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Affinity
*2021 stock. 180 Gram Gatefold sleeve with custom replica retro finish. Half speed mastering at Abbey Road Studios.* Affinity was one of the most brilliant British jazz-rock groups to emerge in the early 1970s and was formed by former students from Sussex University. They recruited singer Linda Hoyle and were managed by the famous jazz club proprietor Ronnie Scott, who was impressed by their refreshing approach. A later member of the band was renowned bassist Mo Foster.  ‘Affinity’ was their onl…
Piedmont Apocrypha (LP)
“I was born to lose; I won’t have this form forever.” So begins Horseback’s fifth full-length studio record, "Piedmont Apocrypha", with an incantation that could very well serve as the shapeshifting band’s raison d'être. Since before 2007, Horseback has served as a musical vehicle for multi-instrumentalist Jenks Miller (also of Mount Moriah and various solo outfits), chronicling his prolific, exuberant, and at times altogether whimsical investigation of heavy music(s) and their relationship with…
Blues From WHAT (LP)
North Carolina-native Jenks Miller is a bit too otherworldly to ever be pegged as a regional musician. Still, he seems to have the South in his bones. Not the false sheen associated with the so-called “new South,” mind you—with its tech startups and gallery spaces colonizing the re-purposed red brick warehouses; the hip speakeasies and fussy artisanal coffeehouses dotting the once somnolent and segregated main streets; the hikers and bikers streaming over the muddy tobacco roads. Not that place,…
Wooden Wand & The World War IV (LP)
You might have lost track of Wooden Wand some years back. No one would blame you. Under a decade into a recording career, his tangled discography had sprawled to Sun Ra-like breadth and complexity. He had parted ways with his longtime collaborators in the Vanishing Voice sometime around 2006, seemingly replacing them afresh with new (and newly named) backing groups on every subsequent release. He even threatened to jettison his own moniker—a threat he made good on for the pair of album he releas…
Tennessee & Other Stories... (LP)
three lobed recordings is extremely excited to be involved with divide by zero records in the release of tennessee & other stories…, Hans Chew’s debut solo album. while chew is best known as the honky-tonk pianist and auxiliary vocalist behind brooklyn’s psychedelic americana outfit d. charles speer & the helix (including his lead vocal turns on both “life insurance” off distillation, and “bar-abbas blues” off the “in madagascar” 7”), his skill as a piano player has also previously been on promi…
Kurt Vile | Steve Gunn (LP)
Kurt Vile and Steve Gunn collaborated for their contributions to Three Lobed Recording’s Parallelogram series. The two artists, originally connected by mutual friends and geographic proximity, have long pushed the other’s continued artistic development. Despite sharing many live stages over the years, this installation of Parallelogram represents the first time that the two have worked together in the studio. Vile’s side sees him recast tracks by John Prine (“Way Back When”) and Randy Newman (“P…
Water Weird (LP)
Long before the indie rock vampires got hip to the jam, Wet Tuna's Matt Valentine and PG Six (Pat Gubler) were twisting folk-blues, the avant garde, west coast and Swedish psychedelia into a fat one in the beloved underground unit Tower Recordings.  Tower's journey ended some time ago but MV and PG Six found new paths—Matt mostly around the MV & EE tree and Pat's solo songwriter sojourns. These brothers of the steel-string reconvened a couple years ago to delve deeper into rural electrification …
Bay Head (LP)
It’s an anomaly to make a record created out of the pleasure and desire of simply making music together. A record with no commercial aspirational location. The new duo record from John Truscinski (drums, synths) and Steve Gunn (guitars), "Bay Head", makes it look easy, carving out a space where none existed before with assurance, resonating beautiful along the way. If I were forced to put what John and Steve play into a genre I would simply call it “music.” There’s a quality of timelessness to i…
Clipper Ship (LP)
Chickens were puzzling to early chemists and remain so. Despite a diet low in calcium, eggs laid by chickens contain a huge amount of calcium. Chickens, in that sense, are the only alchemists with proof that they are able to transmute an element; Wooden Wand’s 'Clipper Ship' album reminds me of that fowl alchemy, where the sum of songs’ parts add up to some impossible, elegant germination that cannot be reduced. Drones and lush arpeggiated codas spin out in concentric fractal patterns; the finge…
Immagini per Diana Baylon
Small repress available.  The long and mesmerizing single piece of analogue electronic music that develops over the two sides of the latest Die Schachtel "silver series" LP is a soundscape composed by Teresa Rampazzi for the artist Diana Baylon's 1972 exhibition at the modern art gallery "Il Fiore" in Florence (Italy). Diana Baylon (1920-2013) was a cross-disciplinary artist active in abstract and programmatic art. In the summer of 1969 she appeared – along with with Alberto Burri, Pablo Picasso…
For Bunita Marcus
"For Bunita Marcus opens with a clear call to our attention. With these first six notes, we step over the threshold and into the journey of the piece. We know that we are in this for the long haul: Morton Feldman’s late works are notorious for being marathons. He composed For Bunita Marcus in 1985, immediately after his four-hour For Philip Guston, and two years after his six-hour String Quartet (II)  These earlier works make an hour-long solo piano piece seem short. Still, it is a long time to …
Elektronische musik
* 2021 stock, nice price * A Student of Eimert, Reinhold Weber produced several records of his own, two between 1969 and 1971, both of which are total weird and wild electronic, handmade, pre-synthesizer. Topped with crazy German language monotone lyrics. For fans of Cluster, Eimert, Stockhausen and people generally interested in the weird side of music.
