Back in stock
Peel
KMRU is the moniker of Joseph Kamaru, a sound artist and producer based in Nairobi. One of the leading exponents of the burgeoning experimental music scene in Nairobi and beyond, he was listed by Resident Advisor as one of "15 East African Artists You Need To Hear" in 2018 and is a regular performer at the fabled Nyege Nyege Festival having also presented live performances at CTM festival and Gamma Festival. Peel is KMRU's first release for Editions Mego. An exquisite mix of field recordings and…
Autoportrait
100 copies on clear vinyl. Reissue of a cassette released in 1991 by La Légende des voix. A sound self-portrait harsh and tortured also using some texts. Brume (Christian Renou) is a prolific French musique concrete composer/sound sculptor who has won himself a place of his own with his crossover between sound collages, electro-acoustics and noise. His compositions rely on dense, rapid-fire montage and wed cacophony and dynamics, emphasizing both the elements of discontinuity and continuity. Why…
Silver Apples (Color Sleeve)
Clear vinyl version. Color sleeve. Numbered edition of 1000 copies. Rotorelief present a reissue of Silver Apples' self-titled debut, originally released in 1968. Available in four versions: A black vinyl version with a color sleeve in a numbered edition of 2000 (ROTOR 055C-LP); a clear vinyl version with a color sleeve in a numbered edition of 1000 (ROTOR 055C-CLR); a black vinyl version with a silver gatefold sleeve in a numbered edition of 2000 (ROTOR 055S-LP); and a silver and black vi…
Autopsies
Reissue of their first cassette published by Medicinal Tapes in 1986. Urbain Autopsy was a Parisian band that released over 80 tracks on self produced tapes between 1984 and 1987. Drawing their influences from Suicide, The Residents, Throbbing Gristle to Joy Division or Bauhaus to name a few, they had their own way of combining power electronics, industrial, experimental, cold wave, post punk.
Le Soleil, la Mer, le Coeur et les Etoiles
Edition of 200 copies on red vinyl. Released as part of the series 'Collection Archives Des Musiques Industrielles DeFrance', here are two previously unissued tracks from 1982. This music like all first works of Etant Donnes was made without any instrument or effect but is the fruit of a long work on a raw sound material coming only from nature field recordings.
Etant Donnés are two brothers, Eric and Marc Hurtado, who founded this duet in 1980. They realised music, films (from 1982 to 1…
Travaux Inattendus & Systemes Aleatoires
Travaux inattendus, systèmes aléatoires" (rotor0064 | Rotorelief) is the first and unreleased album ofLa Division Technique recorded from 1983 to 1987 sounds like electronic oldschool, soundscapes, minimal synth, industrial-ambient, with analog synthezisers, filters, voices & space sounds recordings which could be (un)defined with words like minimal synth, experimental, coldwave, noisy ambient, with an industrial approach
Die Form - Hurt
Edition of 100 copies, clear vinyl. This Die Form side-project was recorded in a few days in 1984 under the name of Hurt, and initially released in 1985 on Bain Total at the same period as 'Some Experiences With Shock'.All the tracks of the cassette, and other titles from Die Form, close in the spirit have been added. This is a reissue with different artwork on a new series called 'Collection Des Musiques Industrielles Et Post-Industrielles De France'. It originally appeared in 2016 in the 'Arch…
Étant Donnés
A six-track album based almost entirely on samples (from Curtis Mayfield to John Carpenter). "The really striking thing, though, is the kinship between Pisaro’s approach here and his other music. Many of his previous compositions have taken simple, granular sounds as raw materials, building blocks to be arranged into larger constructions through a combination of the composer’s parameters and the performer’s choices. On this album’s sister work, Shades of Eternal Night, piano chords played by Rei…
Closed categories in cartesian worlds
We are very happy to announce the release of GW 010, a 72-minute CD version of Closed Categories in Cartesian Worlds, for crotales and sine tones (composed by Michael Pisaro, performed by Greg Stuart, mastered by Michael Pisaro and Joe Panzner). Those interested in more info and sound examples can look below. The disc also comes with extensive notes and a reproduction of a page of the score. From the notes: 'This record consists of four crotales, each bowed for 16 minutes. Against each crotale I…
The punishment of the tribe by its elders'
Pisaro's fascinating composition created with guitar, bass, percussion, radio, electronics, and field recordings, using long gaps of silence resolved through a dynamic set of rich audio sections."The most convincing way to avoid reality is to lose yourself in the prickle of the field recording, as if it were bubble wrap. Here, technology chafes against a world of waves, pulses, and impacts, leaving to the ear and the imagination the task of estimating reality from scratch (at 12:35, a storm defi…
