We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Making his Peak Oil debut with a full-length inspired by the CIA’s acid-dosing mind control experiments of the late 1950's and early 1960's, Swiss analog synth mastermind Florin Büchel crafts a sprialling, immersive narrative of vital, psychedelic, acid-drenched, murky fugues recorded live to cassette. Whether the disoriented whirling dervish 303 echoes of “Behavioral Engineering” or the meditative dissolution-of-reality via cascading aural fragments in “Mind Control in Marin County”, Büc…
The Magic I.D. is a Berlin-based quartet exploring the juncture of song forms with abstract music. The band, consisting of Margareth Kammerer (vocals & guitars), Christof Kurzmann (vocals, g3 & lloopp), Kai Fagaschinski and Michael Thieke (both clarinet), formed in summer 2005 after previously being connected via smaller groupings and projects. The musicians expand song forms through the prism of experimental sensibilities and mesh the two remarkably fluidly. 'I'm So Awake / Sleepless I F…
Roulé is the newest split release from two of the finest groups in the Chicago-tronic music scene, Mahjongg and the Chandeliers. The title, “rolls” in French, nods in the direction of the electronic musician Thomas Bangalter. The Chandeliers side, mastered by Dave Cooley (Elysian Masters), presents five of the group’s most thoughtful and realized works, each a microcosm of a world that sounds cooler and more elegant than your own: this is music that you can lay out in your favorite Parisian opiu…
For his first solo exhibition at Pinkie Bowtie, which ran between 15 April and 7 May this year, Dennis Tyfus has gone back to basics. Using the age-old tradition of the self-portrait, he draws a pathetic yet whimsical tale of daily life and the mundane annoyances that befall him. These inconsequential frustrations are offset by bright and poppy colours, resulting in a deceptively cheerful set of drawings, luring you in.This catalog ue collects all the drawings that were shown during the exhibiti…
Book (die-cut cover, gilded edges) and plexy lathe-cut single (pro-cut, screenprinted on the non-playing side) in a bespoke cloth-covered box. This edition was produced in conjunction with the work 'Hier rust Dennis Tyfus' — a commission for the '11 kunstenaars tegen de muur' outdoors exhibition in Antwerp that opened on 1 July of the year 2016 at 6pm! This book was presented at Ercola (Wolstraat 31, Antwerp) on the very same night, between 6 and 9 pm, accompanied by a live concert by Rem…
John, Betty and Stella is a collaboration between Krojc and Fischerle, two musicians who feel best wandering around stylistic eclecticism. The record is a radio drama based on vintage audio material for learning English. Krojc and Fischerle cut out textbook roleplaying activities from the source material on old vinyl and processed and adapted the clips. The result is a funny and surreal collage of dialogues, sound effects, and music resembling a series of skits. The recordings are saturat…
**500 copies** Guest edited by Shawn Jaeger. Featuring remembrances and appreciations of the deeply missed composer by Stephen Drury, Rhonda Rider, David Rakowski, Bryan Hayslett, Chris Fisher-Lochheed, Eliza Brown, Scott Wheeler, and Ben Hjertmann. As well as articles by or with Jerome Harris, Charissa Noble, Rick Moody, Sam Amidon, Colin Stetson, Claire Chase, Kate Soper, and Eric Wubbels. Also photos from Katherine Desjardins and exquisite corpse from Shawn Jaeger!- Printed using offset litho…
Siri Aurdal by Eline Mugaas is an artist book produced on the occasion of a two-person exhibition by the artists at Kunstnernes Hus (Norway). The publication features Eline Mugaas collaging together decades of drawings, documentation, collages, and ephemera by Siri Aurdal with a lyrical approach reminiscent of Mugaas’ work with the magazine ALBUM. This method unfolds the traditional logic of an exhibition catalog, replacing its typical organizational structure (chronology, installation views, th…
Face Disappears After Interrogation is the first vinyl release from Mick Travis, a wandering noise deconstructionist based in the UK who was previously responsible for cassette transgressions issued by his own Medusa label and Aaron Dilloway’s Hanson Records. An occasional member of Dilloway’s rotating extreme ensemble The Nevari Butchers, Travis loosely orbits the Michigan <-> Ohio underground circuits that spawned the dense network of projects branching out of the Bulb/Wolf Eyes/Hanson family …
