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In a new duo collaboration that defies conventions and background, Midori Takada and Jakob Bro took up residence in Tokyo’s Avaco Studios to record their first album, あなたに出会うまで / Until I Met You. The title, taken from a Midori Takada composition, refers to the spiritual bond that arises in every new friendship, whether in music or in life. Until I Met You is pure acoustic music, a tapestry of dreamlike compositions with beautiful melodies that sees ambient music icon Midori Takada on grand piano…
On Bivabippabualukka, Sofie Birch turns a spiritually transformative period with her brother Alfred into a bossa‑tinted pocket of joy: playful, childlike songs where intuition, myth and healing spill out like fish from a cup of dreams.
Original 1984 copy of self produced studio album from 1984. Recorded and mixed at Conny’s Studio. Insane instrumentation, expanding the boundaries of percussion. Michael Ranta is an american percussionist based in Cologne since early seventies. Known for his one off collaboration with Toshi Ichiyanagi, Takehisa Kosugi, live performances with Hartmut Geerken and his own improv group Wired. This one is a solo recording of Ranta playing Sha-tik, Mu-yu, Mok-eo, Mu-ban, Bamboo Tubes, Bungkaka, Tongat…
* 180g, double LP on Black Vinyl in gatefold sleeve* Remastered by Dierks/Flüchter. Walter Wegmüller (1937 - 2020) was a Swiss-Jenish artist who grew up in difficult circumstances in Bern. After training in Basel, Bern, Paris and London, he began his artistic career. In addition to painting and sculptural works, Walter Wegmüller occupied himself with the entire spectrum of art. He gained widespread international attention, especially from 1974 onwards, with the publication of his "Zigeuner Tarot…
I’ve not thought about Psychick Youth for a long time, the anti cult cult, but the reality is I had a great time and met a lot of good people, many of whom I’m still in touch with today. Left in the hands of others who just weren’t there, people jumped on the gravy train and ultimately failed to answer any questions. Failed books and failed documentaries followed, where the main priority seemed to be taking the money and hoping for the best, kinda sad really.
The press described it as: “Thee Tem…
Almost Starlight is the extraordinary new album by Jem Finer (hurdy-gurdy) and John Matthias (violin). Produced by Jay Auborn and recorded in a Medieval Church, deep in the Devon countryside, in the Summer of 2025, the music is suffused with light, heat and the natural acoustics of the space.
The album defies categorisation; forced to pigeon hole it the nearest approximation would be ‘modern-classical’ but this ignores its myriad influences and explorations which encompass inspiration from Arvo …
Swiss saxophonist Gilles Torrent may have been initially smitten by the sounds of US jazz giants like Coltrane, Shepp and Sanders, but as he’s developed and matured he’s cast his creative net much wider. After teaching himself the sax at 21 he spent the next 11 years studying the concepts and innovations of Coltrane before moving on to take the next logical step - exploring and soaking up the many styles music from around the world, and incorporating them into his Coltranesque vision of jazz.
A…
Some recordings can foreshadow the future in ways that are hard to grasp in the moment, and Teodros Makonnen With His Organ (Teodros Makonnen ከኦርጋኑ ጋር) is one of them. Known as Teddy Mak, Teodros Makonnen helped define the digital sound of Ethiopian music that emerged from the 1980s onward, not only as a keyboard player but also as a producer, songwriter, performer, and sound designer. Although electronic instruments and digital production are now taken for granted in Ethiopian music, the early …
On And the birds sang…, Larry Stabbins revisits two of his deepest musical friendships, paring everything down to duets with Keith Tippett and Louis Moholo‑Moholo, where tenderness, ferocity and crooked song coexist in fiercely alive, small‑room intensity.
"After Aktor and Quietism last year, the Scotsman is in top form, churning out albums that are stunning in their intelligence and pop refinement. If Mannequin is so good, it's for three main reasons. The first is that Momus has returned from his experiments that saw him playing around with AI or composing K-pop songs. We welcome with delight his return to the basics of a pure and perfect pop characterised by a certain economy of means, a DIY ethos — a synth-pop hodgepodge that suits him perfectl…
2026 Reissue. LP version. Originally issued in 1983, Midori Takada's debut LP Through The Looking Glass has long remained one of the most coveted artifacts to emerge from the fertile soil of 1980s Japanese experimental avant-garde. A near-perfect work - a window into the unquestionable singularity of its era and geography. For many record collectors, this is the great holy grail, the unobtainable gem. Its reemergence has been long awaited.
