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Hav
Whitney Johnson, alter-ego of psychoacoustic voyager Matchess, debuts with a new composition that meditates on the duality of the human body. An instrument that collates awesome sensory pleasures, allows us to feel, and, best of all, to hear music, it’s also forever wearing on its slow death march. Using sine waves, marimba, viola, Arp Odyssey and Halldorophone, Whitney radiates healing waves to soothe and heal our flawed, but inspiring system.
fLuXkit Vancouver (i̶t̶s suite but sacred)
Tip! A radiant manifesto of artistic freedom, fLuXkit Vancouver (i̶t̶s suite but sacred) brings together a composition in four movements written and performed by Jones on alto saxophone, long-time collaborator Gerald Cleaver on drums, and four Vancouver-based string musicians: violinists Jesse Zubot and Josh Zubot, cellist Peggy Lee and bassist James Meger; with original artwork by Stan Douglas and liner notes by poet Harmony Holiday. Commissioned by Western Front, an artist-run center for multi…
New Monuments
** Black Vinyl, inside out sleeve, 12"x12" insert with artwork, liner notes & lyrics, black polylined inner sleeve. ** Amirtha Kidambi’s Elder Ones join We Jazz Records for their third LP New Monuments. Amirtha Kidambi has long affirmed that the role of sound in the act of protest is pivotal. In the summer of 2020, the Brooklyn-based vocalist and composer was immersed in mass demonstrations across New York City in the wake of the murder of George Floyd, organizing bands to counter the violent pr…
Blacknuss
Blacknuss was a trend-setting iconic contribution to jazz. Rahsaan Roland Kirk’s creative force helped to define musical culture. From its opening bars, with Bill Salter's bass and Rahsaan's flute passionately playing Bill Withers' "Ain't No Sunshine", you know this isn't an ordinary Roland Kirk album (were any of them?). As the string section, electric piano, percussion, and Cornel Dupree's guitar slip in the back door, one can feel the deep soul groove Kirk is bringing to the jazz fore here. A…
Hickory Wind
Before morphing into the excellent psych trio, B.F. Trike, Hickory Wind (from Evansville, Indiana), released one brilliant, and extremely rare, country psych album in 1969. Just 100 copies were pressed for the Gigantic label, and originals have been known to change hands for a small fortune. The album features excellent vocals, plus an interesting mix of fuzz guitar, and droning organ, as well as some wonderfully melodic songs. This reissue also features four bonus tracks from the B.F. Trike alb…
Ghost
Formed in 1984, Ghost burgeoned slowly, blowing open the gate in 1990 with their eponymous debut. Opening with a vast spirit plosion – shards of antique light and clouds of centuries-old, dust-laden airs escaping from a primeval tomb – they settle into the deep feeling. A variety of mostly acoustic instruments aids their projection of traditional sounds from space and time, troubadours of unknown, an enigma of eternal trippiness all about them.
III Hymne
First time LP reissue from the original 1985 master tapes on 180gr vinyl. Including liner notes. On 'III Hymne' Jean Hoyoux further explores the electronic instruments he also used on 'Planètes' which results in a marvelous album that in some way connects the dots between ambient, library, cosmic and spiritual music. Two years after his debut double LP 'Planètes' Jean Hoyoux recorded three new compositions in the home build studio, Madame Bois. In his later published book 'Noos, la naissance à l…
Red Hash
** 2024 Stock ** LP version with bonus 7". "1973: Connecticut native Gary Higgins and his friends record Red Hash and release it on Gary's own Nufusmoon Records. Following the release, legal issues halt all promotion and sales, rendering the small pressing of Red Hash a hotly-rumored and much sought-after 'lost' album of rock and roll lore. 2005: Drag City is honored to present the first-ever authorized reissue of Gary Higgins' acid-folk gem Red Hash -- mastered from the original master tapes wi…
Home of the Demo
Anthony Moore's post-Slapp Happy output, for years an underrated-to-outright unknown quantity, achieves another dimensional plane with this third archival release from his personal tape library. Home of the Demo triangulates upon the art-pop qualities found in his previously unreleased OUT (1976, officially issued 2020) and the new wave-adjacent Flying Doesn't Help (1979, reissued 2022), finding Anthony's early/mid-'80s compositions drifting into the actual mainstream, just moments before it beg…
Proofs & Refutations
2024 small repress! Recorded in 1995 and 1996, mostly in John Fahey's room at a Salem, Oregon boardinghouse, the performances on Proofs and Refutations prefigure the ornery turn of the page that marked Fahey's final years, drawing another enigmatic rabbit from his seemingly bottomless musical hat. Cloaked in the language of dogma, this is Fahey dancing a jig in the Duchampian gap, jester cap bells a-jingling. Right out of the gate, Fahey re-materializes before us, somewhere between Oracle of Del…
Earthly Pleasures
Veteran electronic music composer Jill Fraser’s new work takes stock of generations and lifetimes of memory, speculating on how the spirit of our songs might be interpreted after we’re gone. With her 1978 Serge Modular, Prism Modular and Ableton Push 3 in the circuit path, she recomposes a stack of American revival hymns, making new creations for the future. A fluent meditation upon mortality and rebirth amid numinous infinities of dimensional sound.
