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Torbjörn Zetterberg’s new record, Opinions, is not a conventional “solo” outing. It doesn’t represent the bassist, composer, and bandleader stepping away from all that to prove his mettle as a virtuoso unaccompanied improvisor. Anyone familiar with Zetterberg’s small group recordings needs no confirmation of his prowess. And anyway, strutting his stuff is not his vibe. Certainly not the vibe of this record, where the bassist plays more than bass, a solo venture on which he is occasionally joined…
The definitive version of this triptych of tectonic drift originally released as a CD-R on Sean McCann's own Recital label in 2011. "Our Silhouette," which blankets the whole of the first side with jewel-like piano runs and distant fading synths, may be one of the artist's most elegant moves. The reverse holds two tracks of long-form organ/string plateaus that float elegantly in space, refracting light and sound in patterns around the head.
Hits w/ a shock & never lets up. Composed of what appears to be blown out bass & spastic drum rhythms, these tracks cascade into shimmering loops of distortion, their weight reaching a critical mass that often feels like it's on the verge of ecstatic collapse. Everything is elevated further in & up by that one & only voice, floating over top like a lush wind come down from the mountains.
A shimmering ambient tone, an electronic underlay to the lulling chatter of crickets, makes way for the unmistakable voice of Patti Smith, quietly intoning, ominously, “The killer road is waiting for you / like a finger, pointing in the night.”
Behind the music and concept of Killer Road is international trio Soundwalk Collective – Stephan Crasneanscki, Simone Merli, and Kamran Sadeghi – who, alongside Patti Smith's daughter, Jesse Paris, conceived an immersive exploration of the tragic death o…
Melbourne based Toy Division (Dick Sallows with help from friends Phillip McKellar (Informatics) and Martin Fripp (sound engineer)) with their fantastic electronic album "Cute” from 1983. The Lp includes a Bonus 7 inch sampler with 4 more tracks previously released on other Temporary Art Tapes between 1981 and 1983.” "Toy Division's music style ranges from ‘Nulabor’ an Aussie ‘Autoban’, to an ambient 'Autumn Trees', to post punk political commentary on 'Beurit' and 'John Wayne once told me’ whi…
Highly anticipated reissue of the 80's Dance/Synth-Classic "Glowing in the Dark" Originally released on Short Circuit Records (SCR-002) in 1984 it contains the three classic Tracks Glowing in the Dark, Love Changes and The Mannequin. Experimental Products started as a two member synthesizer group in 1982 operating from Philadelphia Pa. Founding members were Mark Wilde and Michael Gross. The band grew to 4 members by 1987. Their self-released Lp 'Prototype' using Analog synthesizers and drum…
** Hardcover Edition ** In late 1983, Frans de Waard published the first edition of De Nederlandse Cassette Catalogus, listing all known, independently released cassettes in The Netherlands up to that point. No images, no descriptions, just a list. In the following years, three more editions were published and then De Waard ceased producing these booklets. This book contains all four catalogues, along with a 100-page selection of 'source material, articles from Vinyl, Muziekkrant Oor, De Nieuwe …
The sixth issue of We Jazz Magazine, "Revelation" for Black Jazz Records. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Black Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah / Jazz Composers Orchestra by Se…
Three decades of conversations with Genesis P-Orridge, provocateur, artist, gender revolutionary and leader of the bands Coum Transmission, Throbbing Gristle, Psychic TV and more
LP version. For those not following Bill Orcutt's drift into increasingly ear-friendly orbits in his recent live sets, Bill Orcutt -- his first solo electric studio album -- shocks with its space and sensitivity. On this eponymous record, Orcutt mines the expansiveness and sustain possible on the electric guitar, letting notes spin out and decay at the edge of feedback. His pachinko-parlor pacing, marked by unraveling clockspring accelerandos crashing into unexpectedly suspended tones, is s…
Discounted copies, sealed with slightly damaged on corners We Are Busy Bodies announces the official reissue of the seminal 1959 album, The Fascinating World of Electronic Music by the Dutch electronic music pioneers Tom Dissevelt and Kid Baltan. In combining jazz with experimental electronics, the album significantly predates other early renowned popular electronic music productions such as the ‘Dr Who’ theme, realised by Delia Derbyshire at the BBC Radiophonic Workshop (1963) or Wendy Carlos’ …
We Are Busy Bodies announces the officially licensed reissue of the 1966 cosmic, free jazz album Zodiac by French saxophonist and composer Barney Wilen. The album’s astrological theme and Robert Crumb-esque comic-book style cover art, illustrated by the renowned cartoonist Siné, marks it as a European parallel to the burgeoning counter-cultural happenings of the same period in the USA.
