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Hordijk, Vol. 2
The Hordijk community has members from all over the planet and it’s a bit like a secret society; many don’t know any of the other users. After extensively trawling social media, I was delighted to find so many captivating artists dedicating their life to the sound of electrons. Just like Rob had. Not all were willing to contribute, simply because the reason they owned a Hordijk instrument had to do with its sound and quirkiness. I am glad many others contributed. This compilation presents a much…
Bain D'Arsenic
Tip! *2024 stock* Recorded at Arsenic - Centre d’art scénique contemporain in Lausanne, Switzerland, October 2016 by Ivan Verda. This record contains a single long and intense track, with a subtle and noisy character, a deep introspection into the feedback and layers of elusive electronics. A contemplative and intense journey. Recorded a few years ago at Arsenic - Center for Contemporary Scenic Art in Lausanne, Switzerland and reworked several times in recent years by the artists.
1980
Starting at a very young age, Katrina Krimsky developed her musical self along a pathway of strong classical, pianistic training. Highlights of her playing on the classical side include her wonderful recording of Samuel Barber’s monumental Sonata for Piano, Op. 26, (Transonic Records 3008, 1975), a composition that is a virtual dictionary of early and mid-Twentieth Century composition techniques, first performed by Vladimir Horowitz in 1949 and 1950. Another example is her equally wonderful reco…
Christian Wolff / Keith Rowe
In September 2011, Erstwhile producer Jon Abbey was invited to curate two weeks of shows at John Zorn's legendary Manhattan venue The Stone, which he used as an opportunity to invite many of his favorite musicians from Japan, Europe and the US to perform. A second three night festival at Issue Project Room was later appended onto the end, making the AMPLIFY 2011: stones festival a 35 set, 17 night extravaganza in all. Four of those thirty-five sets will now be available in the ErstLive se…
Green Just As I Could See
Four extended electroacoustic works from Berlin's inside pianist and mixing board artist Andrea Neumann and Baltimore's Bonnie Jones on electronics, minimal and edgy pieces of unusual and absorbing character."ANDREA NEUMANN (b. 1968, Freiburg) studied piano at the Hochschule der Kunste in Berlin. Since 1996 she has been primarily active as improviser and composer in the areas of experimental and new music. In the process of exploring the piano for new sound possibilities, she has reduced t…
Barricades
**500 copies** This album contains LA-based composer Michael Pisaro's recent composition Barricades, a 63-minute piece for piano and electronics. Consisting of thirteen studies (piano pieces, some with electronics) and two electronic interludes, the piece is performed by Israel-based pianist Shira Legmann, with Pisaro on electronics. Legmann's clean, supple yet solid piano sounds, employing a wide dynamic range, add a sense of organic life to the composition. Her whispery nuances and mysterious …
The Tower (The City)
First collaborative work between Vanessa Rossetto and Lionel Marchetti. Mastered by Giuseppe Ielasi, designed by Matthew Revert. Six-panel digipak.
Continuité, fragilité, résonance
'Continuité, fragilité, résonance' is a 51-minute piece written by Jürg Frey in 2020-2021 for octet: string and saxophone quartets. The Montréal-based Quatuor Bozzini and the Bern-based Konus Quartett premiered the piece in September 2021, and later recorded it for this album with the presence of the composer, during a three-day recording session in August 2022 at the Auditorium of Zentrum Paul Klee in Bern, Switzerland. Both quartets have premiered other works of Frey's in the past and have a d…
Harvesters
This new album was recorded in March of this year, as The Rempis Percussion Quartet made their debut in France after 15 years of touring almost everywhere else across Europe. At the generous invitation of programmer Antoine de la Ronciere at Le Petit Faucheux in Tours, the band was the test pilot for a collaborative project amongst five venerable venues for improvised music in France. In a tightly packed week-long schedule, the band performed in Tours, Poitiers, Brest, Nantes, and Lyon, while a…
GNASH
"This overdue duo record by longtime colleagues Tashi Dorji (guitar) and Dave Rempis (saxophones) is a monument to the endless musical curiosity that links them. These two come at it from remarkably different backgrounds – Dorji combining his Bhutanese ethnicity with a love for metal, punk, American blues and folk, and anarchist political theory, with Rempis riding the outer edges of the jazz world throughout his career, while also inspired by his Greek ethnicity and a longstanding interest in f…
