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Midnight Xpander
Veteran experimentalist, Marcia Bassett, returns with "Midnight Xpander", easily one of the most exciting entries into the field of drone and contemporary minimalism that we've encountered in a good while. Predominantly recorded with a Buchla 200 system at EMS in Stockholm, Sweden, and imbued with abstraction and the bristling tension of punk and noise, its subtle structures and intertwining harmonics immerse the mind in a deeply organic, hallucinatory realm that places Bassett at forefront of t…
Demonstration Takes & Retakes
Tristan Disco was an ephemeral Japanese project led by Takayuki Shiraishi (BGM, who released material on the Japanese experimental label Vanity Records, MLD) and focused on making dub-influenced Post-Punk. In 1982 they elaborate a no-wave full of unrehearsed breaks and cavernous vocals. Boundless dark jamming sessions through shades, effects and reverbs always submerged by a tense nervous bassline. On the B side Krikor delivers a hard-hitting Industrial reconstruction of "Social Dance" perfect t…
Handmande Paper Pipe
Handmade Paper Pipe is the collaborative project of Danish improviser Claus Haxholm and eclectic Italian sound-maker Renato Grieco. These two set pieces are the result of mutual manipulation of each other's voices and archival materials. Not many words were spoken during the process and the result covers a many topoi of modern experimental palette and noteworthy is the presence of low frequencies that sometimes even touch the territories of a hypothetical abstract vocal dub.
Libres (Festival de Massy 26 Octobre 1975)
"Armonicord. In 1977 an album was released under the name of Armonicord, of which I have just found a copy through a mutual friend: Esprits de Sel. Having heard of the album's release at that time, the memory of the presence of harpsichordist Odile Bailleux and drummer Christian Lete undoubtedly made me imagine a possible sort of chamber music. In the cover, we can admire the graphic scores of baritone saxophonist Jouk Minor, all in curves and ellipses with instrument and timing indications. A m…
Rhythm Voice
The Swedish dancer, choreographer, and performer, Greta Lindholm, has remained, since her emergence during the late 1960s, a singular and unique force on the global contemporary dance scene. Having developed a synthetic and experimental approach to movement and generative sound, her boundary pushing body of work can be understood as a celebration of the body and its languages, and their intimate relationship with the voice; using primarily foot drumming and vocal rhythms, her body is transformed…
Aluk
Vienna artist Klaus Filip plays music using nothing but sine waves produced with 'lloopp,' an improvisation software program he invented and continues to refine. Toshimaru Nakamura makes music simply by controlling a mixing board's internal feedback, inputting no external sounds. Two artists with highly individual playing methods, they came together to create this album of improvisational works. Two of the three tracks were recorded in a Tokyo studio in May of 2005, when Filip came to Japan alon…
Espoo
*2024 stock* Vladislav Delay‘s EP »Espoo« features two new conceptual, rhythm-intense tracks. Whereas the groove of the opener »Olari« derives from a sound loop which is manipulated by filters and echoes and finally brings forth the intensifying beat, the reverse is done with »Kolari« on the b-side. Starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent vacation-like melody, close to Terry Riley‘s minimalistic concepts. Both tra…
Number of Sheep Who Jumped over the Fence
Restocked, reduced price Signed and numbered box, limited to 80 copies. Comes with inserts and and a photo of exhibition in 1974. “Number of Sheep Who Jumped over the Fence” by Fumio Takamizawa was originally presented in 1974. Throughout the history of Japanese art, there has been artists that filled museums, galleries, studios and other public spaces with all sorts of sounds. In most cases, however, once the sound faded, it couldn't be heard again. Within Japanese art history, which has been …
More Intra Musique
When glancing over the history of indigenous French free improvised music, there tends to be two observable categories of musicians - those who worked and collaborated with their counterparts from abroad, and those who worked independently. The former is generally more celebrated, and among those the drummer Jacques Thollot, who worked with Don Cherry, Steve Lacy, Sonny Sharrock, Sam Rivers, Joachim Kühn, and numerous others, as well as with French pioneers like Barney Wilen and Jef Gilson, rank…
El Artilugio
Building upon a standing commitment to the work of artists who worked in international obscurity under the shadow of 1960s and '70s fascist Spain, Alga Marghen returns with "El Artilugio”, a never before issued body of work by Manuel Calvo. Bridging the contexts of installation, sound art, sound poetry, and experimental music / noise, its stunning two sides - issued in a limited edition of 200 copies on vinyl, housed in a gatefold sleeve with an accompanying large format 8-page booklet with in-d…
Manuale di cultura industriale (Book)
*2023 stock. Italian language edition* This edition of "Manuale di CUlturea Industriale" entirely revised, updated, and increased by more than fifty percent from the previous edition edited by Paolo Bandera, remains the reference text of an uncompromising counterculture that has been able to resist the blandishments of the market for twenty years.
