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Inside The Head Of Gods
*300 copies limited edition* "Inside the head of gods" is an EP of music made to accompany the paintings of Taichi Kondo for his exhibition "What’s my name?" at Finale Art File in Manila, Philippines, April 6 – April 30, 2016. "When I first saw his paintings, they gave me a very clear sound of music. I had many ideas, and there were many elements of each of his paintings to represent through music. When I began creating the music, I made many different kinds of tracks with different lengths, str…
In The End You'll Just Disappear
Created for an installation to be played on 3 speakers in a triangular shape facing the center of a room. Each speaker played a continuous loop of a low end cut (speaker 1), a mid end cut (speaker 2), and a high end cut (speaker 3). From the center of the room, they should be perfectly mixed, yet evolve due to small differences in start times.
Ask The Sun
"Hamid Drake and Michael Zerang drum up a storm, to put things succinctly. This album of percussion duets features intricately interlaced drums, bells, shakers, and chimes. Rolling patterns, melodicism, and moods pervade this fine album. Forget your nightmares of the endless drum solos perpetuated by bloated classic rock dinosaurs; try to put aside more current preconceptions of deadhead drum circle revivalists and world beat wannabes. These two musicians are serious but not full of themselves a…
Mouth Eating Trees And Related Activities
*2023 stock* "Swedish multi-reed artist Mats Gustafsson was just beginning to come into his own at the time of this recording. The oddly titled Mouth Eating Trees and Related Activities catches him at the cusp when his prodigious technical abilities were starting to be subsumed into an impressive musical presence. It doesn't hurt that his companions for this freely improvised session are stalwarts like Barry Guy and Paul Lovens, who provide accompaniment that's creatively telepathic. While Gusta…
One To (Two)...............
*2023 stock* These 18 short duets between cellist/trombonist Gunter Christmann and Swedish new music provocateur and saxophonist Mats Gustaffson eschew all melodic pretension, leading to some very difficult, though rewarding listening. Christmann performs mostly on his stringed warrior, where scratches and little sounds lead the way. Somehow, when matched with the saxophonist's highly developed sense of rhythm and sporadic flurry, the results lure the listener into a den of revolutionary fervor.…
Signs
*2023 stock* "A masterful statement from the Peter Brotzmann Tentet – a large group, but one that's capable of a rich array of sounds and sentiments – maybe given best exposure here in this key recording from the prime years of the ensemble! Ten players can be a huge number, especially when improvising so much – but these guys all have ears that are beautifully tuned to each other, and which really seems to not only bring out the best in each member, but also push the whole group together with a…
The Dried Rat-Dog
*2023 stock* The Dried Rat-Dog is a free jazz energy wallop from the duo of multireedist Peter Brotzmann and percussionist Hamid Drake. It kicks off with the title track, a cavorting of saxophone and drums that tears off, speeding over the hills and through the woods with fierce intensity. Both musicians are in excellent form and incorporate all sorts of techniques from their vast respective vocabularies. The energy inverts for the next piece, "It's an Angel on the Door," as Brotzmann holds note…
Be Music, Night
*2023 stock* "Peter Brotzmann's Chicago Tentet combines some of the finest avant improvisers out of Chicago and Europe. For a such a logistically and musically complex multi-member outfit they've had a rather long and significant life. And they still flourish today, as witnessed by their recent European tour. We turn the clock back to 2004, and a Tentet gig recorded at Wall to Wall in Chicago. It was auspicious and fortuitious that the mikes were in place, the “tapes" running that day, because t…
The "Wels" Concert
*2023 stock* This live recording from a 1996 Austrian music festival is a powerful interaction of three musicians from different countries, each of whom have extraordinary improvisational abilities and deep, grounded technique. A somewhat unusual instrumentation is heard from this free jazz trio: German saxophonist Peter Brotzmann also performs on e-flat clarinet and tarogato (a Hungarian single-reed woodwind), American percussionist Hamid Drake plays a drum kit, a frame drum, and tablas, and Mo…
Complete Early Percussion Works
Stockhausen’s early percussion music is among the most visionary of the percussion repertoire. This unique collection features some works which are almost impossible to find elsewhere. Zyklus was not only a novel composition in terms of its treatment of time and structure, it was also the first percussion solo ever performed. Kontakte, a masterpiece for piano and percussion with 4-channel tape, challenges to performers to play together and to make the maximum number of “contacts” with the tape. …
