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Out To Lunch!
** Special Time-Limited Offer ** Out to Lunch! remains one of the most strikingly original statements on Blue Note. Eric Dolphy marshals Freddie Hubbard on trumpet, Bobby Hutcherson on vibraphone, Richard Davis on bass, and Tony Williams on drums into a unit that treats his knotty compositions as springboards rather than straitjackets. Themes like “Hat and Beard” arrive full of angular intervals and odd accents, while the rhythm team tilts and lurches under them, propelled by Williams’ restless …
Maiden Voyage
** Special Time-Limited Offer ** On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’…
Moanin'
** Special Time-Limited Offer ** Moanin’ is the sound of Art Blakey turning a band into a congregation, with Lee Morgan’s trumpet, Benny Golson’s tenor saxophone, Bobby Timmons’s piano, and Jymie Merritt’s bass all testifying over Blakey’s unmistakable cymbal crashes and press rolls. From the call‑and‑response of the title track to the burning hard‑bop vehicles that follow, the record distils church‑infused, blues‑drenched celebration into a small‑group format. Each soloist brings a distinct voi…
Somethin' Else
** Special Time-Limited Offer ** Somethin’ Else remains one of those rare records where everything lines up: the room, the band, the material, and the moment. Cannonball Adderley leads on alto saxophone with Miles Davis’s trumpet cutting through alongside Hank Jones on piano, Sam Jones on bass, and Art Blakey on drums, a Blue Note all‑star line-up operating at peak equilibrium. The album sounds like a conversation between Adderley and Davis, two distinct voices who know exactly how far they can …
Where Is Brooklyn?
Where Is Brooklyn? by Don Cherry returns as a Japanese UHQ-CD, featuring Pharoah Sanders, Henry Grimes, and Ed Blackwell. This classic Blue Note session is remastered for superior fidelity, capturing the spirit of avant-garde jazz with exceptional clarity.
Schizophrenia
** Special Time-Limited Offer ** "Wayne Shorter’s Schizophrenia found the legendary saxophonist at the pinnacle of post-bop with a sextet of like-minded musical explorers including James Spaulding, Curtis Fuller, Herbie Hancock, Ron Carter & Joe Chambers performing Shorter originals like ‘Tom Thumb’, ‘Go’, and ‘Miyako’. Recorded on March 10, 1967, at Van Gelder Studios, Englewood Cliffs, New Jersey." - HHV
Fuchsia Swing Song
Special Time-Limited Offer "One of the greatest modern moments on Blue Note – ever! From the cover, to the compositions, to the playing on the set – the whole album crackles with an unbelievable fire that was hardly ever matched again. A young Sam Rivers leads a quartet that includes Jaki Byard on piano, Ron Carter on bass, and Anthony Williams on drums – coming together in a sound that's got lots of sharp edges, yet which also beats with an undeniably swinging heart. Rivers blows incredibly on…
Destination Out
** Special Time-Limited Offer ** Destination... Out! sees Jackie McLean stepping decisively into less charted territory, flanked by Grachan Moncur III on trombone, Bobby Hutcherson on vibes, Larry Ridley on bass, and Roy Haynes on drums. Moncur’s compositions stretch form and harmony to the point where the music hovers at the edge of abstraction while still clinging to memorable themes. McLean responds with heightened intensity; his alto lines slice through the ensemble’s cool, translucent textu…
Bluesnik
** Special Time-Limited Offer ** On Bluesnik, Jackie McLean teams with Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete La Roca on drums to prove there is still plenty to say within the twelve‑bar form. The band leans heavily on the blues but treats it as a living language, shifting tempos from strolling to urgent and varying the feel from tough swagger to reflective drag. McLean’s solos are full of sharp edges and vocal inflections, while Hubbard brings a more ext…
Demon's Dance
** Special Time-Limited Offer ** Demon’s Dance (often mis‑typed in catalogues) captures Jackie McLean with a younger, firebreathing band: Woody Shaw on trumpet, LaMont Johnson at the piano, Scott Holt on bass, and Jack DeJohnette on drums. The tunes are packed with rhythmic snaps and melodic hooks, yet the improvisations regularly veer into more angular, exploratory territory. McLean’s alto tone is piercing and urgent, cutting through the ensemble with authority, while Shaw’s harmonically advanc…
No Room For Squares
** Special Time-Limited Offer ** On No Room for Squares, Hank Mobley leads shifting line‑ups that include Lee Morgan and Donald Byrd on trumpet, Andrew Hill and Herbie Hancock on piano, John Ore and Butch Warrenon bass, and Philly Joe Jones on drums. The compositions are tightly constructed, full of memorable heads and smart twists that keep everyone on their toes. Mobley’s solos retain his trademark flowing lyricism but with a noticeably harder edge, reflecting the changing climate around him. …
Evolution