For Japanese experimental avant-garde musicians, the 198…
A Colourful Storm's Fleetway Tapes series follows classic entries from Time Is Away, Vladimir Ivkovic, Felix K, Young Sparks and others with a heart-stopping selection put together by Berlin-based film journo Florence Scott-Anderton, a fathoms-deep, laser-focused mix that doesn't come around often, engulfing high-art/low-culture TV samples with a series of cues excavated from film - think of it as a sort of Blockbuster Video nostalgia-tinted answer to Time Is Away's flawless thematic mixes.
Broken Flag was never only a noise label. Never Say When, the compilation Gary Mundy assembled in 1987 as the imprint neared its end, is the evidence: ten tracks mapping a network that ran from Croydon to Udine, almost none of them behaving the way the label's reputation would predict.
Mundy founded Broken Flag in 1982, out of a bedroom in South London, alongside his own project Ramleh. Across the decade it issued early work by The New Blockaders, Consumer Electronics, Skullflower, Maurizio Bian…
Modern Apartments arrive on Dark Entries, with Light on Water, an LP featuring 8 cuts of instrumental cosmic-kosmische analog synth workouts. Modern Apartments is Ryan Ambridge, the musician and producer best known for his work with dark synth projects Linea Aspera and Lust Pattern. While both of those outlets lean towards the greyscale and robotic, Ambridge wanted to explore a more colorful palette with Modern Apartments, a livelier, looser sound.
The medium of film plays a major role here; Amb…
On Barker Final, Ivan The Tolerable closes the door on 1a Barker Road with a set of songs conceived, performed and mastered entirely by Oli Heffernan. The album feels like a final dispatch from a long‑running home studio, where restless experiments in tone and texture are distilled into a focused, late‑night farewell.
Bo Harwood (1946–2022) was one of those behind-the-scenes figures of American independent cinema: a self-taught musician, composer, sound editor, sound mixer and songwriter.
Harwood started out as the lead singer and guitarist of a Southern California rock band before a chance meeting with John Cassavetes changed the course of his career. He scored his first feature, The Bach Train, in 1969, and later joined Husbands as an inexperienced assistant in the editing room. He gradually became Cassavet…
On Testing the Waters, crys cole follows water through five electroacoustic chapters of drift, friction and slow transformation. Field recordings, instruments and electronics seep into one another, forming a 2023 WDR 3 commission where trickles, resonances and submerged textures continually retune the ear, making movement feel tactile, uncertain and quietly alive.
Loveland Music presents 8, a studio recording featuring an all-star ensemble of Jakob Bro, Brian Blade, Craig Taborn, Chris Cheek, Jesper Zeuthen, Anders Christensen, Larry Grenadier & Marcus Gilmore, playing compositions by Paul Motian and Jakob Bro. The album was recorded in a single session at New York's Power Station with engineer James Farber, following a week-long residency at the Village Vanguard.
"Danish guitarist and composer Jakob Bro is celebrated for his pure reflective expression a…
Huge Tip! “Sacred Aeolian music capturing and harnessing the divine power of the wind”. Aeolian Harp is somewhere between a string instrument and a receiver. Its strings are agitated by the wind without any human interference, producing tones entirely of its own volition. Archer toured the British Isles setting up his harp in various sacred and loosely mystical locations. Where he let the Devaharp transmit an otherwise unknown sacred music that has always existed around us.
Listening to the natu…
Taking a slight deviation from the widely celebrated path through experimental sounds that has largely defined their efforts over the years, the venerable Sub Rosa returns with rare and essential dive into the world of ethnomusicology with ‘Ethiopian Musics 1971’, their third release dedicated to the recordings of Ragnar Johnson and the second devoted to the groundbreaking recordings he made in Ethiopia with Ralph Harrisson during the summer of 1971. Belonging to a larger body of recordings dedi…