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The pioneering electronic composer Mort Garson (Mother Earth’s Plantasia) • takes on supernatural phenomena with lush synth grooves on The Unexplained, his only release under the name Ataraxia.
"Subtitled Electronic Musical Impressions of the Occult, the album explores tarot, astral projection, seances, and more with Garson’s signature Moog synthesizer serving as the listener’s tour guide to the paranormal. The exploratory, whimsical spirit of its creator is evident throughout the release, but i…
Big Tip! Xing presents the new LP OWsT by Elvin Brandhi, eighteenth release of XONG collection - artist records. The release is on white vinyl, in a limited and numbered edition of 150 copies, including a collector's edition of 20 copies, each featuring bespoke talismans, painted by the artist in squid ink, to be worn as patches or kept safe somewhere to ward off misanthropists.
OWsT is a vociferous attempt to Shout The Self Out. Elvin Brandhi, artist and poet propelled by constant nomadic ruptu…
Larrison’s Connecters Vol. 1: Original Recordings, 1992–1999 rescues a lone CZ‑5000 and one quietly obsessive mind from cassette oblivion, revealing 26 miniatures where lo‑fi space‑age pop, DIY synth craft and daydream cinema gently fold into each other.
Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it’s the first that consists exclusively of electric guitar duos and it’s the first that was recorded live. To me it feels very much like a live record; this music happened in crowded rooms in Brooklyn on two dates in 2025 and there’s an urgency to connect with others and a pleasure in doing so that can be heard on both of these tracks. On the first of our duo records (Arborvitae, 2003) I primari…
In a new duo collaboration that defies conventions and background, Midori Takada and Jakob Bro took up residence in Tokyo’s Avaco Studios to record their first album, あなたに出会うまで / Until I Met You. The title, taken from a Midori Takada composition, refers to the spiritual bond that arises in every new friendship, whether in music or in life. Until I Met You is pure acoustic music, a tapestry of dreamlike compositions with beautiful melodies that sees ambient music icon Midori Takada on grand piano…
Textures of belonging, relentlessly woven into the epigenetics, layer upon layer, building palimpsests of human existence that are both fragile and resilient, with nothing but a wobbly strand of DNA. The way our grandparents' experiences spill across our systems, the way their grandparents’ experiences formed them in the first place, like a busy cityscape humming in the background, keeping the flow, making things operate, and despite their physical peril, hearts still flicker and divulge poetry …
On Trio, Lowell Davidson explodes the piano tradition from the inside out, trading clustered storms, sudden lyric breaks and pregnant silence with Gary Peacock and Milford Graves in a one‑off 1965 session that still feels dangerously new.
Riding an incredible high, Sound3 Co.’s groundbreaking “The Beginning of Japanese Electroacoustic” series returns with its 15th and most ambitious release to date: “Gaku-No-Michi Material”, an astounding 5CD set, presenting the French composer Jean-Claude Eloy’s legendary, monumental electroacoustic work - recorded in Japan between 1977 and 1978 - “Gaku-No-Michi” in a revelatory new way. Comprising 22 tracks, each representing an individual reel of the materials used by Eloy when performing the …
This bundle includes the following albums:Piero Umiliani "La ragazza dalla pelle di luna" (LP, 1972)Piero Umiliani "La ragazza fuoristrada" (LP, 1973)Piero Umiliani "Il corpo" (LP, 1974)Piero Umiliani "Psichedelica" (LP, 1968)The Braen's Machine "Underground" (LP, 1971)
Few composers captured the eclectic beauty of Italy’s golden age of soundtracks like Piero Umiliani. A master of mood, texture, and subtext, Umiliani created a vast discography that blurred the lines between jazz, lounge, funk, p…
Masahiko Togashi was a pivotal figure in the development of the Japanese free jazz scene in late 60s. Percussionist and composer, he lost the use of the legs in an accident which nevertheless didn’t not prevent him from continuing an astonishing career that includes long and established collaborations with figures of the likes of Steve Lacy, Charlie Haden, Mal Waldron and Paul Bley. This session, recorded in Paris at the Ramèse Studio Du Village in 1979, sees an explosive collaboration by the t…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Late 80's original copies of the Ateliers de Musique Êlectroacoustique (Studios for Electroacoustic Music) program, designed by Jacques Lejeune himself, and ealized in conjunction with Groupe de Recherches Musicales (GRM). 24-page book, large size, with original texts in French, many pictures, list of works and so on
*Limited edition of 300 copies.* Directed by Patrice Romme, The Devil's Nightmare was an Italian-Belgian production and featured main performers Jean Servais alongside a sensual Erika Blanc; also worthy of note is the disturbing presence of the graceful and filiform silhouette of Daniel Emilfork in the role of Satan. The film's components are typical of the Euro-horror genre of the time: a Gothic castle, eroticism, and bloody murders...all in a spectral and dense photograph.
It is the music of M…
On Oakland Coliseum, May 9, 1977, Pink Floyd deliver a legendary "In The Flesh" tour performance, working through Animals and Wish You Were Here before closing with "Careful With That Axe, Eugene" - the last time the band would ever play the explosive 1968 rarity together.
Temporary Super Offer! English singer-songwriter Bridget St. John grew up in a musical family in Surrey, beginning on piano, viola and trumpet before picking up the guitar in high school. In the late 1960s she met the brilliant John Martyn who quickly became a fan and brought her music to a larger audience, which included the legendary DJ John Peel, for whose label Dandelion St. John recorded her first three albums.
Jumble Queen, St. John’s fourth album, was originally released in 1974 on Chrys…