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Side guitar
Toshimaru Nakamura's main instrument of late has been what he calls the 'no-input mixing board.' Rather than input external sound sources into the mixer, he treats it as a self-contained instrument by controlling its internal feedback -- the result being a truly original performance style. Over the past four years, Nakamura has released the solo NIMB CDs No-Input Mixing Board (on the Zero Gravity label), No-Input Mixing Board 2 (a bruit secret), Vehicle (cubic music), and No-Input Mixing Board […
Loose Community
Otomo Yoshide (turntables, guitar) is active on a worldwide scale in such fields as free improvisation, composition, and film music. On a trip to Seoul in May of 2002, Otomo made a studio recording with Seoul musicians Park Je Chun (percussion) and Mi Yeon (piano). Known as a brilliant student of Kang Tae Hwan, the pioneer of the Korean improvised music scene, Park was formerly a member of Kang's band. Mi Yeon, an artist firmly grounded in contemporary classical music, has collaborated with Park…
Ensemble Cathode
Taku Sugimoto: electric guitar, Tetuzi Akiyama: turntable without records, contact microphones, Yasuhiro Yoshigaki: waterphone, Kumiko Takara: snare drum, Masahiro Uemura: bells, Ami Yoshida: voice, Itoken: crotales, Mari Furuta: snare drum, Yoshimitsu Ichiraku: cymbal with bow, Sachiko M: sine waves, contact microphone, Yoko Nishi: prepared 17-string koto, Andrea Neumann: inside piano, Yoshihide Otomo: turntable. This album was recorded intermittently between May 2001 and March 2002. Most of th…
Molecules
Limited edition of 400. This masterful performance was born of the meeting of two master improvisers, Kazuo Imai from Japan and Roger Turner from the UK. Imai, who studied with Masayuki Takayanagi and Takehisa Kosugi, is one of Japan's leading improvisers and guitarists. Turner is a drummer and percussionist who has been actively performing throughout the world since the beginning of the 1970s. His Japan tour in October 2017 included concerts with Japanese musicians in various locations, includi…
Early Sound Installations
* Special Edition is added a CDr consists of two tracks, sound installations at Striped House Museum and his important work in late years Background Music. Special brown box, limited to 60 copies * In the early 1980s, several artists such as Satoshi Ashikawa and Hiroshi Yoshimura, who were pioneers during the early days of Japanese sound art, began to display their works at exhibitions. Ashikawa, who passed away at the young at the age of 30, worked at Art Vivant, a store affiliated with the Sei…
A Group for Experimental Music
In the mid 1960’s, there was a collective of contemporary musicians in Osaka, called Art Zyklus. Because Hajime Yamashita, one of the core members, had sold a part of his privately stored sound source over the Internet, the whole picture of amazing and completely unknown activities was revealed. The release compiled works created by Art Zyklus as well as Yamashita. Worth mentioning is that ‘Music for Electric Metronomes’ by Toshi Ichiyanagi was premiered in Japan. Apart from that, the fact that …
Pratical Concert 1976-78
GAP is an improvisation group which was founded by Kiyohiko Sano, Masaru Soga and Masami Tada in the Mid 1970’s. Gap had only one album on the famous ALM records, and from the early time, they played oscillators and synthesizers, adding to simple self-made instruments, and made a free improvisational performance which is comparable to Taj-Mahal Travellers. Especially for Tada who was under tutelage of Takehisa Kosugi, GAP was a missing-link which lead him from East Bionic Symphonia to Marginal C…
Albergo Intergalattico Spaziale
** 500 copies only reissue, housed in its original artwork with the addition of a bonus 7" EP, a reproduction of a giant original poster and 3 inserts** Giacomo “Mino” di Martino started his musical career in several early 1960s Italian beat bands. By 1968 he had found enormous success with pop superstars I Giganti. After a brief split in 1970 –during which Mino formed Il Supergruppo with Ricky Gianco and other greats of the Italian scene– he came back to I Giganti in 1971. With them and with ne…
Imaginations of Light + Hallo Rabbit
This fine double LP release combines two full-length albums from the German acid/kraut-folk duo Flute & Voice, which was formed by Mannheim-based multi-instrumentalists Hans Reffert ('Flute') and Hans Brandeis ('Voice'). The debut-LP 'Imaginations Of Light', originally released in 1970 by the legendary Pilz label, features wonderful trippy and progressive folk music with ethnic and even jazzy elements. This LP should appeal to fans of fellow Germans s.a. Witthueser & Westrup and Bröselmaschine, …
Ictus
A real masterpiece....dreamy improvised music with eastern influences and electronics!! "Before his magnificent experiments with electronic music on Elektrictus (previously reissued on Wah Wah), Andrea Centazzo was already an accomplished musician who had issued his recorded works on the PDU and RCA labels. His first release was Ictus, a free-form avantgarde jazz oddessey on which he already started to experiment with electronic generated sounds. Ictus was a band formed by Centazzo, Armando Bat…
