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2009 release ** De-luxe embossed and debossed sleeve. "Divided into two parts (Sermons and Liturgy), "Our Secret Ceremony" marks a point of no return in Julie's musical journey. Some might consider it pretentious, given its monstrous length, and to be objective, there are a couple of lengthy parts, but that's precisely where the beauty and the core of the record lie. Letting go without worrying too much about song structure or duration, playing what we like, how we like it. Take it or leave it. …
2007 release ** "Comprised of Brad Rose (The North Sea) and Keith Wood (Hush Arbors), The Golden Oaks features road show magicians springing forth candles from wooded sanctuaries. Composed via the postal system, Autumn Testament is a hymn to the season of red, gold, and orange. A canopyn of leaves shelters the proceedings from the fog that threatens to obscure these sounds. This is a glorious combination of organic grace, blessed by the forests of past centuries and those still in their infant s…
"Back in 2009 I had a small exhibition and a collaboration show with Yasutoshi Yoshida (one of my favorite noise artists ever, by the way) at Flying Teapot in Tokyo. I was also supposed to go to his place and record something but I got drunk and lost like an asshole. 13 years later our collaboration mayhem is out." Mastered by Ivan Fu for extra damage. Manuel's (Narcolepsia) words: "Yasutoshi Yoshida and Nicola Vinciguerra have both carved their own corner in underground, being consistent throug…
** Edition of 300 with photos of Falten scores and liner notes by Dagmara Genda. ** After "Today, the organ has played beautifully again" and "32 bpm" from 2019, Edition Telemark presents three new LPs by Dutch sound artist William Engelen, released on the occasion of his exhibition "Klinkt goed" at Kunstmuseum Den Haag. All three LPs are released separately but may be listened to as a whole because they portray three work groups that are representative of Engelen's compositional methods: Falten…
Allen’s Soul Bag is a standout reissue from Allen Kwela Octet, capturing the spirit and sophistication of South African jazz in the early 1970s. The album, newly remastered from vinyl and pressed in a limited run, offers emotive ensemble playing and rich melodic invention, showcasing Kwela’s expressive guitar against vibrant horns, piano, and rhythm section.
The single "Rockin' Pot" by The Vicious Seeds is a vibrant instrumental track that showcases the band's signature blend of heavy, guitar-driven funk with a retro groove sensibility. Hailing from Saint Petersburg, Russia, The Vicious Seeds are known for their energetic sound, drawing inspiration from classic funk and soul, and infusing it with a modern edge
"Rockin' Pot" is released on Funk Night Records as a 7-inch vinyl, often paired with tracks like "Theme For Rocking Pot," emphasizing…
A note from Valerio Tricoli: "It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up... for once. Yet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English -- asking for a 'press sheet', a very weird, but apparently necessary form of literature in whic…
**Edition of 118 numbered audiophile golden CD** Best known as producer and mainman behind Dark Companion Records and the reborn Manticore Records, Max Marchini gives birth to his first solo album where he plays all instruments except for two collaborations with avant-garde singer songwriter Paola Tagliaferro and the amazing pakhawaj indian drum playing of Akhilesh Gundecha. This album was intended as a present for his friends for Dark Companion’s 5th anniversary, but eventually label insisted t…
Limited edition first press 300 copies only in audiophile gold cd. "Luca Formentini and Markus Stockhausen began playing together in 2005, when Markus formed an international ensemble to play at the Suoni delle Dolomiti festival. One year later they performed as a quintet in St. Maternus in Cologne, Germany, where they recorded a live album, which initiated the project called “Flowers of Now”. (Intuitive Music in Cologne, Horus Label, 2008). Later on Markus played on two tracks of Luca’s Tacet (…
2015 release ** Limited edition of 900 hand-numbered copies. "Real Essence is an album made with the acoustic Tricanta Veena, recorded in India, in the spiritually dense hours before dawn. The music of this great comeback by Paolo Tofani is not only for lovers of Indian music. As if Robbie Basho had lived in India, it is influenced by the East and the West. A new music, syncretic and deeply rich in inner peace, recorded with an impressive sound, like a hi-fi demonstration, without any tricks or …
2016 release ** "Paul Roland’s obsession with the 1931 film White Zombie, starring Bela Lugosi, a true cult of voodoo cinema, led him in the 90s to write the basis of what should have been the film’s soundtrack, rewritten by Roland. It was mostly instrumental music, with songs and choirs that depicted the slavery of these men reduced by the mad scientist to zombies, automatons to increase the workforce in the factories. A rather current theme, outside of metaphor… Talking about it one evening at…
Union Editions presents Un sisma mentre ci voltiamo di spalle by Devi Tensione. Composed by Francesco Castrovilli. Additional production/arrangement by Lapo Sorride aka Kinked. Recorded between France, Turin, Bari. Mastered by Luciano Lamanna at Subsound Studio, Roma.
Continuing the twisted pop explorations of Here Come the Warm Jets, Brian Eno's follow up album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states. Eno's richly l…
By the time Brian Eno left Roxy Music and came to record this masterpiece of a debut in 1973, he already held in his grasp the raw tools to revolutionize popular music. Here Come The Warm Jets is bathed in his singular pop-with-a-wink aesthetic and free-associative imagination. Whether on the four-on-the-floor pre-punk stomp of Needles in the Camel's Eye' or the Spector / Velvet Underground trad-rock-ism of Cindy Tells Me,' the album displays an unabashed love of quirky, catchy pop. Savage guita…
Although introduced as a protégé of John Coltrane and touted by many as his heir apparent, reedman Pharoah Sanders quickly proved his own man. His shared interest in the "cosmic" music of Coltrane's final period belies the fact that Sanders frequently plays with an unhurried sense of peace and satisfaction rarely found in his mentor's music. His use of space, African and Asian motifs and instruments, and simple, repetitive melodies also pointed the way for jazz, rock, and new age musicians in th…
The long-awaited debut album from bassist-composer Thomas Morgan is a lush, layered journey through ambient textures and open improvisation. Featuring an all-star cast—Bill Frisell, Craig Taborn, Ambrose Akinmusire, Immanuel Wilkins, Henry Threadgill, Dan Weiss, and Gerald Cleaver—the record is both spacious and intricate, with Morgan’s own virtual instrument woods shaping its organic feel. The inclusion of poet Gary Snyder’s voice adds another dimension to this environmental soundscape. Around …
A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…
Collective interplay is essentially about listening and giving space. If ever there was a credo for this ensemble recording, this would be it. Sometimes the soloist or a small group steps forward, other times they play as a large unit. This collective of musicians are connected through old and new friendships, a set of relations that has been formed through two decades of co-creation on stage and in the studio, and their new recording is a reaffirmation of that with an A-side of free improvisati…