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** 2021 Stock ** Like Morton Feldman, whose music he acknowledges as an influence Walter Zimmermann (b.1949) is fascinated by the relationship between painting and music, and how material of an apparently simple nature played by apparently “normal” instruments is capable of almost infinite subtlety. Frankfurt’s HCD Ensemble are also members of Germany’s infamous Ensemble Modern. They are joined here by the superb violinist Peter Rundel and cellist Michael Bach. Wüstenwanderung [Wandering in the …
The influence of two American composers – John Cage and Morton Feldman – has been decisive on Walter Zimmermann. With Cage, it was his music from the late forties – works like the String Quartet, the Suite for Toy Piano and the Six Melodies – that caught his attention: works underpinned by precise numerical construction, yet with an engaging directness of expression. Feldman has been an inspiration to Zimmermann’s lyrical impetus, and Cage to his constructivist urges. Yet the two do not always …
Small repress available! Biggest Tip possible! ** English/German edition. 288 pp + 5CD plenty of incredible music, most of which have never been heard before ** From the Wolke Verlag imprint, who've already brought us incredible books like Karl Berger's "The Music Mind Experience", "FMP Free Music Production - The Living Music", Peter Brötzmann's Along the Way, and George Lewis' "Composing While Black. Afrodiasporic New Music Today", to name only a few and a great many more - comes one of the m…
Luigi Gaggero, a native of Genoa, has graced the stages of Europe’s most prestigious venues. He is currently Chief Conductor and Artistic Director of the Kyiv Symphony Orchestra as well as musical director and co-founder of the Ukho Ensemble Kyiv, with which he has recorded acclaimed CDs of con- temporary music repertoire. Before launching his conducting career, Gaggero performed for 25 years as a cimbalom player and percussionist, collaborating with the finest European orchestras and ensembles …
**English/German edition. Hardcover** With Watching with my Ears, the Wuppertal artist Jorgo Schäfer presents the works he has made over 20 years during the Vision Festival in New York. The Vision Festival is an annual world festival of free jazz (free improvised music, avant-garde jazz, etc.), where other arts such as dance, poetry, spoken word and visual arts also play an important role. „When the Wuppertal bassist Peter Kowald invited me to the Vision Festival in New York in the summer of 2…
KiSS – Kinetics in Sound & Space: This acronym stands for the research project established in 2019 by the partner universities HfMT Hamburg and HAW Hamburg.
Museum directors, scholars, journalists and editors explore the variety of relations between sound as an object of investigation. Issues of sound as a medium of art and culture and possibilities and conditions of exhibiting sound art will be discussed. Sound art has become an integral part of art and music festivals for several decades, and is shown in museums, experimental venues and public spaces. Sound art requires a special approach in the way it is curated, conceived, produced and reenacted…
Sounding Fragilities enacts a polyphony of writing on contemporary composition, music and performing arts in relation to music theatre. Co-edited by a theatre and performance scholar and by a composer and artistic researcher, this anthology considers its field of investigation through the lens of positionalities. Irene Lehmann and Pia Palme invite readers into intimate encounters with an artist’s practice, feminist and queer perspectives, and personal explorations into aspects of musicology, the…
Sound Studies and Sonic Arts is a postgraduate program of the Berlin University of the Arts. Since 2017, the program has served to deepen the theoretical and practical skills in sound-related theory and practice, particularly in cultural studies, musicology, aesthetics, sound art, sound design, and media production. It evolved from the program Sound Studies – Akustische Kommunikation which was established in 2005.While the Master’s program Sound Studies and Sonic Arts pairs theoretical discussio…
“These Vocal Adventures chart a decades-long exploration of soundscapes – ones produced by the outside world but most prominently those created through free improvisation in music. The expedition into this realm of musical experience and expression has taken the author across oceans and continents, with diverse musical encounters providing invaluable sources of inspiration and a wealth of learning and teaching opportunities while enriching her own ideas and approaches along the way. This book as…