Fields Have Ears (6)
A 56-minute piece for guitar and electronics. It has had a long composition history, starting from a solo for classical guitar and sine tones (premiered in Munich in July of 2010). It was subsequently performed in Seattle (August, 2010), A Coruña, Galicia (May, 2011) and New York (September, 2011). For each performance a new version was created, incorporating recordings from the previous locations (including parts of previous performances), and other sounds that I began to associate with the his…
Hearing metal 3'
In contrast to the melange of its ‘successor,’ Hearing Metal 3 has moments of separation wherein Stuart and Pisaro can be discretely heard. For this piece, Stuart revisits the textures of ricefall (2), delicately and not-so-delicately pouring grains onto surfaces. When combined with Pisaro’s tones, the resonances explore a full territory uncharted by ricefall (2). However, there are still moments of Pisaro/Stuart mixing, like when Stuart’s “sixteen suspended cymbals” bow against Pisaro’s s…
Asleep, street, pipes, tones (2009)
“Asleep, street, pipes, tones (2009) is an investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar. The investigations form ten three-minute episodes, assembled in studio by Pisaro from samples—mostly organ, but also tiny snippets of vocal music and a single piano chord—and field recordings. The instrumental parts, arranged in nine sections, also three minutes each, develop over the course of the 63’40” duration of the pi…
Close constellations and a drum on the ground (2010)
“Close constellations and a drum on the ground (2010) began as scored work with electronics but then developed a life of its own in the studio. It consists of the alternation of sedimentary layers of low percussion samples (mixed with guitar and many noise sources) in slow rotation, and clusters of slowly modulating high sine waves pierced by bowed crotales. Greg Stuart, percussion. Barry Chabala, guitar.” label info
Ricefall
Gravity Wave, a new CD label, curated by composer Michael Pisaro, designed by Yuko Zama. Icefall (2), a 72-minute piece for 64 separate tracks of rice falling on objects. This recording is the second part of a trilogy of the first disc length works by Stuart and Pisaro (an unrhymed chord is the first part, and A wave and waves is the third). The dynamic range of the recording is extremely wide. In the second of the four sections, there is a storm of falling rice that is certainly the loudest mus…
Infinite Ascent
This is French composer/pianist Melaine Dalibert’s fifth solo album since 2015, all featuring his own compositions. This time, the album consists of melodically structured song pieces, an area that Dalibert has been exploring in the last couple of years as a new compositional approach outside his signature algorithmic method of composition. This series of eight short pieces appeal in a new way from his previous music, and shows his maturity as a composer. Dalibert wrote all eight pieces in 2019 …
Earth Leaps Up
The Giving Shapes is a collaborative project between harpist/vocalist Elisa Thorn and pianist/vocalist Robyn Jacob that formed in fall 2017 at the Banff Centre for the Arts. This is the duo’s first release. This project triangulates aspects of new music, creative music, and song-writing, combining their classical training and their involvement with the Canadian creative and indie music scenes. Though they originally met while both pursuing degrees in classical music at UBC in 2007, they share an…
Cheminant
**500 copies** This is French composer / pianist Melaine Dalibert's third solo piano album, following his well-received 2018 album Musique pour le lever du jour and 2017 album Ressac. Cheminant contains a diverse array of Dalibert's unique compositions for solo piano, ranging from the up-tempo rhythmic Percolations performed masterfully by Dalibert's right hand, to the slow, prolonged meditative Music in an octave and Cheminant, to the kaleidoscopic Étude II with the repetitive hammered chords, …
Works on Paper
Venezuelan-based composer/artist Gil Sansón and Canadian-based composer/painter Lance Austin Olsen began to work closely together via long distance in 2014. Their collaboration initially began when Olsen painted the CD cover of Sansón's release 'Immanence, A Life' (Makam 003) in 2015. Sharing a similar aesthetic in art and music with deep respect and understanding of each other's work, the two soon started to make music in collaboration through realizations of each other's graphic scores or pain…
Without
Clara de Asís composed the piece 'Without' for the duo of Erik Carlson (violin) and Greg Stuart (percussion) in 2018. In this 43-minute piece, de Asís gave a precise framework for the position and the duration of each sound section and each silence, as well as a rough outline for the texture and the volume of each sound, the use of tone or noise (or tone-noise), and the materials for the percussion, but a large part of the score was open for the two performers' freedom.In the realization of this…