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In 1964, vocalist Karin Krog released Norway's first jazz solo LP, and By Myself has helped shape her career as a singer. In 2026, 62 years after the first release, she releases the LP Tomorrow's Yesterday, and it cannot be ruled out that this may be her last physical album. All the songs are recorded in duo or trio format. The musical sounds are excitingly combined with her voice and Rob Luft on guitar, John Surman on saxophone/bass clarinet on side A. Whilst on side B we hear Karin Krog with E…
Here's for the real thing! Sixties Japanese Garage/Psych Rarities Vol. 2 uncovers a lost vein of cosmic rock from late‑1960s Japan, presenting a vivid collection of raw, psychedelic sounds from the heart of the Group Sounds movement. This second volume brings together rare singles, private-press gems and previously uncompiled studio cuts that reveal how Japanese bands absorbed and reimagined Western garage, soul and acid rock into something entirely their own.
Featuring early and hard-to-find re…
Five years after his first quartet release “Kora” (Aut Records, 2021), Giacomo Zanus returns with a new album titled “wandering away is safer than getting lost on your own.”
Composed and produced by the italian guitarist, “wandering away…” is a collection of little stories — postcards and travel notes that evoke faces, places and sensations to immerse oneself in, get lost in and ultimately rediscover.
Emblematic figures such as Calvino’s silent Palomar — almost a manifesto for the entire project…
Australian progressive fusion-jazz-symphonic rock act Pantha burst from the mid‑1970s with a uniquely spirited record, Doway Do Doway Do !?!!, a thrilling hybrid of rock, jazz, Latin American rhythms, West Indian grooves and occasional Zappa‑styled eccentricity. Originally released in 1975, the album showcases the group’s deft ability to marry virtuosic musicianship with irresistible danceable energy.
Doway Do Doway Do !?!! draws on the Santana hallmark of driving rock over Latin beats but expan…
2025 stock “Death Rattle” is the noise of two forces of nature in collision. Like a pair of clashing typhoons, Philadelphia based avant guitarist James Plotkin and Norwegian free jazz drummer Paal Nilssen-Love generate chaos, disturbance and a terrifying beauty in their first ever collaborative recording. Free jazz and metal-edged rock never chimed so exhilaratingly together before. ‘Paal’s precision and constant invention/reinvention is mind-blowing, only matched by its intensity,’ James enthus…
øjeRum is the moniker of Danish artist Paw Grabowski. Since 2007, his mostly tape-based works have unfolded like private diaries—intimate, textural, often centered around an vintage pump organ Paw found left abandoned in a dilapidated Danish home, and to which he would return, sometimes in the dead of winter, to play and record on. The works featured on this release are centered around this pivotal engagement and collect some of his earliest releases from around 2014 to 2017. These were then car…
Originally released in 1980 and long regarded as one of the most avant‑garde statements of its era, Hansten Klork captures Metabolist at the intersection of post‑punk restlessness and uncompromising experimentalism. The album’s stark textures, motoric rhythms, and hypnotic minimalism reveal a band equally indebted to kraut‑rock repetition, post‑industrial atmospheres, and the austere clarity of minimalism—creating a distinct, unsettling sound that still sounds contemporary today.
This reissue re…
For close to a decade the sound of Italian cinema and television ran through four musicians from Rome. I Marc 4 were the rhythm section the country's leading composers reached for first, and between sessions they cut a long run of library albums under their own name. The scarcest corner of that catalogue sits on two companion imprints, Silver Music and Silver Men, issued in 1976 and seldom seen since. This new edition draws the strongest material from both onto a single LP, in the original milit…
Magic Tuber Stringband probes the undercurrents of the landscapes around them. Highly skilled players and writers, the trio are leaders within the burgeoning avant composition world utilizing folk instrumentation. Their music appears to weave in and out of the fabric of their surroundings, reflecting their time spent living across the Southeast and studying its regional folk traditions and natural histories. The ensemble continues to stretch the parameters of acoustic instrumental expression wit…
Maiden vinyl edition of Chris Carter & Cosey Fanni Tutti’s 4th world ambient trek pairing wistfully romantic cornet and vocals with lush, oil-colour pastoral electronics.
A road that waited fifty-two years to be walked. Recorded in Trieste in 1973 and never released, Dove Va La Tua Strada? is the lone document of Exit - a band that vanished without leaving an official trace, now resurfacing through Black Widow Records in a highly limited edition of 400 copies. This is Italian prog archaeology of the purest kind: not a reissue, but a first appearance, half a century late.
The story of its recovery has something novelistic about it. In the summer of 2021, at the Tr…
Trust, originally released on Play It Again Sam / Nettwerk in 1989, is collection of electro-pop, rinsed through with Chris & Cosey’s unique erotic vision – “Seldom have electronics this glaciated and deep-frozen exuded so much warmth” wrote Dele Fadele in NME.
First released in 1992, Chris & Cosey's hyper melodic, electro-tinged 'Musik Fantastique!' is finally released on vinyl for the first time as part of the duo's remastered limited edition vinyl series.
The remastered releases for August includes 1985’s Technø Primitiv, originally released on Rough Trade, the album is from Chris & Cosey’s whiplash minimal ‘80s icy synth period.
Pagan Tango – described by Melody Maker as “C&C formulating perfection” - followed in 1991 on Wax Trax!, and sees the pair once follow their own hypnotic beat in new directions.
Universal Dub brings together four pillars of dub’s golden era—King Tubby, Scientist, Bunny Tom Tom and Barnabas—in a definitive collection that celebrates the raw innovation and deep rhythmic spirituality of Jamaican studio culture. Remastered and curated for both longtime devotees and newcomers, Universal Dub showcases the producers’ inventive studio techniques, subterranean basslines and immersive echo-laden soundscapes that helped shape modern music.
King Tubby’s pioneering studio architectu…
* in process of stocking * Second album from the cultish experimental jam band formed in 1967 in Orange County, California. Their second effort from 1970 - The Electronic Hole - takes a step away from their earlier work, being composed with definite song structures versus the earlier drawn-out freeform jams. Sounding much like a west-coast version of The Velvet Underground & Nico, the album has melodic motifs but is much more primitive and mysterious than its cousin, with loads of fuzz, hauntin…
Ellen Arkbro and Johan Graden embody the limitless curiosity and fearless innovation of the Swedish and Berlin new music scenes they inhabit. Arkbro is a composer and musician whose work has been presented around the globe at prestigious institutions such as the Barbican in London, GRM in Paris and the Kölner Philharmonie in Köln. Graden is one of Sweden’s most sought-after pianists, moving freely between classical music and the European contemporary jazz scene. Currently living in Amman Jordan,…
The protagonists of this album embrace the complexity, diversity, and innovative power of a musical tradition that, in this case, seeks dialogue with other languages, opening itself up to innovative music. On one side, we find the prepared Sardinian guitar, an alien instrument that has fascinated music critics from Europe and overseas; on the other, the guttural singing of the Tenore Murales, an expression of one of the most ancient polyvocalities in the Mediterranean, with similarities to Tuva …
Mnemonists, on the first album called Mnemonist Orchestra, is U.S collective of avant-garde musicians from Colorado, led by Mark Derbyshire and William Sharp. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avant-garde and free jazz. Their releases were published by their own self-produced label Dys between 1981 and 1986. By 1985 the group had split off into separate groups for visual and audio work. From that time, Mnemonists operated only as a visual arts …