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Ray Collector
"Ray Collector" features recordings sourced from tapes produced by Carsten Nicolai for his 2023 solo exhibition Strahlen/Raggi at Fondazione Modena Arti Visive. In February 2022, Carsten Nicolai dispatched ten parcels from Berlin to various destinations. Each package contained a blank magnetic tape cassette, an Ilford Delta 3200 ISO 1000 black-and-white film, and a Kodak ISO 800 color negative film. All parcels were addressed to the same recipient, Mr. Nemo, the unforgettable captain of the subm…
Infinity
*2023 stock* "Infinity" is the only album by Planetarium, a band of which nobody knows who the players are, since the musicians are not listed on the LP. There is, as some reviewer noticed before, an evident Ennio Morricone's influence on this work, which is most of the time instrumental, with very few sung moments ( "The Beginning" and "The Moon"). According to the liner notes the musicians devoted their attention to the birth and to the flow of life from its origin to its end in infinity, ling…
Idiots + Revenge Of The Selfish Shellfish (3LP Bundle)
This bundle includes the latest albums released on Nihilist:
- The Hafler Trio, Bruce Gilbert – Idiots 2LP- Steven Stapleton, Tony Wakeford – Revenge Of The Selfish Shellfish LP
Jellyfish Reproduce Black Magic
‘Jellyfish reproduce black magic’ is the companion ep to the ‘Flying fish ambience’ album by RSE. The nature of a ‘permanent record’ whether digital or encrypted in the fossilized remains of evolutionary anthropomorphic species or ‘economic DNA’ left behind only further supersedes ‘artificial reality’ of environmental imprints. The alternative ‘occult economy’ is both reproducing and perpetuating a lethal life force. The essential premise of RSE remains ‘artificial spaces’ and ’synthetic nature’…
Historische Aufnahmen - Historical Recordings 2
8 years after the release of the acclaimed first Historical Recordings collection, Gagarin Records proudly presents Volume 2 of the series. Once again Felix Kubin has invested extensive research and time in compiling rare, unusual, and sometimes unsettling recordings of the past. The history of the 10 tracks of this edition spans a period from 1930 to 2002 including both analog and digital recordings ranging from gramophone records to reel-to-reel tapes, audio cassette and Digital Audio Tape (DA…
Ghosts
Hania Rani's new album, Ghosts, bringing her songwriting and beautiful vocals to the fore and featuring special guests Patrick Watson, Ólafur Arnalds and Duncan Bellamy (Portico Quartet).
Japalm
Huge Tip! 200 copies. Japalm is a place in a vague geography, a place of memory and an abyss, fantasies and melancholies that take the names of imaginary cities. Loops, aleatory rhythms, the nostalgia of oniric places traced on an perpetual changing map, an image consumed by sunlight: LF RDamb, Dcramb, Nosun, Chllamb, Mneist, Niobu. Japalm is the second record from Hampar Soum, as well as the duo second work with Matteo Castro's label, Second Sleep. Hampar Soum are Stefano Scattolin and Guido Mo…
The Light At The End Of The Dial
Want bespoke jingles for your commercial productions? Require pre-tailored musical solutions for your dramatic creations? Need them quickly and cheaply? Here's the answer.
L'Eglise Des Crocodiles
This is the second release of max goldt's early tape music on gagarin records, and yet another brilliant collection of his percussive metallic miniatures. Max has been busy with his music since the late 1970s but is nowadays much more known in germany for his writing. as on the previous album "there are grapefruit hearts to be squeezed in the dark", most of the tracks are created with a simple set-up of prepared acoustic guitar, (pitched) voice, zither, some effect pedals and a multi-track recor…
Grand Huit
*2022 stock* This fantastic musical journey, written by French composer David Fenech back in the year 2000, is entirely produced on 4-track cassette. Its title refers to the French word for "roller coaster" and "looping", as well as to the symbol of infinity. "Grand Huit" ("Big Eight") is a rare example of "cinema pour l'oreille" made of songs. The music already bears the strong handwriting of its creator: a unique mix of field recordings, outlandish singing (mostly in fantasy language) and exp…
Ovum Caper
Hauntologically pop, fragile and with a twisted psychedelic Beach Boys side, this album shows an undeniable songwriting craft. Esa Shield's androgynous voice together with the use of guitars, keys and analogue electronics tends to weave "wrong" notes and submarine harmonies into songs that range from psych-folk ("Shelley Duvall") to dark ambient ("Jenkins Other") and super catchy space-age pop ("Monde Capricorn"). Now and then a nostalgic and contradictory bout of fever unexpectedly appear…
Werke Für Schlagzeug Und Elektroakustische Geräte
Werke für Schlagzeug und elektroakustische Geräte (Works for Percussion and Electro-Acoustic Devices / Utwory na perkusję i urządzenia elektroakustyczne) is the second album of the Polish percussion duo Miłosz Pękala and Magda Kordylasińska.
Sur quelques mondes étranges
Long-time touchstone of international experimental music presents his monolithic (and first) solo vinyl Sur quelques mondes étranges on Felix Kubin’s Gagarin Records. Jérôme Noetinger is known to most for the audio-visual trio Cellule d’Intervention Metamkine, alongside his countless recorded & live collaborations, compositions for radio & stage, and breathtaking multi-channel diffusions in the acousmatic tradition.
Discovering the ReVox B77 tape machine as his tool for live electro-acoustic mus…
Wir Bauen Eine Stadt
In 1930 the German composer Paul Hindemith (1895-1963) wrote a series of small pieces for school orchestras. It was described as a “play for children” depicting the construction and survey of a modern city. The unusual thing about it is the age of its inhabitants:“In our city the grown ups have no say (…) Our mayor is seven years old, and all uncles and aunties are children. Even the traffic warden is a child.” We Build A Town comes across as strange in more than one way. Firstly, as a bizarre …
Sirenes
Works from Volker Heyn, an outsider artist interested in acoustic process, tone gestures, friction, discontinuous movements
Indra's Net
A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber
Panopticon Specularities
A native of Istanbul, Turgut Erçetin (1983) studied composition and completed his doctorate studies at Stanford University. In 2016, Erçetin was awarded with DAAD Artists-In-Berlin program for a year-long residency in Berlin, and since then he has been based in Berlin. Erçetin's works engage with issues of sound, not as colors but as sonic entities that interface with time and space. Most of his works, therefore, are involved with acoustics and psychoacoustics as well as computer aided compositi…
Ptomaine 2
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio program when he was ten years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the Sk…
Inventionen VII: 30 jahre inventionen 1982 - 2012
* Five hours of electroacoustical compositions, recorded during the first thirty years of the Berlin festival “Inventionen”. Box set with two audio CDs and a multichannel (surroundsound) DVD * Mindblowing two re-releases of Edition RZ LPs that are now available in this double CD box with additional tracks, as well as a mainly acousmatic DVD that features electronic tracks by a variety of electroacoustic composers. The present DVD contains mainly acousmatic music. This is when a pure "tape piece"…
Fremde Zeit Addendum 4 · solo III fur Orgel
Beautiful new Jacob Ullman Organ composition of subtle gradations in sound performed very softly forcing the ear to notice the smallest variations. "Thus, Ullmann creates a quiet music in order to give himself and his listeners the opportunity to hear more, and better. This comes about because our ability to hear is augmented when listening to quiet music. We hear better because we make an effort to hear better. That is why Ullmann likes to locate his sound sources at the periphery, so as not to…