Kennlisch
** Edition of 500. Including a 4-page colour booklet with photos and text provided by the Macherey brothers themselves. ** Kënnlisch, one of the rarest haunting psychedelic acid folk LPs from France, was the work of brothers Philippe and Jean-François Macherey. Originally released in 1976 on the mega collectable label Le Kiosque d'Orphée, it contains some of the most beautiful sounds to come out of the 1970s alternative music scene. An instrumental album, it opens with a burst of sunshine vibes…
L'Envol
*In process of stocking. 300 copies limited edition* In his youth days, Gontran lived on the road. He describes himself as a member of the alternative hippie generation, not of those who claimed wanted to change the world, but of those who actually took an alternate way of living. He travelled, took any jobs available to make some money to live wherever he was, and wrote beautiful songs accompaining himself on guitar. From time to time, when the stars aligned, when there was the chance, he would…
At The Village Vanguard 1961, Revisited
'Mention of Motian and LaFaro brings us to this disc, perhaps belatedly. But other than observing that the music is presented here following immaculate and unprecedented sound restoration, what more needs to be said about it? What more, usefully, can be said? The performances are as close to perfection as makes no difference, and as close to immortality, too, and if you are still reading thesenotes, you will not need to be told why.' – Chris May
Executive producer’s notes: 'Once you start to …
Dizzy Gillespie & Charlie Parker At Town Hall 1945, Carnegie Hall 1947 & Birdland 1951 "Revisited"
When Charlie Parker and Dizzy Gillespie went into the recording studio together on 28 February 1945, they had already served a shared apprenticeship in the big bands of Earl Hines and Billy Eckstine, had jammed informally exploring their common interest in adventurous extensions of swing harmonies and reconfigured rhythms, and were, individually and collaboratively, prepared to redirect the course of modern jazz. That session shouldn’t in any way be considered the public “birth” of bebop; those …
Summertime To Spiritual Unity Revisited
Summertime from the LP My Name Is Albert Ayler made me discover Albert Ayler. His unique interpretation of Summertime motivated me to go to Lörrach crossing the border from Switzerland to Germany to listen to the concert of the Albert Ayler Quintet in Lörrach on November 7, 1966. This experience has indoctrinated me forever for the music of Albert Ayler. In 1975 I created the label Hat Hut Records and in 1978 I had the chance, thanks to the support of Joachim Ernst Berendt of South Western Germa…
John Cage Variations + Four6
"I ask how CALATO's use of graphic scores help them break down the divisions between contemporary composition and improvisation? “We started as a noise improvisation band,” they respond. “We spent several years playing together without any kind of parts or scores, just working deeply on listening to each other, reacting and generating a kind of togetherness that made it possible to create live music in a very fast and intuitive way.” Then they started investigating different approaches to compo…
Adam’s Apple To Super Nova "Revisited“
“The word ‘jazz,’ to me, only means I dare you.” - Wayne Shorter
Music for Tinguely
CD only version by the 'GQ' legendary magazine issued in 1970's. Comprised of rare sound materials from Toshi Ichiyanagi's Music For Tinguely, released here for the first time ever. Also includes the track released on OPA 005CD. Toshi Ichiyanagi is a well-renowned Japanese avant-garde composer who made brilliant pieces of tape music. Most of his works have not been issued on CD, or have only been issued in very small editions. Housed in a cardboard paper gatefold sleeve. Newly-written liner note…
Toshi Ichiyanagi, A Pianist
Limited 80 copies. V.A “Toshi Ichiyanagi, A Pianist” (special edition) CD+CDR
1_Table tennis performance at Katsumi Asaba Exhibition / 2009 / 13’57”Influenced by Asaba, who even coached a Japanese national team player, Ichiyanagi is also known as a very good table tennis player. A ping-pong table was also brought to the event and a demonstration was held before Ichiyanagi's performance. A contact microphone was attached to the ping-pong table where audience members, as well as Ichiyanagi, played…
John Cage Shock Vol. 3
The final CD of the John Cage Shock series features John Cage's 0'00" (1962), also referred to as 4'33" No. 2, performed by the composer, with daily activities such as writing and drinking coffee amplified by contact microphones into sonic abstraction, following the score's directions: "with maximum amplification (no feedback), perform a disciplined action." Next is Composition II for 2 Pianos (1960/1961) by Michael von Biel, lovely and sparse, performed by David Tudor and Toshi Ichiyanagi. …