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the trio of prolific free drummer Alex Neilson, former Charalambides/Scorces member Heather Leigh and The Wire contributor David Keenan, create unity only to then destroy it, represents the absolute apex of their twin guitar/drums incarnation, with two side-long improvised psychedelic blues that combine the kind of epic string-muscle of Fushitsusha, Ohkami No Jikan, Kousokuya and Rallizes Denudes with a sublime avant-garage sensibility and massive pockets of time-killing freedom. Further ampl…

"Window In is Michael Vallera’s third full length offering on Denovali, following All Perfect Days (2018) and Vivid Flu (2017). The four tracks that compose Window In are an exercise in density, movement, and space. Raw studio recordings of electric guitar were taken as the foundation, then heavily altered and manipulated through sampling, erasing the trace back to origin of the sound. The result is a series of vignettes that are unattached to a particular source but instead exist in an emotive …

SOLL is an exploration in rhythm, melody and soundscape. A musical story free from preconceived roles with melodies driven by eight carefully tuned congas, framed by electric bass and effected guitars. At times phsychedelic, at times spiritual, always grooving with improvisation at the core.

300 copies 'Stunning, iridescent, nocturnal strums perfuse the durational sketches - highly immersive, beautiful gear that sounds something like Vincent Gallo and Iasos having a deep one. Betraying their fine grasp of non-standard tunings, wandering feel for space, and aerosolised textures, these four extended, untitled pieces stem from a sort of communal feedback loop. Revolving Leon Brichard, Jesse Hackett and Jeff Wootton subsume a wealth of worldly musical coordinates into their sound, echo…

*200 copies limited edition* A captivating electronic symphony in five movements recorded live, which begins almost like a Pastorale. Bucolic atmospheres that, albeit through completely different sonorities, seem to link Fabio Orsi back to the origins of his music at the beginning of the millennium, when the inspiration drawn from his home territory and popular tradition was strong. The instruments then paint a sort of medieval dance, veering further into quiet, purely ambient atmospheres, among…

Ereignishorizont is Schneider TM's new and with a duration of over 80 minutes truly epic album: experimental guitar, technological innovations and excursions into musical territories beyond the usual.

*In process of stocking.* Ennio Morricone's superb 1971 soundtrack for French crime thriller Sans Mobile Apparent directed by Philippe Labro, widely available for the first time. Released in collaboration with Philippe Labro himself. Features an exclusive interview of Philippe Labro with Jeremy Allen discussing the making of the film, working with the maestro (at only 34 years old), and his amazing career crossing path with Jean Luc Godard, Serge Gainsbourg, and Jean-Pierre Melville. This superb…

300 copies limited edition From 1985, the beginning of their collaboration in Amsterdam, Peter Bosch and Simone Simons have been involved in performances, concerts and theatre productions. Since 1990, however, they have focused in particular on the development of autonomous music machines. All these machines are dynamic: Sound and movement are constantly evolving. »Krachtgever« is their best-known piece for its Golden Nica, received at Prix Ars Electronica, Linz, 1998. The other projects on the …

Songs of resistance and gratitude in a Latin pop mode from Chicago’s Dos Santos, one of the longest running groups on International Anthem Recording Company.  Vintage-sounding, but polished to modern tastes, ‘City Of Mirrors’ feature the septet playing to their latin heritage in a style that will appeal to all members of the extended family. It’s rich with melody and impassioned vocals, driven by coolly urgent tresillo rhythms and equally given to elegiac ballads that wouldn’t sound out of place…

As part of the first batch of tapes of 2022/23, Artetetra is presenting a split featuring two éminences grises of minimal but highly imaginative audio storytelling. Kinked and Señor Service, who fully deserve the title of bedroom superstars, use their screens and musical tools as gateways and magic wands to dissolve the listener into uncertain and nebulous musical worlds, creating the clever illusion of a narrative. But remember, it's just an illusion! Pure audio préstidigitation for children an…

Tip! Originally conceived as a mock live bootleg for Turn Us Alias 2020 (Macao’s Saturnalia festival online edition), Stock Fantasy Zone is the new album by Babau dedicated to the unearthly delights of unconscious reticular motion, wacky 2D shredding and daily side quests. Directly from inside the Stack, finally imagine a zone where all activities are possible but purposeless, all primary objectives are achieved without even moving and the game-logic has finally disappeared leaving back a virtua…

