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Patterns Of Penetrations
Damien Dubrovnik are Loke Rahbek (Lust For Youth, Var,Croatian Amor) and Christian Stadsgaard, two Copenhagen residents who run the prolific Posh Isolation label. "Penis Corset" is driven by a crude and primitive rhythm made from an electronic bass pulse and blown-out synth noise, punctuated by feedback and guttural vocals. On the flip, title-track "Patterns of Penetration" presents a calmer side of the duo's work yet also finds them at their most complex and rich, sonically-speaking, with a …
One Instrument Sessions 04
**100 copies** Certain to become a collectors item, One Instrument Sessions 04, is pressed onto 7” vinyl in run a very limited edition of only 100 copies. On this record One Instrument presents their most minimal work to date; three one-take vibraphone tracks recorded by Alessandro Di Puccio eighteen years ago.The tracks are a selection from eleven pieces that were originally created for a theatre piece called Il silenzio è d’oro (Silence Is Golden). After 18 years of being kept in a drawer in D…
Jazz Al Folkstudio + I Tarantolati
Huge Tip! **300 copies, comes with a printed insert** Back in 2021, we bore witness to the reissue, by Dialogo, of the Rome based ensemble Spirale’s lone 1974 self-titled LP, a towering obscurity of 1970s Italian jazz. Made of up Gaetano Delfini (wind instruments, vocals, percussion), Giancarlo Maurino (saxophone, flute, percussion), Corrado Nofri (piano, marimba, mbira, siren, Jew’s harp), Giuseppe Caporello (contrabass, guitar, percussion) and Giampaolo Ascolese (drums), the band ranks among t…
Kill And Release
Coppertone is Los Angeles’ Sasha Wiseman, a one-woman pop damager specializing in cold, beat-driven anthems swathed in quietly intimidating atmospherics. “Kill and Release” offers bodily transport into a world that’s as surreal and synthetic as it is strangely familiar – something like the dream sequence of a horror film. A woman armed with a net, a knife, keyboards, and lust. Limited edition pressing of 300 copies.
Bombscare
A bit of a missing link in Low’s discography, Bombscare has been unavailable for almost two decades, originally released in late 2000 on Tugboat (Glen Johnson’s Rough Trade subsidiary), it’s now been reissued on vinyl by John Coxon and Ashley Wales’ remarkable Treader imprint and provides a bit of context for last year’s roundly acclaimed Double Negative.It’s mostly about the title track here really, Coxon and Wales’ (aka Spring Heel Jack) provide the sublime, electronic backdrop, offsetting Mim…
Eastern Saga: Live at Tusk
Turkish free jazzers Konstrukt continue their series of exciting collaborations with Otomo Yoshihide, highly repudiated multi-instrumentalist and composer in the experimental world. #4 in the continuing series of Konstrukt collaborations on Karlrecords is a live document of the concert by the Turkish freeform group with the Japanese experimental musician Otomo Yoshihide from the TUSK Festival 2018. Konstrukt, the Istanbul based free jazz/freeform group founded and led by Umut Çağlar and Korhan F…
Monte Alto
A holy grail of free improvisation/spontaneous music reissued on vinyl for the first time in nearly 40 years, beautiful pressing housed in an elaborate silkscreen print, hand-numbered, and limited to 500 copies* Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Ensemble Anima, working on the periphery of krautrock and free jazz. During that time, Limpe and Paul Fu…
None Corsa
Debut vinyl outing for Valentina Magaletti and Pino Montecalvo’s Avvitagalli project couretesy of London's Horn of Plenty label. Variegated percussion + WTF jams inspired by a visit to an abandoned, torched palazzo somewhere in southern Europe. Its charred, decaying splendour casts a fitting backdrop to the surreal push-pull of Valentina & Pino’s aural capers. None Corsa explores presence and absence, purpose and chance, and the tension between serenity and disquiet. Composing and decomposing, g…
split 7"
Campbell Kneale moves ever closer to the glistening, levitation altar, with backwards bliss-shimmer, spooked chant and analogue squawk and squeal, kaleidoscoping around triumphant snare punctuation. Bark Haze (Thurston Moore & Gown duo) hit back with focused power-drone guitar duelling from the heart of the bong, smoking out into tunnel-visoned, crumbled-amp chunder. Artwork by Campbell Kneale/Kim Gordon.
Monster Mittens
A new single by neil campbell’s ever-evolving solo project, astral social club. neil (a band, vibracathedral orchestra) with assistance from karl bauer (axolotl) unleashes two electronic psychedelic noise jams with distorted loops, cascading feedback, and the sound of hypnotic drones recorded in space.
