Best sellers
Vida
On Vida, Chico Buarque folds everyday scenes, political undercurrents and bruised intimacy into a suite of songs where conversational melodies and sly, shifting harmonies turn ordinary lives into quietly explosive dramas.
Complete Studio Recordings
Overhang Party is criminally overlooked. From the heavily psychedelic noise-rock of their first album to the piano-rock anthems of 4, Overhang Party was somehow impossibly consistent and seamless. This box set flows as an even, open document of this fearless and inventive Japanese rock group. For a quick reference of the sonic distances this group has traveled (and the skills they possess) stream Bass Oscillations from the first record and then skip straight to Kizashi on 4.
The Complete Studio …
Symbols
*300 copies limited edition* Once mainly something that existed in a live setting, the group drifts further into its own orbit with a second collection of songs. What began as a collaboration between two voices now expands with the presence of a third, adding new layers that sometimes verge on something almost familiar. The work continues to explore a method that feels less like collecting from the outside and more like rearranging from within. Fragments are taken apart and reassembled: rhythms,…
Match / Soliloque 1&4 / Antifonia
Nicolae Brînduş's Match / Soliloque 1&4 / Antifonia reissues the composer’s most eccentric works from the PHTORA cycle (1968-1972), blending collective improvisation, spectral tradition, Romanian folklore, and free jazz into a mesmerizing tapestry. Tape manipulations and reverberation add depth, while Ana Golici’s sleeve art captures the album’s vivid sensibility.
So It Goes...
*2025 stock* "Barry Guy and I first met and played together in a version of the Spontaneous Music Ensemble in the days of the legendary Little Theatre Club. The late John Stevens, visionary prophet of the coming music was the key figure at the centre of things who brought us together. “So it goes“ – John often used this figure of speech.
I was reminded of this when I was looking through Samuel Beckett’s Collected Letters, hoping to glean some titles, knowing that Barry would be happy with a Beck…
I know You Are But What Am I?
At the tail end of 1996, saxophonist Mars Williams and drummer Hamid Drake took the tall corner stage at Chicago's Empty Bottle for two sets of duets. The rock club had just started a weekly Jazz & Improvised Music Series, curated by Ken Vandemark and John Corbett, which would run for nearly a decade. This rare pairing brought together two pivotal figures in the city's creative music scene, both of whom had extensive experience in diverse areas of music, from the free jazz focus of this intimate…
Four Spheres
On this maiden recording, Chicago-based bassist Jason Roebke leads a new quartet, featuring his original compositions and a stellar lineup. The music, which was brilliantly recorded at Steve Albini's legendary Electrical Audio and expertly mixed and mastered by Alex Inglizian at Experimental Sound Studio, is performed by veteran reed player Edward Wilkerson Jr., whose own bands Eight Bold Souls and Shadow Vignettes were among the great ensembles of eighties/nineties Chicago, extending the AACM t…
11th Street Fire Suite
11th Street Fire Suite is a post-BAG (Black Artists Group) classic. An emotionally ranging set of blues-drenched duets by alto saxophonist Luther Thomas and flutist Luther C. Petty, it's one of the great documents of the St. Louis creative music diaspora, a wild ride through turbulent and beautiful terrain on a slab of vinyl that's as rare as hen's teeth in its original form. Relocated from their midwestern hometown to New York City, Thomas and Petty entered the studio in 1978 with a fellow musi…
Some Other Place
*2025 stock* "“We are the place in which we dwell.” In a universe such as improvised music where, particularly in an ensemble, chance plays some kind of role, Agustí Fernández and Barry Guy did not by chance name this opus Some Other Place, paradoxical as it may seem at first sight. Much rather, it is a deliberate plight to give to this composition a title that brings up the notion of otherness, which is markedly present in both their careers. Many areas were scoured, at times under the command …
Tetterettet
Originally recorded and released in 1977, the Instant Composers Pool's Tetterettet is the first classic of the band's larger incarnations. Assembled out of elements recorded live in Uithoorn, Utrecht, and the band's home base of Amsterdam, with Misha Mengelberg using a cut-and-paste collage method akin to Teo Macero's work with Miles Davis, the record features an all-star lineup that added three leading lights of free music: bassist Alan Silva and saxophonists John Tchicai and Peter Brötzmann. I…
Romancing The Music
Through the dense blend of Japanese New-Wave, set against a backdrop of moldy kimonos and punctured paper screens, Hip-See-Kid's mini-LP, Romancing The Music, emerges like a sonic bullet train, carving its way through the chaos of sound and emotion. Overflowing with purebred Punk-Funk, shards of Soul, and threads of shredded Jazz, this album is nothing short of a gold nugget in a sea of sadness.