The reissue also offers tantalising glimpses of a projected animated tie-in film that never was. Wilen's friend…
*200 copies limited edition. * First collaboration between Ralf Wehowsky (Germany) and Richard Francis (New Zealand). On a trip from Auckland over Worpswede to Eggenstein Richard Francis visited Ralf Wehowsky on the weekend of September 28th and 29th, 2013. For the recording sessions taking place during these two days Richard used his analogue synth and electronics, while Ralf had a desktop and a laptop for producing digital electronic sounds at hand. For bridging the anatgonistic sound worlds t…
Incredible 30 track anthology ranging from spaced-out Kosmische to blunted & skewed pop - honestly one of the most eye-opening and worthy archival discoveries of the year RVNG Intl.'s issue of 'A Period of Review (Original Recordings: 1975 - 1983)' is a wide-reaching and revelatory survey of Kerry Leimer's prescient output operating on the cusp of ambient, 4th World and industrial musics. From his base in Seattle, Leimer accumulated a unique catalogue of recordings created on a Micromoog, drum m…
Sensational!!!! Breadwoman & Other Tales are the collected recordings of a language arising. It is the sound and document of Anna Homler divining speech, lyrical fragments, and melody for music composed, mixed, and engineered by Steve Moshier. It’s 1982 and Anna is driving an ocean blue classic Cadillac to meet renowned poet and playwright Deena Metzger in Topanga Canyon, Los Angeles. Passing a non-descript desert patch where tall wheat and mustard flowers grow, Anna opens her mouth and sings in…
Lucrecia Dalt presents No era sólida, an introspective path to unworldly surroundings where self becomes sound, and a compass for the searchers of musical possession.
For her follow-up full-length to 2018’s Anticlines, Dalt relinquishes control of the corporeal to reach imagination’s outer realm. Where Anticlines framed the physical processes of matter changing state, No era sólida observes a transition in Dalt herself through the emergence of Lia: an apparition, or second self, of the artist as…
**Black Friday Record Store Day 2020 Edition** In downtown New York City, in 1979, painter Jean-Michel Basquiat and performance artist Michael Holman founded their industrial-sound band, Gray. Jean named the band after Gray's Anatomy (the human anatomy textbook), an important reference source for his paintings and the perfect name to capture the haunting, machine-like ambient music the band wrote and performed. In the Whitney Museum's catalog for Basquiat's 1991 Retrospective, Robert Farris Thom…
Temporary reduced-price offer. Over the last couple of years, Song Cycle has emerged as a definitive champion of historic sound art, issuing long out of print recordings by a diverse range of figures like Christina Kubisch, Michael Snow, and Marcel Duchamp, as well as the legendary Poesia Sonora, Revolutions Per Minute, and Fluxus Anthology compilations. Their efforts have done immeasurable good, bringing this creative territory into wider view. Now, with a releases especially close to our heart…
Its an honor for the AFJ-Series to introduce the self-titled debut album by Danish Oslo resident Signe Emmeluth. Recorded at Flerbruket, in the forest an hour outside of Oslo - Emmeluth alone in a room with her alto and tenor saxophones.
A fantastic session of sax solo ecstasies recorded by Magnus Hemnes Nergård. Much like Joe McPhee's Tenor and Peter Brötzmann's 14 Love Songs, this album share the same beautiful intimacy. It is close, sparse, poetic and raw at the same time. Minimalist and soul…