** Special Time-Limited Offer ** Evolution documents Grachan Moncur III stepping out as a composer‑leader with Lee Morgan on trumpet, Jackie McLean on alto, Bobby Hutcherson on vibes, Bob Cranshaw on bass, and Tony Williams on drums. The pieces blend post‑bop structures with freer approaches to metre and harmony, resulting in music that feels constantly tilted yet never topples. Moncur’s trombone leads themes that are by turns mournful, eerie, and boldly declamatory; the band responds with solos…
Unit Structures
** Special Time-Limited Offer ** The intrepid free jazz pianist Cecil Taylor produced some of his best work for Blue Note Records, including his explosive 1966 label debut Unit Structures featuring Eddie Gale on trumpet, Jimmy Lyons on alto saxophone, Ken McIntyre on alto saxophone, oboe, and bass clarinet, Henry Grimes and Alan Silva on bass, and Andrew Cyrille on drums. Over the course of four extended original pieces by Taylor—“Steps,” “Enter, Evening,” “Unit Structure/As Of A Now/Section,” a…
Newk's Time
** Special Time-Limited Offer ** Newk’s Time captures Sonny Rollins in a quartet with Wynton Kelly on piano, Doug Watkins on bass, and “Philly” Joe Jones on drums, midway through one of the most fertile stretches any saxophonist has enjoyed. Rollins brings his huge, flexible sound and restless imagination to a set of standards and originals, bending them to his will without ever disrespecting the material. Rhythmic play is central: he toys with the beat, displaces phrases, and locates unexpected…
Volume 1
** Special Time-Limited Offer ** Volume 1 presents Miles Davis in a transitional bebop/hard‑bop setting, surrounded by players hungry to prove themselves: J. J. Johnson on trombone, Jackie McLean on alto saxophone, Sonny Rollins on tenor, Horace Silver at the piano, Percy Heath on bass, and Kenny Clarke on drums on the original 10" sessions. Later tracks add different personnel, but the through‑line is Davis’ preference for space and contour over sheer velocity. Even at brisk tempos, his muted p…
Roots & Herbs
** Special Time-Limited Offer ** With Roots & Herbs, Art Blakey leads a Jazz Messengers unit that includes Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass, a line‑up that can pivot from crisp unisons to eruptive solos in a heartbeat. The tunes are full of rhythmic feints and harmonic twists, yet the band makes it all sound effortless. Blakey’s drumming is simultaneously a grid and a storm: he sets up hits, detonates climaxes, and constan…
Life Time
** Special Time-Limited Offer ** On Life Time, Tony Williams upends expectations of a drummer’s debut, convening shifting ensembles that include Sam Rivers, Bobby Hutcherson, Herbie Hancock, Ron Carter, and Gary Peacock. Rather than a showcase of drum solos, the album is a series of explorations in texture, space, and form. Williams’ playing ranges from explosive to whisper‑soft, but always with an acute sense of placement: each cymbal stroke, roll, or accent is structural, not ornamental. The o…
Search For The New Land
** Special Time-Limited Offer ** Search for the New Land shows Lee Morgan in a more reflective, exploratory mood, joined by Wayne Shorter on tenor, Herbie Hancock on piano, Grant Green on guitar, Reggie Workman on bass, and Billy Higgins on drums. The compositions stretch out over modal frameworks and evocative themes that suggest journeys as much inward as outward. The band plays spaciously yet intently, building tension through dynamics and texture more than sheer speed. Morgan’s tone is full …
Breaking Point
** Special Time-Limited Offer ** Despite having performed on several of the most revolutionary avant-garde jazz records of the 1960s, including Ornette Coleman’s Free Jazz and John Coltrane’s Ascension, Freddie Hubbard’s own albums tended to hew closer to the mainstream. Perhaps no other single album captures the trumpeter’s awe-inspiring breadth of ability and versatility than Breaking Point!, which was recorded in May 1964 shortly after Hubbard had departed Art Blakey’s Jazz Messengers in orde…
Inner Urge
** Special Time-Limited Offer ** Inner Urge finds Joe Henderson pushing his quartet – McCoy Tyner (piano), Bob Cranshaw (bass), and Elvin Jones (drums) – into more intense and complex territory. The title track’s driving rhythm and restless harmonic motion set the tone for a session where the stakes feel higher and the edges a bit sharper. Henderson probes motifs, worrying them from different angles, unafraid of jagged contours or sudden leaps. Tyner’s dense voicings and rolling left hand, Crans…