Best sellers
Overhang-Party (A Memorial To Kaoru Abe)
Tip! *2025 stock* Reissue of the landmark free jazz album "Overhang-Party (A Memorial To Kaoru Abe)" by the visionary Abe-Toyozumi Duo. Originally recorded in Tokyo in August 1978 and released in 1979, this historic release stands as a breathtaking testament to the artistry and legacy of legendary Japanese saxophonist Kaoru Abe, with dynamic support from renowned percussionist Sabu (Yoshisaburo) Toyozumi.
"Overhang-Party" captures the electrifying chemistry between Abe and Toyozumi, two leading …
Issue 123: Cluster (Magazine + 7" White)
You probably don't need us to translate ELEKTRONISCHES DEUTSCHLAND for you. But to expand on that a little, we're heading back to the 1970s and a country then known as West Germany for this month's Electronic Sound cover story. We're bundling the issue with an exclusive orange vinyl seven-inch by kosmische pioneers Cluster too.
Our cover image is based on the artwork of the debut album from Harmonia, krautrock's first supergroup, and you will find five connected articles inside the magazine, inc…
Archipel 4 (LP)
Four versions of the 1970 piano piece performed by Catherine Collard and released on Philips' "Modern Music Series" in 1972.
Alle Sorgenti Delle Civiltà - Vol. 3 - Africa - Australia - Nuova Zelanda
Black Vinyl. Two giants of Italian library music. Two continents. Fourteen tracks of tribal, ritualistic sound. Musica Per Immagini presents the first-ever vinyl reissue of Alle Sorgenti Delle Civiltà Vol. 3, the final chapter of the legendary Folkmusic triptych originally released in 1971.
Somewhere between the editing suites of Cinecittà and the ethnographic archives of a parallel universe RAI documentary department, two of Italy's most prolific sonic chameleons shed their studio pseudonyms li…
Contes Sentimentaux (4CD)
11 wonderful sentimental tales produced by the Ferrari's for SWK Radio between 1989 and 1994 based on several of Luc's compositions, released as an essential 4CD box set by Shiin in 2013.
Die On Me
Originally released on CD in 2002, this LP features archival recordings dating back to 1959 alongside recordings made by Hal Willner in January 2001 (Jan 7th - 10th). For the fi rst time ever on vinyl, `Die On Me' has been re-mastered & newly edited by Kramer. Within this historic collection are the last voice recordings of the legendary Beat poet Gregory Corso. Intimate and raw, he muses on his life in conversation with friends Allen Ginsberg, Marianne Faithfull, and the legendary Chicago write…
Tebugo
"This is special for me. Evan Parker and Paul Rogers have given their permission for this release. I asked Evan if he would write some notes but he wants me to do it – my memory of the gig. That was 33 years ago (1992), so I don’t remember much. It was at the old Vortex on Stoke Newington Church Street; I must have been sitting with Candy on a little table in front of the low stage. A Marantz cassette recorder in front of me and a cheap mic stand with a single stereo mic in front of that. The ma…
Autechre Guitar
This record shouldn’t, strictly speaking, be possible at all.
So Far
Wümme, Lower Saxony. 1972. A converted schoolhouse. Inside: a tangle of cables, reel-to-reel machines, custom electronics soldered together by hands that refused manuals. This was not a professional recording studio. This was Faust's laboratory—and So Far was the experiment that proved you could rewire rock music's circuitry without killing the patient. Six months earlier, Faust had released their self-titled debut—a savage dismantling of what a rock album could be. Tape edits sliced through son…
Involucri Policromatici
*2025 stock. 300 copies limited edition* Three generations of Italian industrial music converge in Involucri Policromatici, where legendary pioneer Maurizio Bianchi (MB) joins forces with Mulo Muto and Icydawn. The title, translating to "Polychromatic Envelopes," suggests the layered, prismatic approach to sound construction employed throughout this collaborative work.
