Best sellers

Rigol (Duilio Radici) and an uncredited Ugo Fusco with the Blue Sharks of It Became Crystal: ten instrumentals for bass, drums, piano and Hammond between beat, jazz-funk and symphonic pop.

Six-CD box issued alongside David Tibet's exhibition at Dox Gallery in Prague: the six installation musics played in its six rooms plus an overview of Current 93, with six colour cards of his paintings. None of this music appears on the vinyl or cass…

A 1977 Wild Cat rarity by a real studio supergroup led by Paolo Casa: funk, jazz-rock and blues opened up by Gabriele Ducros' pastoral flute, recorded at Piero Umiliani's Sound Work-Shop.

Deluxe 88 pages offset printed CMYK, sewn-glued binding, and folded flaps cover Following the first issue, Nothing Personal, which sold out in a matter of weeks, Lasse Marhaug returns with the second installment of 8090 VÅG, his annual, highly perso…

Two Holuzam reissues from Telectu's richest years: Off Off, the double LP they released themselves in 1984, and Performance, their first live album, recorded at the 1984 Cerveira biennial. Together at a reduced price.

Sarah Davachi's commissions and longform pieces from 2023 to 2026, for The Broad, MoMA, Sonic Acts, Ghost Ensemble and NO HAY BANDA: six works across six CDs in a rigid slipcase, companion to The Will of Tongues.

This bundle brings together New Light and Incantations, the two sets that Sunny Murray, Arthur Doyle and Rasul Siddik played at Thelonious in Bordeaux on October 21st, 1999, never released before and now issued by NoBusiness Records. Murray is on dru…

The second Redi reissue: A.R. Luciani and Paolo Renosto's 1970 Leo Records LP, nineteen short themes written for television that swing between tension, anguish, fun and relaxation.

Éliane Radigue's complete Naldjorlak trilogy (2004-2009): I for cello (Charles Curtis), II for two basset horns (Carol Robinson, Bruno Martinez), III for all three. Recorded in Paris in 2011 by Daniel Deshays. 3CD.

Caprice returns to the Öppet series, their curatorial collaboration with Mats Gustafsson and Roger Bergner, with Fyra, Öppet number four, dedicated to the Norwegian vocalist Karin Krog. Two never before released sessions made in 1970 in Germany: ragi…

Morton Feldman plays piano in a 1978 Deutschlandfunk concert recorded in Cologne, with flutist Eberhard Blum and percussionist Jan Williams: Why Patterns?, Extensions 3, Intermission 5 and The King of Denmark.

Anthology of the German-born dancer and choreographer's electronic music for dance, made in his three North London studios: tape loops, kettle-lid percussion, radio interference and generator pulses, in Sub Rosa's Early Electronic series.

Live at Copenhagen's Café Montmartre in April 1970, Tordenskjolds Soldater (Jesper Nehammer, Ole Matthiessen, Henrik Hove, Jon Finsen) stretch out the four Matthiessen pieces from their Spectator album Peace, restored from the original tapes.

Sun Ra's 1970 Saturn album, cut with a skeletal Arkestra of three sidemen and Ra on Rock-Si-Chord and Minimoog in a near-pop mood. Cosmic Myth's expanded 2LP adds six bonus tracks, including a 1971 TV concert and a 1973 live quartet.

Commissioned by ZKM Karlsruhe, Lea Bertucci's work for flutist Norbert Rodenkirchen sets his Renaissance, Medieval and Neolithic flutes inside electronic process: an electroacoustic piece that sounds like an ensemble reaching across centuries.

In Energy Center, Ed Hazell tells the essential story of Studio Rivbea, the Lower Manhattan loft where Sam Rivers and Bea Rivers made radical music possible on its own terms. Drawing on new research, photographs, posters and an unrivalled sessionogra…

Scanner reworks an hour of Nurse with Wound material into six pieces named after homeopathic remedies: radio static, processed voices and squeaky guitars in an echoing maze. Double vinyl, the fourth side etched by Babs Santini.

Unreleased recordings by Danish tenor saxophonist Carsten Meinert, with the Danish Radio Jazz Group on side A and his C.M. MusicTrain on side B, Coltrane-rooted fire with Ole Matthiessen and Pierre Dørge. Liner notes by Mats Gustafsson.

Telectu's first live album, recorded at the 1984 Cerveira art biennial with performances by Manoel Barbosa: long loops and homages to Eno, La Monte Young, Fripp, Cage and Riley. 200 new copies pressed from the original 1985 stamper.

Belgian improvisers Linus and Bonnie 'Prince' Billy reimagine the songs of Dutch songwriter Jules de Corte: slowed, expanded folk miniatures on religion, love and loss, with guitars, banjo, clarinet and lap steel.