Space Guitars
**2020 stock** I was born in Detroit (1931), studied chemistry and music at Princeton (1949–53), and after the army, pro-baseball, and working as a chemist at Cape Canaveral, I went to “Koln State” (Music School) in Germany on the GI Bill, (1959-63) and spent a lot of time watching Karlheinz Stockhausen work. I then “visited” Rome (1964–87) where Frederic Rzewski, Alvin Curran, Jon Phetteplace and I put together a group, “Musica Elettronica Viva” (MEV), to create electronic- sounding music in co…
Mev 40
Utterly fantastic and indispensable overview on 4 CDs. "Musica Elettronica Viva (MEV) was begun one evening in the spring of 1966 by Allan Bryant, Alvin Curran, Jon Phetteplace, Carol Plantamura, Frederic Rzweski, Richard Teitelbaum and Ivan Vandor in a room in Rome overlooking the Pantheon. MEV’s music right from the start was also totally open, allowing all and everything to come in and seeking in every way to get out beyond the heartless conventions of contemporary music. Taking its cue from …
September Canons
Todd Reynolds, violin, with electronic processing; Members of the Yale Philharmonia, Julian Pellicano, conductor; The Berkeley Gamelan, Daniel Schmidt, director; Ingram Marshall, gambuh (Balinese flute), Serge synthesizer, live electronic processing The pieces on this recording span almost three decades and represent the principal threads that have run through Ingram Marshall's (b 1942) work: his remarkable skill in using electronics to create expressive and voluptuously beautiful pieces; the in…
Ipsa Dixit
Kate Soper's (b. 1981) Ipsa Dixit (2010 - 16) is an evening-length work of chamber music theatre for voice, flute, violin, and percussion that explores music, language, and meaning through blistering ensemble virtuosity and extended vocal technique. "'Ipsa dixit' is the feminized form of ipse dixit (literally "he, himself, said it"), a fallacy in which an assertion is made based not on proof, but on the supposed authority of the speaker alone. The title seemed apt for a work that explores …
Consequenz
180 gram LP version. "Commercial Schnitzler? How quickly, how prematurely are opinions and judgements bandied about when an artist suddenly changes the form of his work. Conrad Schnitzler fell under such a cloud when, after 1978, his songs, for a time at least, did not exceed the catchy compactness of pop songs, while their harmonies and rhythms seemed to be drifting towards pop. Produced by Peter Baumann (Tangerine Dream) the Con (1978) album and the Auf dem schwarzen Kanal 12" EP (1980) u…
Limpid as the Solitude
Dreamlike second collaboration between Félicia Atkinson and Jefre Cantu-Ledesma, a deeply affecting play of contrasting textures, densities and space that comes very highly recommended if you’re into Ryuichi Sakamoto’s collaborations with Alva Noto, La Monte Young, GRM’s 1970’s output, classic 4AD/Cocteau Twins, that incredible Autechre remix of Tortoise, or indeed Félicia Atkinson's scene stealing Hand In Hand album from last year...‘Limpid as the Solitudes’ is the steeply immersive second coll…
Palais Schaumburg
** For the 40th anniversary of this influential album from Hamburg-based band Palais Schaumburg Bureau B are releasing a limited LP version: 500 copies, numbered, red vinyl, and with printed inner sleeve including all lyrics in German and English ** The influential German post-punk electronic pop band Palais Schaumburg has reunited in the classic line-up. Since its release in 1981, their debut album has remained in a league of its own: fleet-footed and peculiar, abstract and pop, amateurish and …
Selbstportrait Wahre Liebe
LP version. The first part of Hans-Joachim Roedelius's Selbstportrait (Self-Portrait) series was originally released under the title Sanfte Musik on Sky Records in 1979. Now, some forty years later, a new instalment has arrived in the form of an album entitled Wahre Liebe. One of the initiators of the Berlin Zodiak Free Arts Lab in 1967, Roedelius went on to co-found Kluster/Cluster and Harmonia, unleashing a new and free form of music which, with the benefit of hindsight, can be considered a mi…