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The Spike
*Limited edition of 400 copies.* Bourbonese Qualk's third album "The Spike" was recorded during the period 1984-1985 and published by the Berlin based Dossier/Atonal label while Bourbonese Qualk were involved in organising the Berlin Atonal festival. Parts of Side 2 of the album is a recording of pieces made for a dance and film performance at the Bloomsbury Theatre in London in 1985. Bourbonese Qualk were an experimental music group from England, active from 1979 through 2003. They were always …
Dramatic Tempi - Background Rhythms
Be With Records present a reissue of Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Classic library breaks and beats set of heavy drums and louche funk. The first side, "Dramatic Tempi", is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Klaus Weiss produced essential records on German library labels Coloursound, Selected Sound…
Background Action
“Classic library breaks and beats set of super-heavyweight espionage-funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label – the super in-demand Background Action from Sammy Burdson, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig.Sammy Burdson was one of the many, many aliases of the mighty Austrian com…
Analog Sensitivity
When a synth master like Steve Moore joins forces with KPM, magic must materialise. And so it does with Analog Sensitivity: cinematic, enigmatic synthscapes to both haunt and heal. With the clue right there in the title, Analog Sensitivity is built up from the quieter aspects of the sound Steve has been exploring and evolving for over 20 years. It’s a layering of ambivalently dense and airy, muffled and echoing sounds created on his collection of synthesizers and other electronic music hardware.…
Contempo
They say: "New directions in contemporary scoring." Be With Records say: "Contempo is one of the best full album listens in the KPM 1000 library." Succinct smoking soul, super tight breaks and string-drenched sleaze composed by the library master, Keith Mansfield. Many library records are a game of two halves and Contempo is certainly one of those. The first side cooks on a high funk breaks flame whilst the flip is something altogether more tranquil, yet no less groovy. It lays back with dreamie…
Vivid Underscores
They say: "Contemporary scores for visual effect" We say: Synth-heavy, low-slung space-funk masterpiece. This is it. This is THE ONE for us: Keith “The Man” Mansfield’s Vivid Underscores from 1977. A sample freak’s wet dream and one of Be With Rob’s favourite ever KPM records. A must for fans of Brian Bennett’s Voyage (yes, THAT good). And no, we’ve no idea either why it took us this long to get round to tackling this monster of a record. But then again some things are worth waiting for. With …
Percussion Spectrum
They Say: “Exploring the wide range of moods and sounds produced by percussion”. We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning. Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled wit…
Crystal Harmonics
Ocean Moon is a solo project from Jon Tye of Seahawks. A long time explorer of the sounds of spaciousness, Crystal Harmonics is a document of Jon’s latest discoveries. An ambient/new age/modern classical library suite for KPM, this is inter-dimensional music for mind, body and spirit.
Island Visions
2020 marks 10 years since "Ocean Trippin’", the first Seahawks release, and "Island Visions" is the perfect distillation of the sounds, sights, textures and moods that Jon Tye and Pete Fowler have been exploring over the last decade. Sunrise to sunset condensed to two sides of an LP. The normal rules of space and time don’t apply here. From the grooves of Brian Bennett to the moog vibrations of Mike Vickers, the lush textures of Les Baxter to the experimental sounds of Delia Derbyshire and David…
Japan
The first Be With foray into the archives of revered German library institution Selected Sound is one of our favourites on the label - the super in-demand Japan from Victor Cavini, originally released in 1983. Rare and sought-after for many years now, this is one of those cult library LPs that never turn up. With Daibutsu the giant Buddha of Kamakura’s presence gracing the hefty front cover, this is a record bursting with dope samples for adventurous producers: it’s koto-funk madness!
Breath of Danger
"Breath of Danger" was originally released by Themes in 1974, and rounded up a killer ensemble cast of library legends including Alan Hawkshaw, Brian Bennett, Alan Parker, David Lindup, Kenny Salmon, Barry Morgan and Ray Cooper. There’s a widescreen vitality in all these tracks thanks to the driving rhythms, vibrant horn sections and blazing guitar work. It renders "Breath of Danger" - 45 years old - truly ageless.
The All American Powerhouse
Originally released in 1976, "The All American Powerhouse" is one of the very best of the Themes library releases. It’s killer. A feast of dramatic jazz, horizontal, melodic funk and bouncing sunshine-y West-Coast feels throughout, there also lurks an intense injection of the Blaxploitation sound. Understandable, given the subject matter and year it was released.
The Hunter (Drama Suite) / Adventure Story
"The Hunter (Drama Suite) / Adventure Story" is a real library-head’s library album. Both sides are dripping with insidious grooves and dramatic spy-score themes, bursting with heavy guitars, swirling flutes, creeping piano-funk and drum breaks galore. Originally released by KPM in 1975, it’s clear that these library heroes were heavily influenced by the tough funk and street soul sonics emerging from the cutting edge Blaxploitation soundtracks.
Visual Impact
Arguably the single greatest album in KPM history. An ensemble piece of staggeringly heavy works from none other than Brian Bennett, John Scott, Steve Gray, Jim Lawless and Johnny Pearson. Originally released in 1976 but wonderfully timeless, Visual Impact is a rare example of a library record that’s genuinely great listen from start to finish.
Un Muneco De Madera
Be With Records present a reissue of Sola's Un Muñeco De Madera, originally released in 1971. Originally released on RCA in Mexico, it's kaleidoscopic Acapulcan-funk. The album's endless grooves are propelled by softly rocking, quasi-library funk breaks. Vocally, Sola is in step with the '60s French pop-chanteuse style, but of course her lyrics are delivered in sensuous Spanish. Her voice is beautiful. Pillowy soft and tender, it can suddenly explode in mystical anger. These are ten tracks of mo…
Afro Rock
Be With Records have raided the KPM archives to reissue another favorite from the KPM 1000 series, Alan Parker and John Cameron's Afro Rock, originally released in 1973. Hard Afro pop featuring large percussive rhythm section and front line. One of the best-loved of all the KPM LPs. Afro Rock was recorded at Morgan Studios by John Cameron and Alan Parker in London in 1973 as a collection of stripped-down African rhythms, virtuoso jazz instrumentation, fuzzed-up wah wah guitars, and spaced-out li…
The Road Forward
Be With Records have raided the KPM archives to reissue another favorite from the KPM 1000 series, Alan Hawkshaw's The Road Forward,
originally released in 1977. A comprehensive collection of descriptive
contemporary scores, the track titles swoon just by their names:
"Strangelands", "A Man Alone", "Sheer Elegance", "Mystique Voyage",
"Cruising". Don't you just want to hear those? The maestro Alan Hawkshaw
really spoils his listeners on this, one of the most sought after KPM
greensleeves. …
Full Circle
Alan Hawkshaw (piano/Hammond) and Shadow’s drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today. Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw’s and Bennett’s immaculate beat-driven soundscapes for their own usage.Their new album, …
Ichiban
Limited to 100 copies on coloured marbled vinyl in gatefold cover. The very first recordings by the Bleu Forest happened after they played a show at the "Hey You Coffeehouse" in Ventura, CA. Jimmie Haskell decided to have them come to Hollywood and record on the spot at his place. His intention was to capture how the band sounded live, and this is what you get in Ichiban: Two mics, the band, a recording machine, no retakes, spontaneity and raw energy, a time-capsule direct From Jimmie's place i…
Synthesizer & Percussion
Released in the same year as Synthesis over on KPM, 1974’s Synthesizer and Percussion is its essential companion piece. “This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos” is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett’s second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good. This is one of Hawkshaw and Benne…