Monumento Fiume
*300 copies limited edition* In 2021, the Municipality of Cotignola, Ravenna invited sound artist and composer Giovanni Lami to participate in an artist residency as part of a broader project aiming to investigate the anthropic landscape of the local area. The two-piece composition Monumento Fiume stems from the huge body of field recordings collected by Lami throughout his residency period, which is going to contribute to the soon-to-be Sound archive of Cotignola. As Massimiliano Fabbri points …
Spectres #04 – A Thousand Voices
*Bilingual English-French* The fourth issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, around the topic of voice. Contributions by Joan La Barbara, Sarah Hennies, Peter Szendy, Youmna Saba, Lee Gamble, Ghédalia Tazartès, David Grubbs, Stine Janvin, Pierre Schaeffer, Akira Sakata, Haela Ravenna Hunt-Hendrix, Yannick Guédon, François J. Bonnet, John Giorno.The voice is everywhere, infiltrating …
Vanity
This box-set collects all the available recordings by seminal Japanese group Tolerance. It includes both their albums released between 1979 and 1981 on the Japanese cult DIY label Vanity Records, along with never before released tracks recently discovered in Agi Yuzuru's archives.LP-1 Anonym(Vanity 0004, originally released in 1979)Tolerance is a solo alias of Junko Tange from Tokyo. Its sound is made of Tange’s electric piano, synthesizer, and simple electronics playing alongside the whispering…
Music For Empty Flats (LP)
* Edition of 300. 180 gr. vinyl * Cello player and electronic artist Martina Bertoni's new album Music For Empty Flats delivers masterfully crafted experimental ambient/drone. Martina Bertoni is a Berlin-based cellist and composer. she started playing the cello at a very young age. classically trained, Bertoni's career soon developed around experimental and film music where her cello has been featured in numerous records, soundtracks for awarded movies and TV series and collaborations, among oth…
Play The Red Krayola Live 1967
* In process of stocking * Trems, feedback, metronomes and a music box………This recording was made during preparation for a joint performance by J Spaceman and John Coxon as part of : Art and Language: Letters to The Jackson Pollock Bar in the Style of The Red Krayola, Lisson Gallery New York, October 2019. The idea was to attempt to do a cover version of The Red Krayola’s radical and unrepeatable performance at the Angry Arts Festival in 1967. Spaceman and Coxon listened, separately, to the recor…
Watarase At Watarase
Post bop groovy album by Japanese pianist Fumio Itabashi recorded in 2011.
All the Way
** 2023 Stock ** All the Way is a collection of radical re-workings of traditional and jazz standards such as “All the Way”, “You Don't Know What Love Is”, and “The Thrill Is Gone” (made famous by Chet Baker). It also includes a solo piano interpretation of Thelonious Monk's “Round Midnight”, and live voice and piano interpretations of the American traditional “O Death” and the country song, “Pardon Me I've Got Someone to Kill”. The album includes both electric live performances (recorded in Par…
At Saint Thomas the Apostle Harlem
Live at St. Thomas the Apostle documents Diamanda Galás’ volcanic May 2016 performance at St. Thomas the Apostle church in Harlem NY, described by the New York Times as "guttural and operatic, baleful and inconsolable, spiritual and earthy, polyglot and wordless, nuanced and unhinged." The concert, produced by Intravenal Sound Operations and Red Bull Music Academy, was composed exclusively of what Galás calls “death songs”.
Rubbed Out
2023 Stock. The very latest release on the beautifully presented Treader label comes Hot Chip frontman/vocalist and possible Gerry Anderson marionette Alexis Taylor, who threads together a series of instrumentals and pop songs with a little help from Garageband. There are some beautiful synth outings here: from opener 'Fireworks' straight into the creamy, organ-driven 'Plastic Man' which sounds uncannily like the intro to The Killers' 'All These Things That I Have Done' mixed in with a bit of Ca…
Guitar Loops
Breaking form from the more overtly free jazz-oriented agenda the Treader label has based itself upon, this release finds Jason Pierce of Spiritualized and Spacemen 3 tackling a lengthy piece of music assembled from electronically treated guitar loops (as you no doubt guessed from the title) and a bit of lo-fi percussion. The resultant thirty five minutes of music is an enormously dynamic, often rather difficult venture into the avant-garde, far-removed from the trance-inducing pop Pierce built …