We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

River
"At their best and worst, solo acoustic guitar albums can feel like workshops, demonstrations meant to spotlight a player’s depth or breadth of knowledge and technique. A genteel folk shuffle cedes to a gnarly blues moan, or a ragtime ditty yields to an extended raga improvisation. Maybe there’s a banjo number, a fiddle tune, or a collage of field-recording abstraction, where crickets chirp or creeks trickle beneath incidental chords. This condition has seemed especially true for the large group…
Labyrinth
Günter Schickert, four decades of multi-instrumental cosmic explorations, under Berlin's sky, above genres, and compromises. Marmo present on his seventh album to date, Labyrinth, the first to be released on vinyl format since 1983's Kinder In Der Wildnis. Schickert's Samtvogel (1974), equaled the imaginative leap and sonic power of the early Pink Floyd, Manuel Gottsching's 1975 album Inventions For Electric Guitar (MGART 401CD/901LP) or A.R. & Machines's Die Grüne Reise (1971). Überfällig --…
Journey Of The K-Verband (Throat Lure)
2017 Edition. Journey Of The K-Verband (Throat Lure) was recorded in the summer of 2011 and is the second chapter of The Voyage Of The Decima Mas.  The K-Verband was the WWII German frogman equivalent to the Italian Decima MAS; taking example from the Italian frogmen and their missions.  The Rita has used the WWII frogmen theme as representative of the recordings, this time via sound sources from the miking of ocean fishing lures while jigging for Lingcod in the same areas snorkelled for the VOT…
Female Statuesque
2015 Edition. The Rita continues his journey through ballet fetishism. Female Statuesque is a complex work of obsessive research on discipline, elite beauty, and suffering in the world of ballet. Monolithic walls of harsh noise with the classic Sam McKinlay (BT.HN, Vice Wears Black Hose, Black To Comm) trademark style. Limited edition of 200 hand-numbered copies in a cardboard sleeve with insert.
Geelriandre / Arthesis
**Edition of 1000 copies**Eliane Radigue's Geelriandre / Arthesis is named for the pieces that fill its two sides. Geelriandre, realized on an ARP 2500 synthesizer in 1972, features Gérard Fremy on prepared piano. Arthesis, realized using the University of Iowa's Moog in 1973, comprises the full duration of side B. Eliane Radigue has received much deserved praise for her transcendent composiitions for tape, synthesizers, and acoustic instruments. Her work is deep, slowly changing, and timelessly…
Stories for Owls
The second full-length release from psychedelic bread bakers and bird whisperers Badgerlore-- represented on this release by beard-core ambassadors Ben Chasny (Six Organs Of Admittance, Comets On Fire), Tom Carter (Charalambides), Pete Swanson (Yellow Swans), and Rob Fisk (7 Year Rabbit Cycle, ex-Deerhoof)-- Stories For Owls features six beautifully lush, organic pieces that rise and fall with the group's broke-down, burned-up improv and the interplay of piano, vocals, and dual guitars. The musi…
Cainus
Maurizio Bianchi is an Italian composer of electronic/experimental/industrial music. Taking a cue from its unconventional matrices (we are in the year 1976), has officially started its activities in August 1979: originally influenced by the tendency of 'musique concrète', under the name of Sacher-Pelz, he composed four works on tape over eight months. The first of the four tapes, recorded between August and September of 1979, is entitled Cainus. Tracks remastered from original analog tape…
Velours
In the late 70s, the Italian industrialist Maurizio Bianchi under the name Sacher-Pelz self-published a handful of cassettes for super primitive musique concrete recordings culled from turntable / needle abuse upon LPs by Kraftwerk, Neu!, and Conrad Schnitzler. 'Velours', his fourth and last tape, was recorded between February and March 1980. Tracks remastered from analog tape with supervised by Maurizio Bianchi. The record has been pressed on 140 gr black vinyl with black label and black inner …
Autoerotic Death
**199 copies** Marco Corbelli’s artistic journey began in the early 90’s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The Pleasure Agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content dealt with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death.In 19…
Bloppin'
**edition of 200 copies** To be considered a twin release of the previous For Ornette 7". The single consists of two more short tracks - taken from the same Hayyam session - where the five-piece goes bebop, building some rhythmic and harmonic complexity filled by solo virtuosisms of core-members Korhan Futacı (saxophone) and Umut Çağlar (electric guitar).
