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It's Not The End Of The World
Quasi Pop proudly presents this record by Norwegian experimental/noise hero Lasse Marhaug. On this record he plays with the methods and traditions of serious electronic avantgarde that integrated into the aesthetics of loud & bloody harsch noise music. Damn hard, loud and overloaded skillfull thing, but exciting and highly intelligent at the same time. Please, play this CD as loud as it possible!Important: This is CD re-release of the same-titled very limited CD-R released in 2006 on chinese lab…
Chöd Ritual / Grotta Santarcangelo
**2020 stock, 300 copies** On July 7, 2017, Phurpa performed a Chöd / Chod live ritual in Santarcangelo, Italy. The ritual was held inside a cave (grotta in Italian). Chöd / Chod is an ancient practice of cutting through tensions, fears, and obstacles in our life. In Chöd / Chod, we visualize making an offering of our body, which is transformed into whatever is wanted by all beings in all realms. In this vast offering we create and cultivate a flow with everything around us and are in contact wi…
Tre Canti Popolari + Due Componimenti Impetuosi
2CD collection which re-releases two previous Sub Rosa CDs Tre Canti Popolari (SR 051CD, 1992) and Due Componimenti Impetuosi (SR 063CD, 1995), now remastered and with a new design. This is the vocal and piano music of visionary Italian composer Giacinto Scelsi (1905-1988). Performed by: Marianne Pousseur, Lucy Grauman, Vincent Bouchot, Paul Gerimon, Georg Alexander Van Dam, Jean-Paul Dessy, Jean-Luc Fafchamps, and Johan Bossers. Scelsi will always be known as an atypical composer. Throug…
Verlautbarungen
37 solo text-pieces, phonetic poems and poetry duets (with Monika Lichtenfeld) written and composed between 1952 and 2010. Recorded 2011 at Piethopraxis Tonstudio, Cologne by Marcus Schmickler. Comes with 24 page booklet with liner notes by Gerhard Rühm in english & german.You can listen here to "Gebet" (Prayer), 1954, is an example of vocal constellation. The succession of vowels "a, e, i, o, u" repeated in this order is wrapped up in consonants to the point of producing syllabic coordinations.…
Wet Robots
"Few vocalists have the sheer boldness – the outright fearlessness – of Fay Victor as an improviser. The New York native has long been a creative force on the avant-jazz scene, as a singer, bandleader, composer, arranger, and teacher. She has worked on both sides of the Atlantic with the likes of Misha Mengelberg, Roswell Rudd, and Anthony Braxton, along with recording several distinctive albums as a leader. Reviewing her recent disc Absinthe & Vermouth, NPR declared evocatively that Fay’s origi…
In the Court of the Crimson King
**Recent repress, classic prog-rock masterpiece gets the reissue on 200 gram vinyl** The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good -- it took King Crimson nearly four years to come up with a record as strong or concise. Ian McDonald's Mellotron is the dominant instrument,…
In The Wake Of Poseidon
** 30th Anniversary Edition, remastered with bonus tracks ** King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album -- largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") -- is actually better produced and better sounding than their first. Surprisingly, Fripp's guitar is not the d…
Red
One of the most powerful and influential albums in the band's remarkable career. King Crimson fell apart once more, seemingly for the last time, as David Cross walked away during the making of this album. It became Robert Fripp's last thoughts on this version of the band, a bit noiser overall but with some surprising sounds featured, mostly out of the group's past -- Mel Collins' and Ian McDonald's saxes, Marc Charig's cornet, and Robin Miller's oboe, thus providing a glimpse of what the 1972-er…
USA
USA was recorded towards the end of King Crimson's final US tour of the 70's in June 1974. It was issued as an epitaph for the band in Spring 1975 as a single album – at a time when doubles or even triple live albums were more considered the norm for live releases. The reputation of the 1972/1974 King Crimson line-up is now revered by critics and fans alike with the material very sought after.
In common with much of Crimson's output, it was not well received at the time by critics, thoug…
Starless and Bible Black
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock, with enough musical ideas explored to make Starless and Bible Black more than background for tripping the way Emerson, Lake & Palmer's albums were. T…
Psychic Panorama
*In process of stocking * A new 66-minute psychedelic synth epos from Sewer Election. Half of the material was originally released as a very limited cassette on Malign Editions in the summer of 2021. Brutish and cold minimalism that kind of resembles Nord or a David Tudor on benzos. Recorded in Kortedala, Gothenburg.
