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After more or less 20 albums on guitar released since 2005 on LPs, cassettes and CDs, the first real album on piano by Belgian singer-songwriter Bram Devens aka. Ignatz. In 1910, the illustrator George Herriman created the Krazy Kat comic strip. Igna…
Tip! Rarely has the term "soundscapes" seemed as appropriate as for 'Collines' and 'Racines,' these two long, captivating pieces for cello and Loopstation, respectively inspired by the landscapes of Gaume and the Forêt de Soignes. Gwen Sainte-Rose su…
On A Thousand Breathing Forms, Steve Roden’s 2003–2008 archive blooms across six discs of loop‑based miniatures, conceptual structures and quietly lyrical instrumentals, charting a mid‑period where lowercase intimacy, rigor and melody fuse into one b…
On Every Color Moving (1988–2003), Steve Roden’s first 15 years unfold across six discs: from noisy, searching experiments to the hushed, “lowercase” worlds that would define his quietly radical, object‑based approach to sound and space.
Two confrontative icons. Two artists willing to go where those icons point. Jesus is one of the most extreme and conceptually charged releases in the Von catalogue - a double LP that documents and extends a collaboration between Prurient and Nico Vas…
Concert and Sound Installation, edited by Carsten Seiffarth and Michael Moser. 21x16 cm, 63 pages, b+w and colour fotos, English-German texts. Limited to 500 copies. CD-1 Concert Installation. Ensemble Polwechsel and guests: Burkhard Beins: percus…
Finally, after all that waiting, The Future arrived in 1980. Ohio art-rockers Devo had plainly prepared with their 1979 second LP Duty Now for the Future, and now it was go time. Propelled by the new decade's high-tech, free-market, pre-AIDS promise,…
Outside his native France, the view of Serge Gainsbourg was once of a one-hit wonder lothario. This has been slowly replaced by an awareness of how talented and innovative a songwriter he was. Gainsbourg was an eclectic, protean figure; a Dadaist, po…
It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself see…
In 20 Jazz Funk Greats Drew Daniel (of the experimental band Matmos) creates-through both his own insights and exclusive interviews with the band-an exploded view of the album's multiple agendas: a series of close readings of each song, shot through …
John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet …
New York City in the 1970s was an urban nightmare: destitute, dirty, and dangerous. As the country collectively turned its back on the Big Apple, two musical vigilantes rose out of the miasma. Armed only with amplified AC current, Suicide's Alan Vega…
Computer World was Kraftwerk's most concise and focused conceptual statement, their most influential record and crowning achievement. Computer World transformed the way pop music was composed, played, packaged and released and, in the process, helped…
So much, popular and scholarly, has been written about the synthesizer, Bob Moog and his brand-name instrument, and even Wendy Carlos, the musician who made this instrument famous. No one, however, has examined the importance of spy technology, the C…
The Dead C's Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised b…
The story of Afro-Brazilian percussionist Naná Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Naná played with musicians …
This comprehensive portrait of Tropicália, exploring everything from influences and results to context and main players, demonstrates how the genre helped reinvent Brazil's cultural identity in a post-colonial world.
What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music p…
By inevitable coincidence, a street vendor in Buenos Aires became an instrument of providence, when he compelled attention of Christof Kurzmann, sitting outside a coffeehouse. His merchandise were small books of Hispanic writers, and the chosen one t…