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L'Animale Profondo
Spittle Records present a reissue of Tasaday's second album L'Animale Profondo, originally released by T.A.C.'s Azteco Records in 1986. Here, the sound is, if possible, even more primal and direct than its predecessor; without compromises. Improvisation takes over... free and uncontrollable sounds that tell of an ensemble that was years ahead in European experimental music. Echoes of Einstürzende Neubauten but also of Throbbing Gristle... and beyond, in a deep, almost free jazz universe. Post-in…
The Sunny Side Of The Dark Side
"After the dark clouds of the '70s the world was changing and Maurizio Marsico, fresh off New York sessions with Rhys Chatham, started the '80s with a couple of experimental records under the moniker Monofonic Orchestra, published by the cult label Italian Records, Music Design (1981) and Friends' Portraits (1981). Stefano Tamburini, the creator of the legendary Ranxerox comic hero painted by Tanino Liberatore, was an onlooker in disguise in New York Marsico's exhibitions, and back in Italy he…
Whobub
The great surprise with the French quintet Hubbub comes with seeing them in performance before you’ve heard one of their recordings. Five men walk on stage, two carry saxophones, one a guitar, the pianist and drummer sit down at their instruments. It looks like a conventional notion of a band, the sole concession to the world of electronics the Gibson Les Paul, itself a guitar design that has changed little in the past sixty years. Every instrument carries with it the expectation of a characteri…
3 Nights at Cafe Oto
"Free-improv CDs sometimes turn up in the record-business equivalent of fish-and-chip paper, but this handsome book-form package encloses three audio CDs, a DVD, a raft of colour photography, and a thoughtful essay from Richard Williams. It documents a 2013 Cafe Oto season for the UK trio of drummer Eddie Prévost, bassist John Edwards and saxophonist Evan Parker, plus German musicians Christof Thewes (trombone) and the doyen of European free-jazz pianists, Alex von Schlippenbach – the Brit…
Silver Pyramid
Matchless Recordings presents an historic recording. Eddie Prévost's Silver Pyramid performed by Music Now Ensemble directed by Keith Rowe in London in 1969. Includes Cornelius Cardew, Lou Gare, Keith Rowe and others. The music is continuous. Time codes have been inserted at intervals to assist retrieval. Pre-Scratch Orchestra Ensemble formed by / for the occasion of the four day 'Music Now' event at the Roundhouse, 1969. The motley crew perform Eddie Prévost's 'composition' 'Silver Pyramid'. En…
Blackheath
Alexander von SCHLIPPENBACH, piano. Eddie Prévost, drums. Piano solo, drums solo and then a duet. Recorded at a concert given at Blackheath Halls, London, England on 30th March 2008. Recording and mastering Sebastian Lexer. Notes by Christoph Wagner. Cover artwork Myah Chun.
Discrete Moments
Matchless Recordings presents a live concert by Eddie Prévost and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on the 6th of January, 2004. The album includes eight tracks performed by John Tilbury - piano, prepared piano and organ and Eddie Prévost - stringled barrel, tam-tam, percussion.
"Some of their music is delicate and pointillistic with wide spaces between sounds, but there are also rich, thick webs and, as indicated, Cage/Kleeube Goldberg thunkity-thunk machin…
Ankle On: Electronic and Orchestral Works
Martin Bartlett was an inspiring and original thinker, composer, writer, performer, and organizer. His preoccupation with building aleatoric elements into electronic music distinguishes his work. He devised elegant and open interactions for instrumental performers and computer-controlled synthesizers which included building his own electronic devices and extensive work on the Buchla 400. He worked with or studied under Pauline Oliveros, John Cage, and David Tudor, and collaborated extensively wi…
Ray of dark
Debut release from Linda Aubry Bullock, a long-time fixture on the Boston-area experimental music scene through her various groups (including, not mentioned below, the please, a trio with Hubby Mike Bullock & Brendan Murray) ...