La Grande Sonata
*In process of stocking. 2022 stock* A great, unprecedented show! Two of the most influential artists in Lithuania, Vladimir Chekasin and Vladimir Tarasov performed as a duet at the 8th OCT-LOFT Jazz Festival. Titled “La Grande Sonata”, it was absolutely a one-of-a-kind performance specially presented to the Chinese audience. As the former members of the legendary Ganelin Trio (GTCh), they shared the glorious years with Vyacheslav (Slava) Ganelin. Together they have nurtured the aesthetics of So…
Entertainment = Control
Long-range acoustic hallucinations for violin and piano. Exploring spectral techniques throughout extended temporal structures, Pateras & Veltheim physically generate unrelenting harmonic waves to create a singular psycho-harmonic texture, blurring perceptions between two otherwise distinct instruments to create something otherworldly and hypnotic. Never having worked exclusively as a duo, this is the first joint statement from these two composer/performers who have played together in n…
Switch on a Dime
Robin Fox, electronics. Erik Griswold, prepared piano. Anthony Pateras, prepared piano. Music for two prepared pianos and electronics without precedent. Employing stochastic improvisations, live analogue processing, feedback experiments, atmospheric tape composition, ultra-physical episodic structures, all developed laboratory style over a month and recorded at its peak performance, this is a rare gem of live electro-acoustic instrumental music that defies the typical expectations of the given r…
Astral Colonels: Good Times In The End Times
Anthony Pateras: doepfer A-100, harpsichord, pipe organ, prepared piano. Valerio Tricoli: Revox B77, voice. A billion perspectives on the same instrumental explosion. Approaching their electro-acoustic arsenal as a shimmering diamond refracting omni-directional compositional potential, Astral Colonels (Anthony Pateras & Valerio Tricoli) have worked over 7 years to transform pianos, organs, harpsichords, tape machines and synthesizers into an expansive sonic otherworld.Known for his work as produ…
The Slow Creep Of Convenience
The Slow Creep Of Convenience is a single extended work presenting the pipe organ and electric violin as a unified timbral force, producing exquisite and hypnotic sensorial phenomena over 50 minutes. The follow up to their critically acclaimed Entertainment =Control, Slow Creep furthers the duo’s spectral investigations in a different instrumental context. Glacially moving through diverse harmonic fields, the organ and violin perceptually fall away to create a unique psychoacoustic sound-w…
Blood Stretched Out
Anthony Pateras, piano. 21st century piano music! The first solo piano album by Anthony Pateras in 10 years, marking the mid-point of the Immediata series. Blood Stretched Out explores sound phenomena, generating swirling overtones through polymorphic repetitions, gradually spanning the entire range of the keyboard. The piece was commissioned by Lampo, premiering in Chicago and since performed all over Europe and Australia, including an infamous concert opening for Faith No More at Zitadelle Spa…
Ellesmere
Sun-blasted organ music from Australia. An extended exploration of interlocking vintage organs, Ellesmere does not fall within any defined system of thought. Articulating a highly personal and deeply lush vision of microtonality and psychoacoustics, it was recorded on the Mornington Peninsula in 2017 during a brutal summer, lending the music a scorched, introspective quality.Rohan Drape, composer/keyboardist, computer music specialist, founding member of the Slave Pianos collective and co-organi…
The Moment In and Of Itself
Instruments which sound like instruments!!! Unbelievable real-time compositions for the unlikely instrumentation of piano, trumpet and violin courtesy of North Of North: Anthony Pateras, Scott Tinkler and Erkki Veltheim. This is no random grimprov get together or free jazz blowout, this is a serious engagement with compositional parameters combined with instrumental virtuosity from a working band. Drawing from Xenakian architextures, Carterian set theory, Carnatic music, sharp-edged point…
Collected Works Vol. II (2005-2018) 5CD Box
A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various po tential in teractions between instrument and tape. Anthony Pateras is an Australian composer, pianist and electronic musician whose current work focuses on electro-acoustic orchestration, temporal hallucination and sound phenomena. Pateras has created over 75 works, receiving performances from the Los Ange…
Music For Smalls Lighthouse
Plinth (Michael Tanner) has been recording for the better part of a decade, sharing time as a member of numerous other acts. What makes Music for Smalls Lighthouse so special? The album tells a story whose outlines are visible even without the accompanying text; the field recordings are location-specific, and contribute to an overall mood; the composition is tender, the playing exquisite; and there's little else to which it can be compared.
Tanner has chosen just the right instruments for the oc…