Romancing The Music captures a unique fusion of genres, delivering an audacious auditory experience t…
Hogan, The Hawk And Dirty John Crown
Be with records unearths filthy '70s library funk gem: hogan, the hawk and dirty john crown makes long-awaited vinyl return.
On Fractured Ground / Skin Resonance
Gatefolf cover. Legendary New Zealand-born experimental composer and sound art pioneer Annea Lockwood returns to Black Truffle with On Fractured Ground / Skin Resonance, her third release for the label. Having recently celebrated her 85th birthday, Lockwood shows no sign of slowing down in her exploration of new sound sources and collaborations with an ever-growing intergenerational pool of performers – here with Vanessa Tomlinson. Her creative vibrancy is alive as ever on the two recent works p…
Mussolini ultimo atto
On Mussolini ultimo atto, Ennio Morricone turns the final days of Mussolini into tense, tragic chamber drama, fusing pared‑back orchestral writing, unnerving timbres and fragile lyricism into a score where history feels like a slow, inexorable noose tightening.
The Fall of Communism as Seen in Gay Pornography
William E. Jones's The Fall of Communism as Seen in Gay Pornography is the original soundtrack to the eponymous film, issued on a handmade, numbered seven-inch vinyl in a strictly limited edition of 100 copies. The release features new texts by Jones and Jarett Kobek, extending the film’s provocative exploration of political and sexual imagery into the medium of sound.
Glassworks
Philip Glass’s seminal 1982 album Glassworks remains one of the most influential and accessible works in contemporary classical and minimalist music, bridging the worlds of concert hall and popular listening with timeless elegance.
Originally conceived as a “Walkman‑suitable” work, Glassworks was designed for intimate, personal listening on cassette, with a special headphone‑oriented mix that brought listeners deep inside Glass’s intricate, pulsing sound world. The album’s six short, vividly con…
Harumi
Somewhere between 1967 and 1968, at the very nerve of the psychedelic era, Japanese singer and composer Harumi recorded in New York an album that today sounds like a lost manifesto of cosmopolitan psychedelic pop. Harumi is a rare example of delicate, almost fragile psychedelia - where Eastern melodic sensibility meets soft American folk-rock and the studio imagination of the late 1960s. Recorded with New York musicians, the album moves between dream-pop long before the term existed, baroque pop…
Images of Life
Images of Life is the career-spanning, 3xLP retrospective boxset illuminating the staggering breadth and depth of Detroit's unheralded songwriting genius, Ted Lucas. Disc one "Strange Mysterious Sounds (1965-1970)" highlights Ted's flirtation with psychedelic major label clout via his bands the Spike Drivers, the Misty Wizards and the Horny Toads. "Rainy Days (1970-1974)" will be the solo acoustic warmth and charm most familiar to folks already aware of Ted's self- titled "OM" album from 1975. "…
Synthesizing: Ten Ragas to a Disco Beat
On Synthesizing: Ten Ragas to a Disco Beat, Charanjit Singh folds centuries of Hindustani tradition into a three‑box Roland future, crafting a 1982 raga‑disco séance that would lie dormant for decades before being hailed as proto–acid house and a cornerstone of South Asian electronic modernity.
415 Steppsss to DingggDonggg Paradise
Huuuuge Tip! Edition of 200. Where the bells begin, everything else follows. Long before Charlemagne Palestine discovered the thick molasses sonority of the Bösendorfer piano, before the strumming technique that would define his maximalist-minimalist vision, there were bells. Colossal carillon bells in the tower of St. Thomas Church on Fifth Avenue in New York, where a teenage Palestine hammered hymns into the Manhattan sky before spending hours lost in spectral improvisations that drew Moondog,…