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*2024 stock* Rainforest Spiritual Enslavement is the ambient techno project of Dominick Fernow. Focusing on slow paced bass studies and synthetic dub textures, surrounded by collaged and looped field recording environments, RSE shrouds sound over image to target the sector of brain where fear supersedes rationality -- the imagination. As RSE appears live for the first time, it has transformed into an entity with rotating contributors on stage and on recording. Ambient Black Magic moves away from…
180 gram Vinyl Edition. Gatefold Cover. The fourth album as a leader by spiritual jazz saxophone titan Pharoah Sanders, Jewels of Thought was released in 1969. It Consist of two extended tracks, one of which had to be divided into two parts in order to fit onto the LP. Sanders was incrediblt active in 1969, recording lo less than four albums and releasing three. The band on Jewels of Thought includes several major stars, among them Idris Muhammad, Roy Haynes, Richards Davis, Cecil McBee, Leon Th…
Double LP version. Rainforest Spiritual Enslavement surprise album just in time before the migration to cooler waters. Grown in the shade of the glacier. Killer Whale Atmospheres is a future-memory affair of sub bass propulsive drones, rhythms, chords and dorsal scars building to a forbidding sense of cold echolocations yet to come through the violent procession of darkening rains. Black vinyl double LP in wide spine sleeve. Digital download code included.
2026 stock, reduced price. Trumpeter Bill Dixon and pianist Cecil Taylor, friends going back to their Truman-era school days, associated copiously in nearly every artistic fashion -- except making music together. Duets is their only meeting in studio apart from both artists appearing on Taylor's 1966 landmark Blue Note LP, Conquistador. In 1992 they made the briefest summer festival tour to Italy and France, budgeting in two additional days for this recording session. That musical output was pre…
Sweden's advanced free jazz piano trio Correction (Sebastian Bergstrom on piano, Joacim Hyberg on bass, and Emil Astrand-Melin on drums) are met by fellow Swede, baritone saxophonist Mats Gustafsson, for a stunning album ranging from abstract to hard blowing improv."In Gaito Gazdanov's marvelous novel "The Spectre of Alexander Wolf" there is a crucial scene in which the narrator contemplates his future lover Jelena Nikolajewna and wonders about her disharmonic physiognomy which he considers as a…
A searing document of C.C.C.C.’s indelible live performance at Wilkins School Community Center on October 11, 1992, Community Center Cyber Crash/Live In Pittsburgh voyages into an abyss of scorching sound featuring the lineup of Mayuko Hino (electronics, voice), Hiroshi Hasegawa (synthesizer, voice), and Fumio Kosakai (electronics, tapes). Originally released as a vinyl LP in 1993 that helped cement the ensemble’s legacy and influence, the album has been meticulously remastered in 2023 by John W…
*300 copies limited edition* Recital is proud to present an artists’ record from the two giants Richard Hamilton and Dieter Roth. Hamilton (1922-2011) is revered as the father of British Pop Art as both theorist and practitioner, in addition to famously designing the artwork for The Beatles’ White Album. Dieter Roth (1930-1998) was a Swiss German artist who blithely ignored all artistic boundaries and aesthetic dictums. His oeuvre includes hundreds of artist books, almost half a thousand prints,…
Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Minimalism in musical content, compensated by spooky and ice-cold vocals that will haunt you. Macabre enchantresses will seduce you and take you to their ghastly realm. Hear gods cry and angels fall. Listen to horror and beauty. Let Aghast bewitch you! …
On Mocomono, Hifiklub & Alain Johannes turn a two‑decade friendship into a glowing, slow‑burn suite: guitars, textures and voices dissolving into an ambient rock vapor where the Toulon collective’s restlessness meets Johannes’ desert‑honed lyricism.
Italian duo Dressel Amorosi - Valerio Lombardozzi (aka Heinrich Dressel) on keyboards, synths and programming, and Federico Amorosi on bass - return with House of Dolls, their third studio album following Deathmetha (Giallo Disco, 2018) and Spectrum (Four Flies, 2023).
The project stems from the meeting of two musicians deeply rooted in Italian soundtrack history. Lombardozzi is a key figure in Rome's synth scene, with releases on labels such as Mannequin, Bordello A Parigi, Lunar Disko and Gial…
Editions Mego welcomes KMRU back to the fold. Kin is Kenyan born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with…
Having listened to this disk 20 or so times over the past week, I have been struck time and again by the gently naif quality of Dan Beckman-Moon's songwriting. I keep thinking of Neil Young's earliest solo tunes, particularly 'Sugar Mountain,' as a sort of spiritual touchstone, although truthfully the music doesn't really sound anything like that. Still, the emotional core of the material has a similar sweetness and simplicity, while managing to steer clear of mawkishness with a nimble delicacy …
Hot on the heels of Old Friends, New Friends comes Old And New Dreams, an operation meant as a new flagship for Ornette Coleman, whose lack of enthusiasm for the project left a gap duly filled by Dewey Redman. The result is this delightful excursion into post-bop outlands that sounds as alive as ever. Two Coleman pieces comprise nearly half of its duration—which is saying much, for like many of ECM’s joints of the 70s, this one breezes by in under 50 minutes. The first Coleman piece, “Lonely Wom…
Angus MacLise, the first drummer for the Velvet Underground, was a poet, composer, and a member of The Theatre of Eternal Music alongside La Monte Young. The "Tapes" 3CD Box is the first-ever reissue of a 3-cassette compilation that Pleasure Editions originally released in 2015, limited to only 100 copies. The 3CD box set comes with a miniature poster and track lists, and each CD has a paper sleeve that reproduces the original cassette card artwork.
This comprehensive 3CD box set is over three …
On The Shout, Rupert Hine turns a psychological horror into a study of sound itself, fusing electroacoustic experiment, synth eeriness and musique concrète into a score that feels as invasive as the film’s infamous, landscape-shattering scream.
On Land, Deep Earth Network (composer Danny Hammond) stretches field recordings, shack instruments and spoken-word fragments into a slowly mutating earth‑drone, half sound meditation and half psychedelic nature ritual that feels both intimate and vast.
Us by Byard Lancaster is a vibrant suite of improvisations driven by searching melodic motifs and propulsive rhythms. In a compact yet dynamic trio format, Lancaster’s alto saxophone and flute navigate territory mapped equally by jazz tradition and the pursuit of abstraction, making the album a crucial benchmark for fans of adventurous 1970s jazz.
Tip! Edition of 250. It is absolutely appropriate the second volume of Wednesday Knudsen’s Soft Focus suite appears as spring finally begins to take hold. Like the brilliant first section of this work (the whole of which was initially released on CD), the music here is a celebration of shimmering sunlight and the awakening of nature’s tonal brilliance. But where the first LP focused on more bite-sized pieces of work, this one envisions and documents instrumental horizons that are ever expanding.…
Mysterious, dramatic and alluring, Luminessence comes from a peak period in the creative association between Keith Jarrett and Jan Garbarek, recorded in 1974, immediately after their vibrant Belonging album. Here, Jarrett creates shimmering orchestral frameworks to spur Garbarek to some of his most concentrated, impassioned and expressive playing. “The melodies that Jarrett writes sound like Garbarek improvisations, so great is the rapport between the two men,” wrote Ian Carr in his Keith Jarre…