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* Double CD edition. Metallic silver ink printed on high gloss paper * Eliane Radigue's complete Opus 17, her finest and final work created using feedback, is contained on this double CD. With Opus 17 Radigue perfected her slow mixing technique with sublime results. Imperceptible transformations envelop the attentive listener who is confronted with an immensely physical experience. Time is suspended in powerfully poetic and artful ways as Radigue masterfully sculpts the physical matter of sound …
11 Dec 1980 is a two CD set containing Eliane Radigue's live performance of Chry-Ptus (1971), her first work for modular synthesizer, and the world premier of parts one and three of Triptych (1978). Triptych part 2 is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has charact…
2024 small repress. "Back to music after three years of silence... On the suggestion of Robert Ashley, Douglas Dunn commissioned this piece from Éliane Radigue for choreography. Only the first part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27 1978. Recorded in the composer's studio in Paris. After the premiere of Adnos I (IMPREC 028CD) in San Francisco in 1974, a group of French students introduced Éliane Radigue to Tibetan Buddhism. When she returned t…
2021 restock. "Includes liner notes & archival photographs. 1970 was an important year in Eliane Radigue's musical life since it was the year just before she acquired her ARP 2500 synthesizer. Since 1967, she had been using the feedback as a material; feedback from two tape recorders reworked through intensive studio techniques: slowing down, alteration, superimposition, montage. In 1970, the last year she dedicated to feedback, several milestone pieces saw the light of day: Omnht, a wonderful s…
Central Palace Music, performed by Catherine Christer Hennix's just-intonation ensemble The Deontic Miracle, is the first in a series of archival Hennix releases to be issued via Imprec. This previously unheard piece was taken from an eight day festival organized in the Spring of 1976 at the Museum of Modern Art in Stockholm. The group features Catherine Christer Hennix on Renaissance oboe and custom sinewave generators, Peter Hennix on Renaissance oboe and Hans Isgren on sheng.Central Palace Mu…
BLUES ALIF LAM MIM IN THE MODE OF RAG INFINITY/RAG COSMOSIS is a new composition from Catherine Christer Hennix's expanded just-intonation ensemble, the Chora(s)san Time-Court Mirage. This expanded ensemble includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, an expanded brass section with the addition of Paul Schwingesnschlögl and Elena Kakaliagou as well as the additon of Marcus Pal and Stefan Tiedje on electronics.Packaged in a lavish, oversized letterpressed jacket …
Magnificent reissue of this tape obscurity from 1980, Cluster's eighth album (the first of three live LPs) originally released on the YHR label (which was curated by Pump's David Elliott), also including archival material never before issued on CD. With so much stuff from this era coming to the surface recently it's sometimes easy to get blasé about it all, but this is one you really ought to give your fullest attention to. As the title says, this was recorded live in Vienna in 1980 at th…
These Christina Kubisch five compositions on the CD are based on numerous live recordings of electromagnetic fields, made between 2003 and 2007 in the cities of Birmingham, Chicago, Taipei, Paris, Bremen, Riga, Tokyo, Madrid, London, New York, Berlin and others. The sounds have not been altered electronically or by other means. Electrical Walks is a public walk with custom-made sensitive wireless headphones by which aboveground and underground electromagnetic fields are detected, amplified and m…
On Requiem, Vancouver-based composer and musician Anju Singh combines funerary violin and harsh noise, as illustrated in an excerpt from liner notes by Gordon Ashworth (Oscillating Innards, Knelt Rote): "Requiem is an album of the violin engaged in a multi-dimensional way. Merging forms of music and anti-music; burning a violin as a means of achieving the instrument's ultimate dramatic and sonic potential, and guiding the ritual object into a symbolic death."
Singh is recognized in the noise w…
*2025 stock. 100 copies limited edition* Most dreams are forgotten. They eventually become the cosmic dust of the subconscious, burning brightly for a few minutes before fading back into a buried chamber of mind. But occasionally nocturnal reveries assume a life of their own. They disappear and return, haunt and tantalize, offering unconscious symbols and twisted shapes that help us navigate the labyrinth of our own existence. Dave Harrington’s latest album, Skull Dream, falls into the realm of …
Kleistwahr is the solo project of Gary Mundy, the legendary power electronic and noise-rock musician who is a founding member of Ramleh and runs the highly influential Broken Flag label. Solemn drones and elegiac long-form passages gird Kleistwahr’s Winter, which often chimes, glistens, and glows through a unhurried constructs for organ, synth, guitar, and electronics. Yet Mundy pivots throughout with triumphant explosions of shrill noise, redlined overload, and harrowingly anguished vocals from…
When describing the "Last Shot at Heaven" cover art on the Skullflower Bandcamp page, Matthew Bower highlights the ambiguity of the striking photograph of a civilian casualty during the Yugoslavian schism. "Is it ecstatic[?]" he asks of the woman's expression. This, too, is a question one could reasonably ask of any Skullflower album.
Bower and his many cohorts' body of work is full of lengthy compositions that evoke all manner of emotions. Statement records like "IIIrd Gatekeeper", released a y…
Dragonfly's First Flight, taking up the full side A, features Simeon Coxe and Kawabata Makoto jamming over familiar Silver Apples hypnotic rhythms. Fans of both groups will delight in the interplay between Simeon's keyboard and Makoto's drone guitar feedback soloing. Side B ranges from free-form freakouts to ambient poetry readings by Simeon with Japanese translation spoken by Makoto. Future Reminiscence, which closes side B, is a song that sounds like a long-lost Silver Apples track. Mirage is …
*2025 stock* Nocturnal Emissions' releases throughout the 1980s are eclectic, adventurous and intermittently raw. 1991's "Cathedral" is something else entirely — ritualistic, expansive, awe-inducing. It is at turns warm, ominous and ethereal. We could come up with adjectives all day, but it really must be heard to be believed. Originally released by Italy's Musica Maxima Magnetica, "Cathedral" finally gets its due on vinyl with a deluxe 2xLP edition featuring a large booklet with many of Nigel A…
From the viral Severance TV dance party to spiritual jazz explorations, this vinyl compilation spans five decades of the Poughkeepsie legend's most electrifying moments. Funky grooves, cosmic transcendence, and raw improvisation collide.
Tip! "Expect the unexpected. Masami Akita, corrupt mastermind behind the bound and gagged and tossed into the jet engine noise of Merzbow has, over the last years, really begun to stretch the limits of what he sonically does. Seems, with releases (Tauromachine, Hybrid Noisebloom, 1930...), there has been more variety within the choppy slabs of noise that he designs. What we have here is, quite possibly, the most varied Merzbow release to date. Why? Because, amidst the stalk and squeal noise,…
Having found support from tastemakers including Gilles Peterson, Deb Grant, Jyoty and Tony Minvielle for last year’s EP ‘The Changing Tides Of Dreams’, SHOLTO returns with his forthcoming album ‘Letting Go of Forever’ – a 26-track expansive double LP, scheduled to drop later this year on DeepMatter Records / Funk Night Records. Drawing inspiration from Mozart’s ‘Lacrimosa’ and the work of David Axelrod, the album’s first offering ‘For The Love Of Stripes’ combines moving strings and choral orche…
2024 Stock. Funk Night Records presents a beautiful psychedelic-funk dance-theatre music by the great Misha Panfilov for the 2021 Tallinn premiere of Karistjan Rohioja's Original Theater Soundtrack 'Plan X'. A unique project from the legendary Misha Panfilov, but one that is very much in keeping with the psychedelic feel of his funky 45s - as the collection here is entirely instrumental and includes tracks recorded by Misha for a live performance! However, this is hardly familiar soundtrack musi…