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Orchesterstücke
Peter Ablinger is one of home composers of GOD Records. His cult releases GODrec "Regenstücke 1 and 2" and "Voices and Piano" (GOD 08, 18 and 34 respectively) are part of every serious record collection around the globe. With "Orchesterstücke" Ablinger finally delivers some of his remarkable orcestra pieces in last ten years. Release contain three Ablinger's orchestra pieces, "Quartz", "Wachstum, Massenmord" and highly controversial piece "4 Weiss", for orchestra and white noise - the piece th…
Symposium
Lésions Graves is an experimental extreme-metal trio on a journey towards minimal music. Racing drum patterns and humming melodic shreds interweave with disharmonic sound spheres and complex rhythmic and melodic phase shifts. Fast, loud, aggressive, repetitive, irritating...
Vinyl Coda III-IV
The Vinyl Coda project returns to God Records for the second chapter of the Philip Jeck masterwork, originally released in the late 90s and now freshly re-mastered for this LP re-release. Philip Jeck revolutionised the world of experimental music with his pioneering turntable collage work, with his hazy and intuitive narrative of sounds that never quite head in the direction you expect. In these sets, Jeck uses a number of turntables and prepared records to create strange soundscapes in which cr…
Differenz/Wiederholung 2
Bernhard Lang's Differenz/Wiederholung 2 is a multi-media piece for amplified ensemble, three voices and video installation. While the music is filled with rocking-and-rolling, anti-grooving sound slaps, "scored free jazz", and crippled repetitions, three vocalists present texts (including rap) from Gilles Deleuze, William Burroughs and Christian Loidl, commenting on usual repetitive human habits and its nonsense. If Captain Beefheart's Trout Mask Replica (1969) is a milestone of avant-rock, …
Voices and Piano
Voices and Piano, written for Nicolas Hodges, is an extensive cycle of pieces, each for a single recorded voice, mostly of a well-known celebrity, and piano. The cycle is still in progress and should eventually include about 80 pieces/voices (arround 4 hours of music). The work is always meant to occur as a selection from the whole. At present I like to write works where the whole should not be presented at once. The whole should remain the whole, and what we hear is just a part of it. I like to…
Linien II
The title gives an indication as to what this cycle is about: “Lines” as a catch-all phrase for melodic relationships: differently formed – from a unison melody for two instruments to counterpoints of independent voices; composed in different ways – from “calculated” proportioning to spontaneous writing; expressive in different ways – from lament to competition. If nothing else, these pieces are also a journey through all registers of the clarinet family, from Eb- and Bb clarinet through basset …
Dw16 / Songbook
DW is an on-going cycle of Bernhard Lang's pieces, where composer explorespossibilities of loops and repetitions, which became his compositional trademark. Songbook I is another piece where Lang highly involves his patterns from Jazz and Pop music, transformed through “damaged beats”. "For many years one of my main influences beside the work of Philip Jeck were the movies of Martin Arnold: they more or less became the trigger for the series of pieces called Difference/Repetition
Organ Works Vol. 2
The second instalment of Klaus Lang's organ works and once again, two monumental works that span over two vinyl sides. "ABD" - contemporary vision of sacral chord progressions. "Melrose abbey" - perverse art of mourning music. Ultimate drone. Absolute torment.
Schubkraft
“Kontraktion” and “Extruder” are the results of various tape-sessions by Conrad Schnitzler and Siegmar Fricke in Con’s former studio Leberstrasse in Berlin.The soundscapes on both records (produced in November 1986 and July 1987 with EMS-Synthi A, Korg MS 10 + MS 20 + delays) contain all the machinistic energy and infernal industrial sound-eruptions similar to Conrad’s first three albums “Schwarz”, “Rot” and “Blau” and to the rumbling train wheel rhythms of “Zug” (from the “Red Cassette” 1974).