Bianchi's historical weight as one of industrial music's founding fathers adds gravitas to the younger artists' contributions, w…
Mare's Tail
In 1969 both Anthony Moore and David Larcher were at the start of their respective careers and both were inspired by the ideas of the avant garde and the new technologies becoming available to them. David experimented with the various techniques being explored in the medium of film making and Anthony tested the limits of what could be done with tape recorders. It was an open and co-operative exploration. The results of their first collaboration was the film Mare’s Tail - an unusually long 2:30 h…
Maggots On The Cliffside
Two names. Four decades of uncompromising noise. One collision. Genocide Organ - the masked Mannheim collective who have defined the outer limits of power electronics since 1985, founders of the legendary Tesco Organisation, architects of Leichenlinie and Save Our Slaves - meet Prurient, the Wisconsin-born, New York-forged vessel of Dominick Fernow, the man who built Hospital Productions from a teenager's bedroom label into the most influential noise imprint of the 21st century.
This is not thei…
To Blue From Grey in May
Misha Panfilov, the Estonian composer whose name has become synonymous with space-age exotica and cinematic soundscapes, withdraws once more into the solitude of his studio and emerges with To Blue From Grey In May – a profound meditation on sound, time, and seasonal transformation. Recorded amid the ever-changing light and shadows of Tallinn between March and May 2025, this new album stands as a testament to complete immersion in the creative process. Here, Panfilov threads himself into the ver…
Electronic Mind Waves
In the summer of 1976, a peculiar album appeared in Italian record shops bearing no artist name - only the cryptic moniker Elektriktus. The music posed a question that wouldn't be answered for decades: who had created this hybrid of jazz sensibility and kosmische synthesis? The answer was hiding in plain sight. Andrea Centazzo - recognized figure in European free improvisation who had shared stages with Steve Lacy, Evan Parker, and Derek Bailey - had been leading a double life between touring wi…
Doo Dah Nean
A bizarrely entrancing jewel from the depths of the Japanese underground, Doo Dah Nean was originally released in small run of hand assembled cassettes by the La Musica label in the late 90’s. The album is the sole release and evidence of Nean, an entirely under-the-radar trio that crossed the sensual, disassociated female vocals of Japanese iroke kayōkyoku music with off-balance shamanic rhythm and echoing electronic rumble. Nean were the trio of Yui on bass and electronics, Naoko on voice, and…
Vol. IV: Casting Lines - A Museum Of Memory
Sixteen(!) years after Vol. III - A Hand Full of Days, B’ee returns with the long-awaited next chapter - Vol. IV: Casting Lines - A Museum of Memory.
Give the Vibes Some
Philadelphia vibraphonist Khan Jamal's 1974 Palm masterpiece receives its first proper reissue. Recorded during Parisian exile, this exploratory album showcases revolutionary vibraphone techniques across four essential tracks - a crucial document of jazz's global underground network.
Inner Urge
** Special Time-Limited Offer ** Inner Urge finds Joe Henderson pushing his quartet – McCoy Tyner (piano), Bob Cranshaw (bass), and Elvin Jones (drums) – into more intense and complex territory. The title track’s driving rhythm and restless harmonic motion set the tone for a session where the stakes feel higher and the edges a bit sharper. Henderson probes motifs, worrying them from different angles, unafraid of jagged contours or sudden leaps. Tyner’s dense voicings and rolling left hand, Crans…
At The "Golden Circle" Stockholm - Volume One
** Special Time-Limited Offer ** The first volume of At the “Golden Circle”, Stockholm places Ornette Coleman’s alto saxophone in front of his stripped‑down trio with David Izenzon on bass and Charles Moffett on drums, in a snowy club where the microphones catch every spark. Free of a chording instrument, the group moves with startling elasticity: themes flash by and dissolve into collective improvisation where roles are fluid. Coleman’s tone is both keening and tender, capable of slicing throug…
At The "Golden Circle" Stockholm - Volume Two
** Special Time-Limited Offer ** Volume 2 of At the “Golden Circle” finds Ornette Coleman, David Izenzon, and Charles Moffett pushing even further into the freedoms opened the night before. The pieces feel more expansive, the silences more charged, the interactions even bolder. Coleman’s improvisations unfold like stories without fixed endings, full of sudden turns that never break the underlying logic. Izenzon’s bass veers between bowed cries and elastic walking; Moffett’s drums slip from polyr…