This set’s a neat mix of throbbing industrial electronics & sound-art-lineage mood pieces (such as the vibrating-plate mechanics of the segment in the sound-sample) all played by a revolving quartet including Linda, Mike, Eric “Rambutan” Hardiman (proprietor of the exce…
The Grief That Shrieked To Multiply
To Live and Shave in L.A. -- Illustrative presentations of critics'lipsticks and protagonists' stills; tangential bruises, ephemeral knots; an inter-generational installation view; the gulf between conscious quotation and subjective arrangement of cabinets of parasitic methodologies; tolerance and idealization via dirty electric documentation; staged symposia with supplemented acoustics; subtle modifications of unconcerned expressions; a formal repertoire in characteristic rasps; interventionist…
The First Basket
Charming and imaginative music for a controversial film that follows the Jewish basketball experience from ash cans placed on the stoops of brownstones to the bright lights of Madison Square Garden. Composed by Roberto Juan Rodriguez, whose CDs of modern Cuban-Jewish fusion have become Tzadik best sellers, the score jumps from klezmer to classical, dixieland, pop, rock and back again. Featuring an astounding array of downtown musicians, The First Basket establishes Roberto as a versatile compose…
Post Self
Post Self is simultaneously inventive and classic Godflesh. The blue and icy atmosphere of Post Self can reach levels touched on in the happenings of early '90s Norway innovations. From the opening track, it's clear that the vocal performance is Justin Broadrick's best in ages, utilizing new approaches ranging from higher tortured screams to truly brutal and barbaric low roars not heard since Streetcleaner (1989). Within those extremes, mystically effected vocals coming from an industrial …
Mij Een Biet !
Instant Composers Pool presents Mij Een Biet ! a live session performed by Guus Janssen on piano and Han Bennink on drums. Live recording by Marc Schots at the Beauforthuis, Austerlitz (NL) on September 5th, 2020. Mixed by Marc Schots. Artwork by Han Bennink. Photo artwork by Pieter Boersma. Graphic design by Emma Fischer.
Cosmic Bondage
Hospital Productions present a reissue of Smell & Quim's Cosmic Bandage, originally released in 1995 on their notorious Stinky Horse Fuck imprint. Cosmic Bondage stands as a monument to the universal perversion inside us all. Birthed into the world with an auto-asphyxiated doll complete with toy packaging and overgrown pubic hair in an edition of 100, despite its limitation the material within has become a staple of the groups live performances to this day. The dark humor enforced by truly maste…
Augmented Space
Musicians as different as Bill Dixon, Wadada Leo Smith, Axel Dörner, Susana Santos Silva have experimented with the lonely, no-safety-net discipline of solo trumpet playing. It is one of the hardest avocations in music: no harmony instrument, no pedal notes, no supportive pick-up if things go wrong. Schmid seems to follow in that line and yet the solo performances on Augmented Space, for all the extreme discipline of his technique, seems very different to the artists above. There is something of…
Rituals of Transition
In 2002 Misha Mengelberg was invited for the second time to the AngelicA Festival in Bologna. That edition, the twelfth, took part entirely in a squatted social centre of the city, and, in collaboration with Tristan Honsinger, was conceived as one large opera lasting six days – an opera within which the performances of many national and international artists fitted in like individual mobile “modules”.
Especially for this occasion and on the festival director’s suggestion, who had attended a perf…
Final Movement / Bloodheat
A milestone in Thorofon's back catalogue, 'Final Movement' was released on the band's own UMB label in 2002. A very limited version of the album had a 10" included which is also present on this CD re-issue. And in addition, we have thrown in a previously unreleased track so the playing time is extended to nearly 80 minutes. Thorofon are a German-based duo consisting of Genevieve Pasquier (who also records as a solo artist) and Anton Knilpert. Although their sound is very unique, their roots lie …
It Doesn't Matter Where It's Solstice When You're in the Room
Martyn Bates is an English singer, musician and songwriter. After releasing tapes of experimental, industrial music as Migraine Inducers he formed Eyeless In Gaza with Peter Becker in January 1980. The duo became known for their unconventional instrumentation and arrangements, and for Bates’s passionate vocals. From 1992 onwards, Bates has run a parallel career recording and performing with a re-vitalised Eyeless In Gaza – with Eyeless deftly blending song with collaged soundscaping - while Bate…
Sotto Il Segno Dello Scorpione
Quartet Records and Gruppo Sugar present the world-premiere release of Vittorio Gelmetti's experimental score for the cult movie Sotto il segno dello scorpione (also known as Under the Sign of Scorpio).
Directed by Vittorio and Paolo Taviani, the film takes place in a kind of fantastic prehistoric time when volcanos ravage and wipe entire civilizations off the face of the earth. When an island gets buried under lava and ash, a group of survivors manages to get away and reach a nearby islan…
Dammerattacke
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in musique concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music fo…