Knirsch
Classic interweaving of jazz, rock, avant-garde and electronic, with Larry Coryell & Colosseum's Jon Hiseman. Completely new standards were set with this recording, originally released on MPS in 1972. Knirsch became cult and still is until now, almost 40 years after its release. A unique example for the successful interweaving of jazz, rock, avant-garde and electronic. The musicians: US guitarist Larry Coryell, German keyboarder Wolfgang Dauner, British drummer Jon Hiseman, US percussion…
Savage songs
Jorge Antunes (b. 1942, Rio de Janeiro) studied violin, composition and conducting at the University of Rio de Janeiro, as well as studying physics at the same institution. He further studied composition with Alberto Ginastera and Luis de Pablo. From 1970-71 he attended the University of Utrecht (Gotfried M. Koenig). From 1972-73 he worked with Groupe de Recherches Musicales in Paris. In 1962 he began his research in electronic music thus becoming a pioneer in the development of this field in Br…
Boanerges
Duo of Jim Sauter from Borbetomagus and Kid Millions from the Boadoms and Oneida ! The sound of saxophone turning into an extreme noise and brutal raging percussion! Such is the latest NOISE JAZZ from NYC! (JOJO Hiroshige / Hijokaidan). Jim's sax playing is impulsively domineering in Borbetomagus, which is based on a usually percussion-less trio formation of two saxophones and one guitar; and I was really curious to hear what would happen when it encountered a drummer who is often described in t…
No Pussyfooting
Lovely expanded reissue! The two side-long tracks (at least, in the days of vinyl) are not, however, merely experiments in improvisation and primitive looping—although that would have been enough. As different as each track is, together they opened a window into an area of possibility that previously did not exist. "The Heavenly Music Corporation" begins with a single, sustaining note, a fifth added a minute in and a gentle pulse created as the loops softly ebb and flow. Despite its harmonic sta…
Dinky Diamond
Modell Doo resurrected! The Austrian cult group who was responsible for the soundtracks for "I was a teenage Zabbadoing" and "Mondo Weirdo" are back. "Dinky Diamond" is an album of half old and half new material. All the classic songs have been re-arranged and re- recorded to fit the 21st century. All the new material is presented here for the very first time. Wonderfully produced and mixed, this is a great comeback for a great band that has been off the scene for far too long. Check out also ou…
CANCELLATO
Phil Ranelin's first record as a leader is worlds away from his later 1976 offering, "Vibes From the Tribe". "The Time Is Now" is a vanguard jazz record, full of the spirit, determination, and innovation inspired by John Coltrane, Eric Dolphy, Cecil Taylor, Pharoah Sanders, and Archie Shepp. Recorded in 1973 and 1974 and released at the end of 1974, the set shows Ranelin to be an imposing composer and frightfully good trombonist.The original album contained six compositions that are a deep music…
Don't Look Back
For a label that wasn't around long, Strata East achieved the same sort of label recognition that Impulse! or Blue Note managed to build. In other words, you knew what you were getting when you bought a record on the label, even if you didn't know the names on the outside of the cover. "Don't Look Back" is an album led by American saxophonist Harold Vick recorded in 1974 and released in the wake of Harold Vick's recovery from a heart attack, which may partially explain the passion with which he …
Vibes From The Tribe
Phil Ranelin was a session trombonist recording with the likes of Steve Wonder before setting up the Tribe label with Wendell Harrison in Detroit. Like other contemporary artist run labels like Strata East and Black Jazz, Tribe releases were characterised by a heady mix of post Coltrane free jazz, soul and funk, all informed by a strong political conscience. Vibes From the Tribe is a fine record. The title track is lusciously, greasily funky and stands in pretty stark contrast to the kind of air…
Ed Kelly & Friend
In 1978 Pharoah Sanders went into the studio with pianist, Ed Kelly, who was an important figure in the local San Francisco and Oakland jazz scene. The two of them recorded six tracks which ranged from covers of standards, through soul jazz through to two real gems. The album was originally released as Ed Kelly and Friend due to Pharoah being contracted to Arista Records at the time. Indeed, as you can see, the cover shows Kelly playing next to Pharoah’s hat, shoes and Selmer tenor saxophone.
Ra…