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BOX edition: Psychedelic drone sounds, experimental electro-acoustics, minimal music and deep listening from the years 2000 - 2007 by Ilya Monosov, who is a member of the Frogpeak artist collective and one-half of the psychedelic noise group The Shining Path and the improv duo Monosov/Swirnoff. Ilya Monosov has collaborated with Bob Cobbing, Charles Curtis, Duane Pitre, Marc Schulz (in Ben Patterson's installation at the 40th Anniversary of Fluxus), Larry Polansky, Andrew Deutsch (with Pau…
We perceive many things with our eyes. Many visual impressions are engraved in our memories. But, all the things that are going on around us, can also be detected by the ear; can be listened to with various feelings. What effects do silence and noise have? The sonic drawings unfold themselves, build up with memories of future and past, which lead us back to the sound of the moment. It is enriching to discover the musicality of a moment and to find oneself listening to that music. The release „So…
"'Song Poems Wanted' read the ads. 'We need new ideas for recording!' The send-us-your-lyrics business was a borderline scam, taking whatever lyrics came their way from would-be songwriters and -- for a fee -- setting them to music. None of the results ever came close to being a hit, and to be sure, the vast majority was sufficiently bland or clumsy to insure no great karmic loss in their instant obscurity and miniscule press runs. But Rodd Keith -- the late, great genius whose prolific output …
"My second complete Sufi word -- or cycle -- consists of five contrasting letters -- or movements -- calling for various combinations of soloists [2, 3, 4, 5], instrumental ensemble [1, 3, 5], and real-time electronics [2, 4, 5]. It confidently extends a global poetic design made of a quest for meaning, a taste for extraordinary adventures, an interest in the perfume of mystical ecstasy, and the pleasure of carefully sculpting the time and shapes that make up writing." Jean-Luc Fafchamps i…
Blackest Ever Black welcome Barnett + Coloccia to their coven with the desolate scapes of 'Retrieval'. Whilst both artists have a background alloying metal and experimental modes - Faith Coloccia with Mammifer, Pyramids and Everlovely Lighteningheart, and Alex Barnett in Oakeater or more recently, solo for the likes of Catholic Tapes and Nihilist - their introspective 'Retrieval' collaboration is perhaps best defined in terms of their palette: tape-manipulated recordings of acoustic instr…
Correnti Magnetiche was founded by Riccardo Sinigaglia and Mario Canali in 1985. Started as a group that produced computer art with music and images, they soon matched the production of videos with live concerts based on improvisation with live drawings by Mario Canali with tablet and projector.The band had permanent musicians in Riccardo Sinigaglia, Gabin Dabiré (members of Futuro Antico) and Maurizio Dehò which jammed from time to time with other musicians like Thomas Leddi, Mario Arcari …
This record should be seen not so much as a tribute to Zbigniew Karkowski than as an ongoing concern to further his work and thinking as they were when he was alive, reacting, and questioning, uncompromisingly. Nevertheless, these are his final recordings, which he made- a homecoming of sorts - in Sweden, at EMS Studios in Stockholm, with his friends Jean-Louis Huhta and Lars Akerlund. Late november 2013. a reminiscence from the 1980s, the creation of the label Radium 226.05 by Carl Mich…
Winters in the Abyss are the first five pieces of Ulrich Krieger’s Deep-Sea cycle, which compromises a total of 14 pieces. Each movement of Winters in the Abyss can stand on its own and be performed as an independent piece. Numbered in order of their composition, the movements from V to I follow the sinking of this material from light flooded, warm near-surface waters to high pressure, pitch black and extreme cold deep-sea trenches. Winters in the Abyss takes the fictional undertone seri…
Having rattled the hinges with last year’s “In the Blink of an Eye†7-inch, C S Yeh (C. Spencer Yeh) flings open the door and steps inside with Transitions, his first full-length album of songs after years of establishing himself as one of Earth’s top humans in experimental music and unbound improvisation, both alone and in collaboration, on record and onstage. The effect Transitions has on you may or may not depend on your familiarity with Yeh’s past work; regard…
Texts taken from FJ Ossang "Alcôve clinique" (1976). K Requiem commissioned by Ministère de la culture et de la communication, Atelier de Création Radiophonique, France Culture and La Grande Fabrique