Cut My Throat
A seminal power electronics masterpiece for this unforgotten cult artist. Atrax Morgue is anxious and psychotic side of the power electronics and industrial music. With the help of an analog synth, Marco Corbelli blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviations. “Cut my throat” is recorded straight off on in a day. We are in 1996. The first CD of the artist contains two paths based on typical analog drones that characterize all the first prod…
Low Level Stink
When Ballister – the fearsome trio of Dave Rempis (saxophones), Fred Lonberg-Holm (cello) and Paal Nilssen-Love (drums) – performed in Antwerp in March of 2015, they played the kind of music you know some musicians are capable of, but rarely get to experience. It was a magnificent concert that grabbed you by the collar and took you for an adrenaline-fueled ride. There were some quieter moments when you could enjoy the view and take a breath, but the impression that lingered on was one of fearles…
Sein Zum Tode
In the early nineties, Slaughter Productions released two masterpieces of Atrax Morgue as Necro-sintesi and Necrophiliac Experience split with Lunus, noise project of Devis Granziera, a very close friend of Marco Corbelli. This partnership is only the prelude to what will happen a few years later. In 1996 Marco Corbelli and Devis Granziera decided to resume a bizarre project by Devis Granziera called Nekrophilia. After two years of work, changing the name of the project in Necrofilia, co…
Buried on't Moors
Mutant Ape is the wild noise project by Yorkshire, UK resident George Proctor. He runs the harsh noise/power electronics label Turgid Animal releasing since 2005 over 500 cds, cdrs, cassettes, LPs, 10”s and 7”s. This new work is an intense and relentless discharge of cavemen electronics and obsessive noise with dirty male vocal textures in the upper layers.LP comes in a deluxe silver silk screen on black cardboard sleeve limited to 120 hand numbered copies w/insert.
Bleak House
** Deluxe (and pricey) edition, remastered from the original tapes ** Recorded over three sessions in 1968, Bleak House marks Terje Rypdal departure from psychedelic group The Dream and off to explore further territories. He would later become one of the most recognisable instrumentalist in european jazz, with releases on the Ecm label filled to the brim with his searingly exciting future-tundra guitar sounds.By this time in 1968, he was already in an almost unique position in the Norwegian musi…
Jazz In The Space Age
Doxy present a reissue of George Russell And His Orchestra's Jazz In The Space Age, featuring Bill Evans and originally released in 1960. From the original liner notes of Burt Korall: "(...) This album points the way to the future. It is prophetic because George Russell felt compelled to make it so. 'Jazz is changing, the sixties could well be a crucial decade,' says the composer. 'One thing is certain. A variety of sound and rhythms, many of which are alien to what audiences are used to, w…
Plaster Projection Instruction Record
EXCLUSIVE! Guitar+tape manipulations create a hypnotic noise pastiche akin to the background buzz in the switching station of your local phone company. 1-sided. Limited 500.
A Shimmering Replica
This first-ever VHF release by the 21-years-running Ashtray Navigations brings one more core piece of the UK freakout underground back to the mothership. With a discography that boggles even the most ardent Discogs user and an on-point WTF graphic sensibility, Ash Nav fits perfectly into the extremely fertile and prolific scene that has produced titans like Sunroof! and Vibracathedral Orchestra. On this generous 100-minute package, Phil Todd and Melanie O'Dubshlaine essay a kind of guitaran…
Stone-song
**300 copies on black vinyl** A one-hour performance presented in 1990 at the 8th Biennale of Sydney (The Readymade Boomerang: Certain Relations in 20th Century Art) where time is being scanned and animated by matter and where the genius of Henning Christiansen - with fellow artist Bjørn Nørgaard and Ken Unsworth, to whom this performance is dedicated - establish a deep dialogue with the nature (of sound) watching the time, stone on stone, being at the same time actors and audience of its epheme…
Death And Spring
We live in a musical era defined by historical reappraisal - a noble moment which has rescued a near countless number of incredible albums from lingering neglect and loss. As wonderful and exciting as this is, it has come with an unexpected, but increasingly acknowledged consequence. With so many eyes on what was, we risk allowing history to repeat, subjecting today’s artists to the same forms neglect which plagued the past. It’s becoming increasingly rare to encounter record labels which entire…