Best sellers
Embrace 3: Magnetron / Quarz / Obsidian
On Embrace 3: Magnetron/Quarz/Obsidian, Polwechsel with Andrea Neumann turn acousmatic tape, simulated multitracks and graphic notation into an intricate laboratory of cause and effect, where elevator doors, room ghosts and painstakingly negotiated scores yield two of their most conceptually precise and sonically uncanny works.
Embrace 2: Chains and Grain
On Embrace 2: Chains and Grain, Polwechsel distil their chamber‑improv logic into a score grown from their own playing: a tense, breathing matrix of repeated figures, frayed textures and in‑the‑moment reactions that is rebuilt afresh every time it’s performed.
Electric Voyeur / Moonlight, Again
*300 copies limited edition* Big Blood, the intrepid voyagers into the outer reaches of hallucinatory noise-rock and eclectic freakadelia opt for a new path along the circuit board of creativity. Electric Voyeur was made by applying strict limitations using home-made electronic instruments and voice alone. The result is an album that is as trippy as it is devotional in its exquisite craftsmanship. The glorious scent of solder and silicon wafts all over this music. Crafted over the course of ten …
Late Autumn Sunshine
Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection - a rediscovery of autumnal warmth and luminous craft.
Harafuri
If punk culture and aesthetics ever had a poet, it would undoubtedly be Kō Machida. Best known as the visionary frontman of the pioneering punk band INU and later acclaimed as a novelist, essayist, and professor, Machida has built a career at the intersection of raw musical energy and razor-sharp literary craftsmanship. Eleven years after the groundbreaking 1981 masterpiece INU – Meshi Kuuna!, Machida returned with a new creative chapter: the album *Harafuri*. This record marked a significant ev…
Berceuses des Deux Mondes
"As our ears wander into the cacophony of a saturated world, drowned by the dissonance and excess of noise that besieges us, Rien Virgule invites us to explore sonic interstices, to slow down and resist the frenzy. With ‘Berceuses des deux mondes’ (‘Lullabies of the two worlds’), the deafening fires of the din are extinguished, the volume of the over-amplified world calms down, and music becomes a refuge. We listen as we contemplate a flickering candle flame, tinged with a luminous melancholy. T…
Love Is A Many Splendored Thing
Originally released in 1974, this album features Kunihiko Sugano, often referred to as a piano magician, who is the sole leader remaining in TBM following the 5 Days in Jazz concert recordings sponsored by TBM. Echoes of Erroll Garner's "Genius Kuni" can be felt throughout the music.
Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been exper…
A Cloud of Light
‘A Cloud Of Light’ is the fourth album in the David Jackman / Organum Electronics release series on Die Stadt, and the first under his own name. The work sees him returning to calmer fields of sound which could already be heard on the acclaimed D. Jackman ‘Herbstsonne’ (DS119) from 2019, and the following Jackman ‘Silence In That Time’ (DS123) from 2020. Again the sounds of Tampura, Organ, Piano, Bells and Crows are the chosen sound sources, overlaid and structured to form a tapestry of shifting…
Glamour Girl 1941
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Radio Silence
With This Kind Of Punishment, Graeme Jefferies and Peter Jefferies produced some of most adept DIY sounds to emerge from New Zealand's 1980s post-punk scene. After their phenomenal self-titled debut and classic A Beard Of Bees, the brothers would make one last album together, In The Same Room. Originally released in 1987 on Flying Nun, In The Same Room is perhaps the straightest rock offering in TKP's esteemed catalogue. Opening track "Immigration Song" expertly pairs jagged guitars with wrathf…
Homotopy To Marie
'Homotopy To Marie' is the fifth album by Nurse With Wound, originally released on United Dairies in 1982. The album is a step on from the Dadaist rock of 'Merzbild Schwet', with much use of tape manipulation and classical avant-garde techniques, using keywords including unsettling, volatile, eerie and nocturnal to describe the feel of the album which combined tape edits with resonating gong tones and disembodied children's voices to create a sonic collage far removed from the harsh improvisatio…
Die Hennen Zähne
**Edition of 600** A four track mini CD combining the never released two 10 inch's Maus (DS57) and Die Hennen Zähne (DS66). Die Hennen Zähne opens with Die Kralle actually a David Jackman track from his archive recorded in the early 1980's. Next is the title track Die Hennen Zähne, a joyful noise not unlike some of the TNB/Organum material incl. the sound of broken glass and tibetan horns, best to be experienced loud. Maus is the centre piece of this mini album and typical old school Organum. Th…
Hyperrealist Music, 2011-2015
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
Yo-In (1980)
First world publication for the seminal Yo-In (1980) an electro-acoustic work produced in Japan and revisited by the Museum of Modern Art of the City of Paris in 1981. “Sound Theater for an imaginary rite”. Yo-Inleads to a sort of “celebration-ritualization of the day of man on Earth”.Jean-Claude Eloy discovered the meaning of Yo-In by going deeper into the culture of Japan where he had been invited by Toru Takemitsu in 1970: “Yo-In, echo, rhyme, resonance, psychic reverberation”. Karheinz Stock…
Live Non-Plus Ultra
On Live Non-Plus Ultra, Strain of Laws—the duo of Aaron Hemphill and John Wiese—drag voice and electronics through a pressure system of sub‑bass, hiss and mumbled fragments, documenting their 2025 LA set as a single, slowly suffocating industrial hallucination.
Orphée Aux Enfers
*2024 stock* Orphée Aux Enfers is a comic operetta and satirical treatment of the ancient Greek myth of Orpheus by French composer Jacques Offenbach. The classic story of Orpheus concerns a renowned musician who is so distraught over the death of his wife, Eurydice, that he attempts to rescue her from the Underworld, the place of the dead. It’s a myth of enduring love between Orpheus and Eurydice that has inspired artists, writers and composers such as Günter Schlienz.
El Greco
Quartet Records, in collaboration with GDM and Universal Music Publishing, presents a remastered reissue of one of Ennio Morricone’s most celebrated collaborations with Luciano Salce, with whom Morricone maintained a loyal collaboration at the beginning of his career, from Il Federale, his very first film score, through La Cuccagna, Slalom and Come Imparai ad Amare le Donne. El Greco (1966) is a romantic drama set in 16th-century Spain, where the famed Greek painter El Greco journeys to Toledo t…
Tokyo Violenta (The Western Police Chapter)
The third volume of Tokyo Violenta, the amazing compilation dedicated to 70s Japanese rare grooves.
Sidiroun Parapetasma
“Sidiroun Parapetasma” is MMMΔ’s 14th release to date. The band is leaving -temporarily- behind the slow hypnotic beat experimentation of Nomenklatura and releases a powerful, majestic album of four tracks, a “clin d'œil” at the bootlegging practices of copying music to analogue tape and discarded X-rays in the Soviet era.
The music is heavy, monolithic and massive, filled with rhythmic explosions, repetitive motifs, ethereal synths and harsh atmospheric vocals or hidden screams that harmonize…
Triple Cool Hang
On Triple Cool Hang, Family Underground turn two decades of haze into a single spool of time, threading freezing‑church jams, Brooklyn collaborations, and after‑hours Copenhagen séances into deep, slow‑burning cuts that hum with tape hiss and lived‑in drone.