Lindha Kallerdahl studied jazz at renowned Swedish schools Skurup and Birka from 1993-1996. Situated in Stockholm, she was exposed to free music at a young age, and has participated in collaborations with Mats Gustavsson, David Stackenäs, Raymond Strid, Mattias Windemo, andFredrik Ljungkvist. In Summer 2000, Kallerdahl made a spectacular project with Jim O'Rourke, Mats Gustavsson, and dancer Lotta Melin. In 2001, she was awarded the prestigious Jazz in Sweden Prize, which resulted in the critica…
Stephen O'Malley (Sunn0))), KTL), Daniel O'Sullivan (Ulver, Mothlite, Guapo), Kristoffer Rygg (Ulver), Steve Noble (N.E.W., Company, etc). En Form For Blå documents the continued evolution of this unlikely collective, a collision of players from various avant, improv, metal, and "other" threads who together make a unique and arresting sound. Documenting three gigs in Oslo recorded in 2010, the music is deep and weird, with liquid sounds juddering around the occasionally identifiable percussion o…
restocked: Israel isn't exactly konwn as a hotbed for acoustic steel-string guitar music, but Yair Yona's reissue of "Remember" is simply some of the most genre-bending music for solo steel-string guitar since Sandy Bull first opened the doors in the 60s. It's a celebration of the Takoma school, filtered by alternate tunings & yncopations, a John Fahey -esque compositional instint across landscapes of banjo, electronics, resonators, bass guitar & strings.
The music of Xela is not easily described. The alias of Type Records main-man John Twells, he has over the last decade moved through a dense fog of musical styles from abstract electronics to rusty soundscapes. In recent years his output has allied itself with darker realms, taking a liberal dose of influence from Norway's darker exponents, but retaining a deep and measured experimental focus. "The Illuminated" was originally released on cassette, a format very fitting to the gloomy, waterlogged…
Finally Restocked: Byce Beverlin II is a prolific, multidisciplinary artist based in Minneapolis. His primary discipline is music - specifically, freely improvised vocals and percussion. Seizing Fate by the Throat is a distillation, the spirit of 15 years of spittle and brass vapors collected in this studio recording from March 14, 2010. Quietly tinkering with an array of metal, plastic and wooden objects, Beverlin draws the listener in only to reveal that he is unlocking the cage of a l…
Alreay out of print "While Wooden Wand and Satya Sai jammed with the Sky High Band in beautiful California, the Vanishing Voice dug in deep in the frozen northeast. Snowed in with utopian texts and mounting paranoia, Steven the Harvester, Heidi White Diamond Diehl, and Pete Wolfy Nolan joined nonhorse in an abandoned textile factory, boiling out these ballads of suspended disbelief and hope for the better world... killer vinyl edition on this new label of the self released cdr. Great packaging w…
Black vinyl with insert. Performed by: Mark Bajuk, Tony Fasce, Silvia Feriozzi, Eric Mauer, Brent Peich, Russ Waterhouse. The next evolutionary step from Double Leopards and Family Underground, very subtle and psychedelic music.
The title Whiter than white sounds like an advert for soap. Adverts and soap are precisely what Les Belles Noïseuses blame. Or even more precisely what they represent: consumption, conformity, economic liberalism. However, don't expect to get a speech from Les Belles Noïseuses. Only feelings, emotions, dreams and nightmares are conveyed through their refined musical structure. The doom-jazz double-bass reminds the best from Mick Karn. The minimalist guitar scrapes melody to the bone, to the aton…
**Individually Hand Numbered and Stamped** Recorded over the course of a single day, direct to analogue tape, Plug Music Ramoon brings together multi-instrumental free-rockers Neil Campbell, John-Clyde Evans and Stewart Keith for a new limited edition LP. 'Flamingo Moon' kicks us off with a terrific dirge hinged together by rhythmic synth patterns, providing an exoskeleton of modulated filter patterns. It's not long before the 'anything goes' factor of 'Punk Rocker / Mug Cracker' takes over, ham…
Wergo presents the third volume of the Earle Brown Contemporary Sound Series. Recorded between 1960 and 1973, the original LPs from which these CDs were taken have long been collector's items. These rare and historically important recordings of international avantgarde music have been carefully digitized and remastered by the Earle Brown Music Foundation. The series presents the extraordinary world of contemporary and avant-garde music that fl ourished in Europe, the United States, Latin …