Peter Jefferies, a living legend of New Zealand underground music, from his seminal bands Nocturnal Projections and This Kind Of Punishment, to his collaborative efforts in bands such as Plagal Grind and Two Foot Flame, is perhaps best known for his solo work on masterpieces such as The Last Great Challenge in a Dull World (1990) and Electricity (1994), as well as numerous other albums of his singular songcraft. Grapefruit is releasing Jefferies’ latest, Last Ticket Home, which leaves the statio…
Bilharzia is 15 minutes of electronic nausea, adding layers of bleeping LFO nastiness to a relentlessly repetitive base. You should know you'll get what's coming to you with a song called Make a Joyful Sound, and I don't feel it disappoints. Pounding brutality you could bury your dad to, and a bad time guaranteed to be had by all. There is a kind of tune in there somewhere though, lurking dimly in the background...' Stefan Jaworzyn
Hox is Edvard Graham Lewis (Wire/Dome/He Said/He Said Omala/Ocsid) and Andreas Karperyd (Omala/He Said Omala/Woodwork). Duke of York is their second release following 1999's highly acclaimed it-ness. Duke of York is a bittersweet contemporary electronic pop record that could only exist as a result of the unison of these particular peculiar souls. At once tender, skewered, sophisticated, and unsettling, Duke of York is a both a journey through the collective minds of Lewis and Karperyd and …
‘My machines’ is inverz’s (Savvas Metaxas), fourth release to date. The LP’s six tracks were recorded between autumn and winter of 2010. The album was mastered by Giuseppe Ielasi in Milan and cut by Rashad Becker at Dubplates and Mastering in Berlin. In ‘My machines’ inverz focuses on the collection, process and reproduction of old vinyl records wich are then combined with sound samples from musical and non-musical sources, resulting to a dark-ambient soundscape.
NY-based multi-instrumentalist Colby Nathan delivers a debut that contains a jumpy and highly neurotic form of outsiderpop combining bebopdrenched rants and surrealistic torchsongs with lush arrangements that constantly test the limits of self-control and good reason. “Outside, The Great Drought” offers baroque exuberance and teenage angst through sixties inspired craftsmanship that keeps spiraling out of this worldly realm. Think Jonathan Richman, Brian Wilson and Van Dyke Parks.
RESTOCKED Asheville, North Carolina resident Ross Gentry performs and records under the guise of Villages. With dense layers and glacial droning, he creates engaging narrative soundscapes that evoke the shifting fragility of the early ambient movement as well as the elegance of symphonic composition. The Last Whole Earth is engagingly contemplative and meticulously well-crafted drone. With washes of guitar and synthesizer, subdued vocals, field recordings and minimal noise, Villages devise…
'Al-Bashariyya’, the latest vessel from Vindicatrix, is an island of menacing political detritus sitting low in claret waters, drifting with intent…slate stenographers annotate proceedings without the need for an internet connection, their elongated taps and scrapes emitting coded cries for clemency…colloidal conservatives ruminate heartlessly as anchors feel hopelessly for anchorage in ‘designated zones’…both these wideband travelogues sift and navigate for answers in the desolate fug with pene…
Recorded between 2012-2014, Jared Blum's (of GiganteSound, The Talking Book, Blanketship, Vulcanus 68, et al.) Vision Heat project is a laser guided, hyper vintage conflation of early to mid 80's centric production, montage and style. Recalling such luminaries as Tangerine Dream, John Carpenter, Harold Faltemeyer, Craig Safan and such lofty houses as KPM, Bruton and Parry with nods to oddballs from Russia and the Eastern Bloc, Blum still manages to be forcefully yet effortlessly unique. I…
Ring Mining unites a psychedelic dream team comprising Brooklynites Heavy Winged and Portland's Inca Ore. On the first side its down to the epic fudge-filled grooves of Heavy Winged to dominate the horizon, blistering through their hallmark freeform avant-metal with an extra fathom or two of depth supplied by the wandering ambience of Inca Ore's toils. Flipping over, Ms. Ore takes to the mic - and it's as if Heavy Winged suddenly turn into a fully fledged rock combo with an actual lead singer. I…
Amolvacy is Aaron Moore from Volcano the Bear, Dave Nuss from No-Neck Blues Band, and Sheila 16 of the Laboratory Theater Group, NYC. The band creates compositions from its improvisations centered around strong elemental percussion, radical theatrical vocals, and classical acoustic instruments. Recurring themes in Amolvacy’s texts are the pain of relationships, the affirmation of the feminine in myth, the hero’s journey, and continuous need to flame the passions of the heart. “A La Lu La” specif…