aka Misha Panfilov and friends).

For its inaugural release of 2025, Past Inside The Present proudly offers a powerful set of new pieces from experimental ambient veteran bvdub (aka Brock Van Wey), simply titled 13. Across its duration, spacious arrangements nest in clouds of reverb, underscored by granular details and entrancing synth arpeggiations. According to Van Wey – a long time scholar of Eastern ideas and literature – every section represents one edict or idea from chapter 13 of the Tao Te Ching, the foundational text of…

2025 stock "This all came together due to a bout of loneliness and depression that swept over me that Friday evening. Being lonely sometimes can render positive results, something I am learning. On my walk home, I decided to go and make a guitar-based record and not leave the house until it was done. I succeeded and this is what was made. This is not a one-off experiment, that will disappear a few weeks from now: This is my fifth solo full-length record. It is "canon", to quote film nerds. I hop…

2025 stock In celebration of Zakè Drone Recordings' fifth year of releases, we are proud to present Koselig—a curated collection of long-form compositions featuring contributions from close friends of Frizzell and esteemed artists. This release showcases the talents of From Overseas, Benoît Pioulard, Wayne Robert Thomas, Marc Ertel, Viul, and zakè himself. Zach Frizzell (zakè) conceived Koselig while working with Kévin Séry (From Overseas) on their 2023 opus, Demain, dès l’aube, issued by Past I…

2025 stock 'Pathways' is a collection of four stunning loops created by the artist during an introspective period of his life. These majestic, consonant arrangements breathe slowly as fleetingly beautiful melodies; a gorgeous account of ebb and flow repetition. Pathways is cautiously sanguine and equally melancholic of which many today can personally and intimately relate to. A universal desperation and yearning for hope in a dispirited civilization. - Pallette

2025 stock "Esteemed ambient auteurs, zakè and ossa's collaborative output continues to soothe and delight in equal measure. After Syntheticopia in August 2022 and the dark long-player 'A Pale Shelter' in 2021 between zakè, ossa, and City of Dawn comes Module, a collaboration that includes seasoned electronic producer Ruben A. Tamayo, under the alias FAX. The power trio brings forth an eight-track excursion into heavy ambient atmospheres with moody soundscapes and a real weight of melancholy. As…

2025 stock Los Angeles based ambient husband and wife duo, awakened souls join with Réunion Island native, From Overseas to create Keep The Orange Sun. After hearing each other’s individual music, a deeper conversation started about shared musical influences and inspiration leading to the creation of this album. Keep The Orange Sun guides the listener on a thoughtfully curated path. Starting with the certainty of life’s changes (Certainty of Tides) to arising self-doubt (Release/Adapt) and celeb…

As the coda to a busy and dynamic year, Zakè Drone Recordings is pleased to bring you Certain Path, a collection of piano-centric pieces by friends and frequent collaborators zakè (Zach Frizzell), From Overseas (Kévin Sery), and City of Dawn (Damien Duque). It is an album intended for quiet spaces, deep breaths, and hibernation stillness; across its seven movements, softened and gently treated keys provide compelling motifs, while undercurrents of shifting drone provide a meditative, melancholic…

An official collection of otherworldly and beautiful folk songs performed in 1980 in Canada by pupils (singers) and their teachers (instruments). Three songs are taken from a scarce privately pressed 'mysterious' Lp released under a different moniker. Two songs are unreleased songs from that session in 1980. For fans of The Langley Schools Music Project (Echo Singers steal the cake!!!) and even fans of performers like Belle and Sebastian should take note! Comes with liner notes by people involve…

*33 copies limited edition* Archaic is the electronic music project of Jelle Groen and Pieter Hooghiem from the Netherlands. Their paths serendipitously intersected at a vibrant local cultural concert hall, where classical music, eclectic melodies and live performances ignited their shared passion for music, technology, and diverse musical interests. Their shared workplace with Willem Twee Studios (Netherlands), made them interested into the world of modular synthesis and the collaborative effor…

*200 copies limited edition* [limen memoriae] is a sonic journey through the depths of memory and liminal abandonment. Drawing inspiration from the transient and fallible nature of memory, the music presented in this album tells stories of vast spaces and impossible, almost alien architectures, embracing the disoriented acceptance of memory's impermanence in contrast to eternity. The accompanying imagery depicts a world, a future yet unknown but long forgotten; an uninhabited landscape of struct…

2010 release **  "The Low Frequency Orchestra is a small ensemble of 'paetzold' recorders, electronic devices, voice, double bass and drums and they team up here with one Wolfgang Mitterer who plays organ. The starting point of this CD is a live recording which has been 'repeatedly revised, de- and re-composed'. Taking into account this and the fact that this is a small ensemble, I was reminded of Mnemonists and Biota, who used similar group playing and extensive studio techniques to define thei…

Nuke Watch stretch out and zone in on “Wait For It…”, two side-long jaunts that run their freeform M.O. to their own illogical ends. Following on from recent excursions on The Trilogy Tapes and Impatience, they revel in the long format for Patience, crafting a steady assault of haywire rhythms and swampy, off-world ambience. On the A-side’s Supersonic Percussion Anagram, a battery of electronic and sampled drums - from window-shaking subs to melodic sub-continent percussion - shift from one bar …

2015 release ** "The story of electronic music pioneer Kerry Leimer continues with a focus on his auteurist studio project Savant. Compiling the standalone album, 1983’s The Neo Realist (At Risk), with Savant’s debut 12″ and a grip of compilation and unreleased tracks, Artificial Dance documents Leimer’s complete collaborative venture into the unpredictable realities of music, exploring the gulf between what is expected by its creators and what is eventually – and eternally – committed to tape. …

2021 release ** "Uman’s Chaleur Humaine, the debut album from the French duo of musicians and siblings Danielle and Didier Jean, resurfaces for the first time since its original release in 1992. While history, both private and public, is scattered with creative relationships between siblings that simply “did not work,” UMAN’s story is uniquely different and defined by this bond, and a shared journey impressing footprints along an adventurous musical terrain. Prior to Chaleur Humaine, Danielle an…

2018 release ** "Few Traces surveys a near decade of Mark Renners scarcely released and unreleased material from 1982 to 1990, embracing and evoking the timelessness of his artistic statement: a wordless translation of the individuals musical experience, met with the poetic expression of being here. Mark Renner first encountered punk while a teenager in Upperco, a country town in rural Maryland. Growing up on his family farm, he became a young acolyte of the British exports hitting not-so-distan…

1992 release ** "Since 1975, David Parsons has made numerous trips to India to absorb the culture, study the music, and record performances by indigenous artists. In addition to producing three albums of Tibetan ritual music, in the Sacred Ceremonies: Ritual Music of Tibetan Buddhism series, the composer and synthesist has translated the essence of his journeys into the lush, yet, profound soundscapes of Himalaya and Yatra, two critically acclaimed albums of original music. Dorje Ling, was inspi…