The End
Peter Brötzmann: tenor saxophone; Fred Van Hove: piano; Han Bennink: drums, voice; Albert Mangelsdorff: trombone. Recorded during the Free Music Market, August 27 and 28, 1971, in Berlin. Designed by Peter Brötzmann. Part of the legendary "Berlin Trilogy" originally released by FMP in 1971 (FMP 0050). 180-gram vinyl. One-time pressing of 500. First standalone reissue."The great thing about this trilogy/set is how naturally everything flows. . . . each subdividing of the group, each solo excursio…
Elements
Peter Brötzmann: tenor saxophone; Fred Van Hove: piano; Han Bennink: drums, voice; Albert Mangelsdorff: trombone. Recorded during the Free Music Market, August 27 and 28, 1971, in Berlin. Designed by Peter Brötzmann. Part of the legendary "Berlin Trilogy" originally released by FMP in 1971 (FMP 0030). 180-gram vinyl. One-time pressing of 500. First standalone reissue."What reveals itself in the über energetics on display here is the ability of one quartet to take so much for granted and ye…
Tic & Tac
Yellow vinyl / 180 grams, limited and numbered edition 300 copies. Following the tragic passing of the legendary Demetrio Stratos in 1979, the band Area wisely chose to forgo vocals (save for a few backing harmonies) on this album, as no one could ever replace the "maestro della voce". While this instrumental album may not push boundaries like its predecessors, it showcases a commendable blend of talent, with each musician shining brightly, particularly the remarkable bass work by Ares Tavolazzi…
Slow Roads
'Slow Roads' is an album of eight pieces written by Hague-based Serbian composer Ivan Vukosavljević between 2019 and 2022, for solo 1/4 comma meantone organ. All eight pieces were recorded in 2022 on five different historic organs, dating from the early 16th to mid-17th centuries, located in medieval churches scattered throughout the countryside of the northern Netherlands. Each piece was adapted for a specific organ, as they vary considerably in their disposition. All eight pieces are written i…
A room outdoors
'A room outdoors' is a 48 minute piece written in 2006 by Michael Pisaro-Liu for sustaining instrument, harmonium and field recordings. This was the first work in which Pisaro-Liu incorporated field recordings into his score. This double CD contains two different realizations of the piece, one made in Brussels during the lockdown in April 2020 and one set up in Cremona in June 2023, each realized by the following artists: Disc 1 features Belgium-based Guy Vandromme (keyboards) and Adriaan Severi…
Betula
Dutch composer/clarinetist Germaine Sijstermans is one of the emerging artists of the new generation of the contemporary classical music scene, regularly and closely working with artists associated with Edition Wandelweiser. This is her debut album as a composer, a double CD containing seven of her recent pieces, all composed between 2017-2019 and performed by the ensemble of six musicians who had worked closely together from the very start of the project: Antoine Beuger (concert flute), Germain…
120 Pieces of Sound
Jürg Frey’s unique compositional approach places him at the cutting edge of contemporary classical music while simultaneously maintaining a touch of impressionistic/romantic aesthetics in its roots. Since the late 90's, Frey started to work with 'lists' as a basis of his compositions, sometimes words, sometimes chords, from which he developed and organized the musical materials. In recent years, Frey's focus on 'lists' has extended more toward the connections of items with each other, forming me…
Piano Works
The French pianist and composer Melaine Dalibert possesses an exquisite touch and engagement with his repertoire. On this new album he tackles the stripped-down music of Greek composer Anastassis Philippakopoulos, a key member of the post-Cagean Wandelweiser Collective, tracing out the delicate, sparsely mapped notes from a dozen contemplative, spacious miniatures. The pieces are built around austere melodic fragments, all of which hang pregnant in the air, unfolding carefully before the next p…
Les Signes Passagers
'Les signes passagers' is an album of seven pieces for solo fortepiano written by Jürg Frey in 2021, commissioned by the Amsterdam-based pianist Keiko Shichijo. It was premiered by Shichijo on February 5, 2022 at the Concertgebouw Brugge during the Slow Festival. In the same year, Shichijo performed the piece again at the November Music 2022 and later recorded it for this album in April 2023 at the Concertgebouw Brugge in the presence of the composer.
“As a listener, I have experienced with musi…