To understand tuning systems, to peer into the infinity of microtonal compositional strategies, is to imagine a sense of musicality that extends far out beyond the familiar harmonies of the western ear. Iranian composer Siavash Amini, a self-confessed tuning obsessive, has dedicated much of his musical investigations over the past half decade to unlocking new relationships between harmonic events. Moreover, he has sought new timbral relations too and in doing so has honed a particular sonic-aest…

A note from Christina Giannone Dissociation is the driving force behind the composition. The act of surrendering, the attempt to observe our existence from the outside. Giving in feels like giving up. Acceptance feels like resignation. The process included digital sound experimentation by means of observance and detail orientation and the idea of sound presenting itself in different identities depending on the listener. This attention to detail acts as a hologram, changing shapes depending on th…

Tip! Superpang presents: Prego! by Chanbara. A collaboration between Christina Di VIto and Tony Lugo.

Sofa Music is proud to add the powerhouse flutist Alessandra Rombolà to its ranks with Out of the Playground, documenting Rombolà’s latest commissions and collaborations for solo flute and electronics with composers Daniela Terranova, Jan Martin Smørdal, Ingar Zach, and Lasse Marhaug. The album’s five contributions, drawing on Rombolà’s polyvalent musical background, are united in their mission to venture “out of the playground” of scenes and genres, as Rombolà puts it. Across these incisive, ex…

Amphibian Man II (two) is an alias of Dmytro Nikolaienko (Muscut, Faitiche).  This project is an experiment, an attempt to play with the house, techno and dub techno genres.  As a result, there are two tracks with variations inspired by the theme of the haunted Crimea peninsula and the 1961 sci-fi film “Amphibian Man” (also set in Crimea). As conceived by the author, the music is a soundtrack for the non-existing sequel if it had been filmed in 2084.

Leaney's lyrical and multi-textured tenor and alto saxophone playing is featured throughout, as is his playing on the Zimbabwean mbira and west African flulani flute. The record comprises equally of planned and deeply rehearsed compositions by both Leaney and Thouin, each with their own flavour brewed together to form a uniquely organic music. This is the first documented studio recording of 83 year old Thouin's lifelong exploration in sound and rhythm featuring his folkloric, DIY hybrid setup b…

After a creative break of more than 10 years the Contemporary Noise Ensemble returns with the brand new album called "An Excellent Spiritual Serviceman”. With the band’s line-up reduced and the sound of the brass section replaced with programmable synthesizers comes an entirely new sound of the band’s music. Leaning towards composition instead of improvisation the music is now less jazzy sounding - with electric bass being used instead of double bass and drums actually being the only strictly ac…

Here's the second of three (forthcoming) albums on Cellule 75 by Marc Richter (aka Black To Comm) following the (very different sounding) Diode, Triode LP (recordings made at INA GRM and ZKM) that came out earlier in 2022. MM∞XX is a virtual orchestra Richter initiated during the Covid-19 lockdowns. Isolated at his Hamburg studio he started to reach out to former collaborators and old friends, picking up on previous conversations as well as asking people to post short previously unused sound rec…

Inspired by the original Industrial Records release of William S. Burroughs’s Nothing Here Now but the Recordings, Belgian record label Sub Rosa worked with Burroughs to release another album: Break Through In Grey Room. Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter/cut…

*150 copies limited edition* Music For Zoe is the result of the encounter between two masters of free improvisation, Edoardo Ricci (soprano saxophone and bass clarinet) and Lucio Bonaldo (drums) with Gianluca Favaron (computer), a prime mover of electronic sounds often pushed beyond the limits. What emerges from this encounter is a kind of European-style free music, with open structures, sometimes close to radical contemporary improvisation. The acoustic sounds of percussion and wind instruments…

Jar’a is a surprising album in which the prepared Sardinian guitar, without any overdubs,  achieves the tonal range and sonic pressure of a post-rock ensemble. The suite in six movements brings together avant-garde and ancient traditional singing rituals, evoking wide open spaces, combining underground worlds and the most ancestral Sardinia. Jar’a is a concept album, with three-dimensional sound,  in which Paolo Angeli expresses an innovative contemporary language, inlaying it with fragile, emot…