Music, performance, radical philosophies noisily sing the end of the industrial age. From here all "hard" musical forms have taken inspiration, from p…
I feel everything you say, I feel everything you hear (Book)
*Hardcover with Embossing. English* Week-End Fest looks back in 2022 on 10 years and encounters with over 100 international artists. Since the beginning in 2011 own fanhood has been a central element of the festival’s curators - this is how the idea came about to inform the artists about the musicians, places or encounters that have shaped them. In „I feel everything you say. I feel everything you hear“. (the title is borrowed from the song „I‘m so Green“ by Can), they tell of decisive moments a…
In Words
»In Words« is the first solo album by the Danish musician, composer, and visual artist Alexander Tillegreen. The album represents a series of varied electronic music pieces while also carrying examples of ongoing work with psychoacoustic phenomena. Composed partly of material taken from his artistic practice as an installation artist and his ongoing interdisciplinary artistic research into psychoacoustic phenomena, Tillegreen investigates subjective sonic perception and the negotiation of langua…
The Fluid Hammer
Pancrace is a quintet from France comprising Prune Bécheau, Arden Day, Julien Desailly, Léo Maurel, and Jan Vysocky. Pancrace began with a residence in 2015 at the Saint Pancrace church in Dangolsheim where the instrument inventor Léo Maurel resides. Pancrace's debut self-titled double-LP was released by Penultimate Press in 2017 and ended up on The Wire's best releases of that year. After the first record and subsequent tour the band were despondent that the main character of their story, the c…
Symphony No. 107 - The Bard
Black Truffle is pleased to announce Symphony No. 107 –The Bard, a previously unheard archival recording of the legendary improvising ensemble MEV (Musica Elettronica Viva), captured in concert at Bard College, New York in 2012. Formed by a group of American expat composers in Rome in 1966, the MEV ensemble played an important role in the development of free improvisation, bridging the live electronics tradition begun by John Cage and David Tudor and the high-energy squall of free jazz. Early re…
Op. 163 Penthesilea
*Limited edition of 300 copies.* OP. 176 Penthesilea is presented as a deluxe 5CD box set with 32 page full colour booklet featuring writings by Villy Sørensen, Mark Harwood, Werner Durand and Henning Christiansen. The set is all housed in a sturdy slip case with original artwork (by Henning Christiansen, scores and performance photos.
Music for a tragedy/play, Penthesilea (tragedy in 24 scenes), by director Carlo Quartucci, playwright: Heinrich von Kleist. First performance at Teatro Olimpico, …
15 Coruscations
*300 copies limited edition* Far from the extended still lifes and mises en abîmes of their acclaimed Penultimate Press debut A Sunset for Walter (PP43, 2019), Noetinger & Pateras’ 15 Coruscations weaves frequencies & stirs data into an agitated series of deft psychoacoustic miniatures. Employing electronics as a deformed mirror reflecting joyous lacerations & interweavings, 15 Coruscations borrows from both brut & skilled musical practises, emerging from the current despair to blister light ac…
Hieme
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Hieme. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are t…
I - II
Limited edition of 200 copies. A double CD set featuring seven solo guitar pieces recorded on the 5th of january 2017 in Ericeira II seven solo guitar pieces 1-5 recorded on the 12th, 14th and 15th of may 2017 6 and 7 recorded in Ericeira on the 8th of january 2017. Manuel Mota is a Portuguese guitarist, who might best be described as a somewhat more fluidly lyrical Derek Bailey. Lovingly recorded on solid body electric guitar, his improvisations have the spiky quality associated with the elde…