The phenomenon of “graphic” scores has been a subject of fascination, controversy, and a flourishing of artistic talent since its inception in the aftermath of the Second World War. The scores of that age, despite their compelling visual presence, nevertheless remain elusive: the means of performance are obscure, and they resist conventional analysis. This study reconsiders graphic scores from the perspective of Information Theory, derived from studies of “ergodic” texts: the ergodic score requi…
Super Tip! * English version. 400+ pages, large-format book, very heavy * This book is dedicated to the history of the music label Free Music Production (FMP), which from 1968 to 2010 achieved incomparable things as a Berlin platform for the production, presentation and documentation of music. Based on many conversations from over thirty years with key protagonists such as Peter Brötzmann or Jost Gebers, Markus Müller tells the success story of a musicians‘ initiative that emerged in the context…
No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse – anything was possible in the cosmos of Albert Ayler’s soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane’s late work was unmistakably shaped by the influence of his younger colleague…
The 14th Darmstadt Jazzforum held in October 2015 focused on different aspects of identity in jazz. The participants talked about the perception of female instrumentalists, about „male“ or „female“ sound, about homosexuality, about references to the body as well as about the denial of the erotic element in music, about Jutta Hipp, Ivy Benson, Clare Fischer, Sun Ra and others. The conference participants looked at jazz history, but they self-confidently also looked at the jazz scene of today. The…
Tip! Sophomore album from Tenerife based trio, LAGOSS (Gonçalo F. Cardoso, Mladen Kurajica and Daniel García). Moving away from their megamix vignette based first volume, the trio now experiments with a more song based approach whilst still keeping their trademark jam infused tropicalia and electronic freak outs with an offering to their 1970’s sci-fi masters – enter the lift to the stars. First proposed by Russian rocket scientist Konstantin Tsiolkovsky and taken to mystical literary heights by…
Introducing a new project by Discrepant label boss Gonccalo F. Cardoso (Gonzo, Visions Congo, Papillon) and Tenerife electronic stalwarts Tupperwear (Mladen Kurajica and Dani Tupper). Diving deep into various phantom island mythologies (the elusive St. Brendan's island being a recurring motif) Lagoss borrow from the exotica playbook of ideas and twist it inside out into a bubbling melting pot of sounds, shapes and patterns that eventually confuse, wonder and (occasionally) scare the inattentive …
More than two years after the release of 'Impressões de Outra Ilha', Discrepant's head honcho returns home under his birth name with the appropriately titled 'Exotic Immensity'. Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities. Discarding the more rough around the edges collages of previous works under a myriad of aliases - Discogs it, if you wi…
Four years after their Discrepant debut - 'OOOO' -, Lisbon-based travellers Jibóia return to the fold with another offering of globetrotting psychedelia with 'Salar'. With the core trio of Óscar Silva, Ricardo Martins and Mestre André augmented by a stellar parade of collaborators on various roles, 'Salar' further expands on the transglobal visions by now pretty trademarked by the band. Intersped among shorter vignettes for drums, saxophone and bass, each of the more fully fleshed tracks casts a…
Polido has been fantasizing with the idea of free music throughout his artistic career. Free from restraints, logos, musical genres, but also from this modern obsession with narratives, plans, business plans, algorithms and bubble wrapped ideas for comfort of those of you that can’t breathe without everything making sense. “Hearing Smoke” has nothing of that. It has been four years since Holuzam released the double album “A Casa e os Cães / Sabor a Terra” and for four years I have been daydreami…
This album marks a new direction and development of Higgins' acclaimed work as a guitarist and composer, drawing on electronic music, free improvisation, and avant-garde modern composition, Versus is a highly emotional and expressive work that pushes Higgins' own instrumental virtuosity into new territories. He performs guitar, keyboards, synthesizer, drums and laptop programming across a 9-track record that traverses and transforms many aspects of Higgins' earlier work. The title track "Versus"…