"Is it the fall of Icarus, whose vertiginous stridulation we hear from the very first notes of this album, to which Jean-Marc Foussat once again mixes his AKS synth and his voice? A sharp whistle has just pierced the atmosphere and is lost in the urban bustle where the police sirens can easily be distinguished. It is with this scene worthy of a Michael Mann or Christopher Nolan film that this trio recording opens, bringing together saxophonist Urs Leimgruber, who has already signed a magnificent…

After studying composition at the Marseille Conservatory, Emmanuel Cremer, while writing for the theatre and the cinema, began improvising, notably alongside Barre Phillips, then Raymond Boni, with whom he recorded in 2003 ("Terronès, Suite andalouse", Blue Marge 1007 - with Foussat!), Joe McPhee, Jean-Marc Montera and other musicians from the region. In Athens in 2019, in the middle of the ancient ruins, but in fact in the studio, he recorded five solo pieces, five improvisations undoubtedly we…

Beat Records is glad to present the expanded original motion picture soundtrack by Francesco de Masi for the Western movie L’uomo della valle maledetta, one of the very first Italian production inspired to the super popular Hollywood cinematic genre. Already available in the CDCR series with the code 47, a selection of this score made part of a trio of soundtracks together with the OSTs of La sfida dei MacKenna and …e venne il tempo di uccidere, since a long time sold out. Transferring first gen…

*Including a 44 p. booklet.* Trumpet is a unique extended collection of solo trumpet music. Fourteen new compositions by Wadada Leo Smith are included on this recording and spread over three CDs. The Album was recorded during a beautiful summer week in July 2016 at St. Mary's Church in the town of Pohja on the southern coast of Finland. it is a culmination of Smith's solo trumpet work to date, which totaled six albums prior to Trumpet. That legacy begins with his very first album as a leader, 19…

*2022 stock* Blue Marge presents In Paris / Live at the Sunside by Ted Curson ensemble.Ted Curson (trumpet, piccolo trumpet, flugelhorn & vocals), with Alain Jean-Marie (piano), Gilles Naturel (double bass), Philippe Soirat (drums), Pierrick Pédron (alto saxophone), Guillaume Naturel (flute), Julie Saury (percussion), Ferhat Öz, Evrim Özsuca, Daiva Starinskaite, Jaanika Ventsel (vocals & backing vocals), and guest on one track (Blues Medley): Sylvia Howard (vocals). Recorded live on 30 and 31 Au…

All compositions by Scott Fields. Artists: Scott Fields, guitar; Stephan Rath, theorbo. "On this recording Scott Fields plays a 1999 Robert Ruck guitar and Stephan Rath plays a 1988 Hendrik Hasenfuss 14-string theorbo, after an instrument of Tieffenbrucker/Edlinger. Our duo was formed for the 2007 Cologne Music Triennial (MusikTriennale Köln) series 'Solos for duos, improvisation from yesterday and today' (Solo für Zwei, Improvisation gestern und heute). Festival yentas matched six early music s…

"Our emphasis on composition, and specifically composition for the relatively narrow dynamic range and timbral pallet of paired steel-string, acoustic guitars, directs us away from dependence on muscle memory and set phrases. These structures focus us on interactions that grow out of our immediate reactions to how each of us is, in the moment, interpreting the material." -- Scott Fields. "With Afiadacampos, I feel that Scott and I have deepened our ability to improvise together and to orchestrat…

In 1996 I went on a tour of Japan with Orchestra Carbon; a highlight was the Music Merge Festival in Tokyo. A colorful selection of wonderful musicians from the international scene met there for three days at the Shinjuku Pit Inn: Michiyo Yagi, Otomo Yoshihide, Sachiko M, Jim O'Rourke, Yumiko Tanaka, David Grubbs and others. In addition to performing with Orchestra Carbon and my solo Tectonics, I was allowed to develop a new algorithmic template for a small orchestra of festival soloists under m…