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Golem
** Remastered edition, with new standard glossy jacket ** Originally released in 1974. German trio Sand's first album, Golem, is a legendary work of cosmic psychedelic genius. There is something magical and inexplicable in creation, and Sand absolutely manifest these mysterious phenomena. Storytellers, musicians, shamans, geniuses -- Sand were known, at the end of the '60s, as P.O.T. (Part of Time). Then Sand -- Ludwig Papenberg, his brother Ulrich Papenberg, and Johannes Vester -- developed a m…
Memory Space
The central concept behind Alvin Lucier's Memory Space is the representation of another time and place through the use of a new set of sounds. In his instructions, Lucier asks the performer/s to go to an environment and record by any means (notes on paper, graphics, audio recording or by memory) the sound situations that are present, then, at any later time, in a different space, attempt to recreate that situation. The purpose of the work is to avoid elaboration or embellishment, but given that …
...On What There Is...
Kallabris and Lepenik have been collaborating on an unnamed project for years. At one point, wasn't even sure that it will see the light of the day at all. But, never provoke with destiny! Different musical personalities but with many common musical points, offered extremely polarized piece of art, some kind of kaleidoscope of musical suprises and always on the edge of disintegration. A record that mixes a wide range of styles, opening with slow ambiesque vignettes, elegiac passages, continuing …
Regenstucke Vol. 2
A sensational album by one of the most original composers of our time. Since Regenstucke Vol. 1 deals with rain aesthetic in pure instrumental form, Vol. 2 shows Peter Ablinger´s fascination with techniques of filed recordings, accompanied by different ensembles and orchestra setups. Ablinger has been exploring different sides and features of nature recordings for a very long time, always achieving new territories and pushing boundaries to higher level. This release represents only a minority o…
Sahib Shihab And The Danish Radio Jazz Group
Sahib Shihab (Edmund Gregory) played with many of jazz’s finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab’s distinctive sound was …
Woodscratcher
Woodscratcher (Scratching Wood) is a composition and sound generating machine from Austrian composer, media-artist, sound-sculptor and performer, Winfried Ritsch. Already known as collaborator in different projects with Bernhard Lang (pieces from his series Differenz/Wiederholung, Trike), Peter Ablinger (Klavierautomat), Ritsch created “my own dedication to noise pieces of experimental music from 70s onwards”. This machine cuts a 2-5cm thick disk of a wooden trunk in a circular line along the gr…
Chiamate 22-22 Tenente Sheridan
Class on your turntable. What we have here is a stunning crime-jazz soundtrack blended with exotica flavor, composed by one of the main legend of Italian sound: an Armando Trovajoli at his best, with an outstanding, still undiscovered film score, unreleased on every format until today. The amazing main theme, sung by the astonishing voice of Lyda McDonald, was published on an mega-rare 7'' on RCA label in 1961 and is now impossible to find. All the rest of the score is completely unheard, finall…
String Quartet II
* 2021 Stock ** During the decades following the Second World War, all eyes shifted toward New York, a city which, at that moment, played host to some of brightest creative minds of the century. Innovations were abound. Visual artists, writers, thinkers, musicians, and composers continuously pushed into previously unthinking ground. While the United States had been previously known to give birth to a wild and distinct breed of composer, from Charles Ives to Nancarrow, Harry Partch, Cowell, and b…
California Sigh
Guitarist Lee Underwood’s syncretic blend of jazz, folk, and blues was a tremendous force behind Tim Buckley’s genre-stretching late 60s/early 70s music – but his 1988 acoustic guitar opus California Sigh has remained a unsung footnote to his story. Until now! This first time vinyl-edition reveals Lee’s free-floating acoustic moods, with synths and co-production from ambient avatar Steve Roach, as a soulful work of tranquility and transcendence.
You Loved Me
First time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single 'My One And Only Love' and a recorded live session at Lone Mountain College in 1974.The album 'You Loved Me' is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60's and her post 90's releases. The missing link between the radical ingenue of the 1960s a…
Live
Patty Waters is a visionary avant-garde vocalist and composer, best known for her groundbreaking 1960s recordings for the legendary free jazz label ESP-Disk. Captivated by the music of Billie Holiday, she sang with Bill Evans, Charlie Mingus, Chick Corea and Herbie Hancock before coming to the attention of Albert Ayler, who introduced her to ESP-Disk's Bernard Stollman. The rest is history.Recorded with pianist Burton Greene, Waters' haunting 1966 debut Sings juxtaposes a side of hushed self-com…