Alkaline River
Composer and synth fantasist Ori Barel attempts to bash '90s electronica against dadist Krautrock and avant classical music on the ambitious 'Alkaline River'. Think Plaid jamming with Art Bears and Faust and you'll have a good line into this one. There's an admirable level of mayhem to 'Alkaline River' that we can't help but admire. Barel clearly has a lot of love for his influences, and his willingness to take music that's at polar ends of the genre spectrum and find its harmonies is already wo…
Come Imparai Ad Amare Le Donne
“Come imparai ad amare le donne” (How I learned to love women) is a 1966 romantic comedy directed by Luciano Salce; the cast includes internationally renowned actors such as Anita Ekberg, Michèle Mercier and Robert Hoffman, as well as a very young Romina Power who was only 14 years old at the time. The beginning of the artistic collaboration between Ennio Morricone and Salce dates back to 1961, with one of the Maestro’s very first soundtracks, “Il federale” (The Fascist); the partnership then co…
Room Sound
New Noveta, the performance art group led by Keira Fox and Ellen Freed, has been described as ‘nothing if not new’ by Artsy and purveyors of ‘catastrophic distress’ by Mousse. Theirs is a project utilising all sensory, elaborately choreographed and costumed fourth-wall breaking performance art and sound, conveying contemporary hysteria: ‘intent on reproaching attitudes that otherwise pathologize ‘difference as illness’.’ (Frieze)This release documents the group’s five years of artistic collabora…
Lair of the White Worm
**Limited edition of 300 audiophile 140 gr white premium vinyl. Full color gatefold sleeve with lyric inner sleeve.** This is (another) strange one. It’s a genuinely ‘lost’ album, by which I mean it is one the band and I recorded then abandoned because I couldn’t find a suitable theme when it came to writing the lyrics. The music evoked a fantasy world, but I had already covered that subject on ‘Duel’ and ‘Grimm’ and felt I couldn’t justify writing more songs about Kings, Queens, castles and dec…
Togo Soul 2
Hot Casa Records present Togo Soul 2: Selected Rare Togolese Recordings from 1974 to 1989.
Africamore: The Afro-Funk Side of Italy 1973-1978
Continuing Four Flies' dedication to delving into lesser-explored periods of Italian music, Africamore takes us on a captivating journey into the intersection of Afro-funk and the Italian soundscape during the six years between 1973 and 1978 - a time when disco was looming on the horizon and the nightclub market was rapidly expanding. Before reaching Italian shores, the infectious sound originating from African and Afro-Caribbean roots traversed both the Mediterranean and the Atlantic, landing o…
Oasi Nella Giungla
The second instalment in the 45 Reloved series sees acclaimed world-electronic duo Dengue Dengue Dengue diving into the most intriguing side of Giuliano Sorgini, an undisputed heavyweight of Italian library music with cult soundtracks under his belt, such as The Living Dead at the Manchester Morgue and Zoo Folle. The original ‘Oasi nella giungla’ (which translates as Oasis in the Jungle) comes from the highly sought after Africa Oscura (Dark Africa), a sublime collection of tracks originally int…
Synthporn / Cargo
First 7'' release from Dressel Amorosi, the duo of Federico Amorosi (bass) and Valerio Lombardozzi (keys, synth & programming). Halfway between cosmic-funk and Italo-disco, the two tracks on this release are infused with the fusion- and electronic-oriented spirit of late '70s and early '80s Italian soundtracks and library music. "Synthporn", on side A, is a midtempo instrumental with a voluptuous electronic feel, a mixture of glamour and retrofuturism driven by Amorosi's pulsating bass and Lomba…
Milano: Il Clan Dei Calabresi
Four Flies' 45s series continues to pay tribute to the golden age of Italian film music, this time with the first 7-inch release ever of two super-groovy themes from Gianni Marchetti's soundrack to Milano: il clan dei calabresi (known in English as The Last Desperate Hours), a 1974 poliziottesco film directed by Giorgio Stegani. "M2", on side A, is a re-versioning of a timeless classic – Quincy Jones' "Ironside" theme – where the punch of funk comes to the fore and is fused with the acid sound o…
Lunatic Asylum
*In process of stocking* Joke Lanz and Sudden Infant once again return in their razor-sharp trio setting whereby the absurdist nature that Joke’s work is already cut with is reconfigured in a gnarled and beefy punk-fucked contorted rock setting. Short bursts of angular flex are heavily propelled by depth-charge rhythms, wry lyrical musings on modern living, and sensibilities hatched from years of experience in the worlds of sound art, abstract music, industrialised junk-noise and related areas h…