* Limited LP. Two-sided insert with liner notes by Matthias Andersson. Mastered by Lasse Marhaug * Utmarken was a combined venue, record shop and recording space in Gothenburg that existed between 2008 and 2011. A short-lived under the radar hub for outsider art and fringe music, the place quickly became an oasis for an wide variety of local misfits and a hotbed for interesting sounds. The creative, multifaceted atmosphere spawned acts like Ättestupa, Lust For Youth, Street Drinkers and Arv & Mi…

**2020 stock** "What about this Cosmofonia Rudimentale? Well, here we have a group of friends who liked to improvise together around 2010 in studio and on stage. The “excuse” was to create a music that could accompany futurist poetry. Roberto Zanisi is a polymorphous musician playing a lot of ethnic string instruments who collaborated between others with Amy Denio, Giovanni Venosta, David Moss, Sainkho Namtchylak and Fabien Guyot. Valerio Scrignoli is an important  guitarist of Italian jazz scen…

*In process of stocking* Second Sleep presents a deep dive into noise excursions collecting this 8xtape box by Casa Di Caccia.Two friends, a table, the right amount of distortion pedals, appropriate addictives. This perfect blend pulled out not just a release, but a proper batch of eghit tapes, full of roaring impetuousnesss and slouching frenzy harsh noise for long afternoons.

*Limited edition 100 copies* 4th compilation of French unconventional projects on Out of Standard!!, ADN side label. Mastered by Ruggero Tajé. Dedicated to Chris Marker.

Terzetto Garibaldi is the meating of three different strong personalities. Roberto Zanisi (Cosmofonia Rudimentale, Eloisa Manera ensemble, Radical Raptors) is a virtuoso musician playing all kind of instruments specialised in string instruments of eastern world. His roots are in ethnic music, jazz, r.i.o. Luciano Margorani (LA1919, Fracture, Artchipel Orchestra, Beauty is in the distance, OppaT) is a versatile musician going from r.i.o, improvisation to electronics. Carlo Actis Dato (Italian Ins…

Recorded in Australia, Brasil, Italy, Japan, Turkey and America on his 2015/16 world tour, these excellent recordings offer an astonishing range of styles and sounds – all somehow emanating from Angeli’s fingers and feet – and his highly modified, prepared, extended and amplified giant Sardinian guitar which – like Angeli himself – is routinely able do several very different things at once. You have to keep reminding yourself as you listen that this is just one person with one instrument, workin…

For the last few years Memnon Sa has been Misha Hering’s outlet for exploring the depths of his imagination. Using his London HQ, the now legendary Holy Mountain Studios (Spiritualized, Idles, 40 Watt Sun) as his own personal laboratory, he has released three sprawling albums: Citadel (2014), Lemurian Dawn (2018) and most recently the acclaimed World Serpent (2020). For his fourth album, and first on Shadow World, Hering’s efforts have been fully galvanized by the world he now finds himself livi…

Never Stop Texting Me by More Eaze and Claire Rousay is a pop record. Melodies and chorus in every track about crushes, collaborating with friends, and the mundane of everyday life. Maybe the first mention of Bandcamp Friday in a pop song? Mari and Claire share an equal amount of duties on the record, rendering it a pure representation of their collaborative work. The appeal of this record is the assertive pop  blending w Robert Ashley like moments which simultaneously satiates the desire to hea…

For Métron Records' tenth album release, the label welcomes back Japanese artist 7FO (RVNG, Bokeh Versions, EM Records) for his second album on the imprint. Originally created to accompany a 2014 exhibition by Osaka art collective Himitsu, Music For Himitsu has now been remastered and pressed to vinyl for the first time. Made up of ceramicist Shiori Nishino, photographer Hiroshi Nakamura and landscape gardener Takashi Torigoe, Himitsu showcased an elemental combination of light (photography), wa…

300 copies, black vinyl. Sometimes records just vibrate with a magical aura propagating endless energy and timeless positionment. Stefano Pilia & Valerio Tricoli have been maestros in their respective careers when it comes to dancing between modern concrete, unimagined landscapes and electroacoustic experiments slowly creating and almost hand-sculpting two of the most singular paths in the European avant garde scene. After their long tenure in experimental collective 3/4HadBeenEliminated (Häpna,…