Best sellers
Bidule 2.0
On Bidule 2.0, eRikm tunnels into a cache of unheard Pierre Henry tapes, feeding analog “sound objects” from 1950–1974 through his custom digital apparatus to forge a dense, flickering work where early musique concrète and present‑tense signal processing fold into one another.
Observations
On Observations, eRikm and Pierre Bastien stage a tightly focused encounter between hacked turntables and mechanical orchestra, sculpting trance‑like, Dubuffet‑dirty rhythms and razor‑sharp details from one hyper‑attentive night in Brussels.
Recordings 1980-1981
On Recordings 1980–1981, Those Little Aliens / This Little Alien bottle the moment when punk’s “anyone can do it” collides with cheap synths, mail‑art cassettes and Throbbing Gristle shock, turning a Leeds bedroom into a crackling, homespun laboratory.
1980-1985
Music has a time and a place. Early 80's post punk eclecticism gave rise to an independence of mind and spirit which opened doors to infinite possibilities. No longer confined by the strait jacket of major labels and imbued with the confidence and imagination of a new era new sounds appeared. The spirit of punk engaged with an aspiration for a wider musical vision and a willingness to experiment with sound. The era of home made cassette music allowed people to share and copy - and more importan…
Last Live 1983
Double LP ltd to 300, black vinyl, 3 color (silver, dark blue & black) silkscreened jacket with obi (dark blue or paver red), with Miyanishi Keizo notes in French, English and Japanese, lyrics in Japanese and English and a postcard. Onna Last Live 1983 includes the final performance by the original line-up of Onna, the psych-rock project of revered Japanese manga artist, Keizo Miyanishi. Onna's legend has largely rested, until now, on one self-released and self-titled seven-inch from 1983. Reiss…
Minimalistic Ethio 80’s and 90’s from Audiotapes የሐር ሽረሪት
On Minimalistic ethio 80’s and 90’s from audiotapes የሐር ሽረሪት, DJ Mitmitta threads together lo‑fi synth jams and cassette‑era instrumentals from unsung Ethiopian bands, where battered Casios and drum machines sketch hypnotic, pastel‑toned echoes of wedding halls and roadside bars.
A Thousand Breathing Forms
On A Thousand Breathing Forms, Steve Roden’s 2003–2008 archive blooms across six discs of loop‑based miniatures, conceptual structures and quietly lyrical instrumentals, charting a mid‑period where lowercase intimacy, rigor and melody fuse into one breathing organism.
Hubris
** 2026 Repress ** First released in 2016 and long out of print, Hubris has come to feel like a pivot in Oren Ambarchi’s catalogue - the moment when his fascination with groove, repetition and ensemble friction finally detonated into something both overwhelming and weirdly precise. This new edition gives that record the sonic treatment it always deserved. Working from the original mixes, mastering engineer Joe Talia revisits the album with what can only be called forensic care, teasing out layer…
Rejoining
Before history will be made by machines, British musician Thomas Bush sends a new humane record. DIY chamber music, for the Kashual, no Plastik. Ten curious arrangements, looking for new horizons, those hiding behind the previous. They are short, they are epic. A great beautiful mess, in which Thomas Bush occasionally sings and speaks in veiled pitch. On hallucinated rhythms. Along the guitar, that’s everywhere. As chord. As melody. As sound. As a sliding desert stoner. Droning, zoning. Keeping …
Operating on specific cues / Early Works 1982-86
Lelu/Lu's were an early to late 80's electronic/synth-based project based around Deni (in the early 80's known as Yo-Yo and nowadays known as Timekode). In 1985 they released a fantastic 12 song tape on Unlikely Records (URT91) called "Operating on Specific Cues" which forms the basis of this 25 track 2 LP compilation release. While the tape is still rather unknown to fans of synth music, the three 7"s released from 1985-87 (on Alain Neffe's Insane Music as well as Possum and R&D Records), with …
Fundus
*2026 repress. 300 copies limited edition* After serving for years as a sought-after harpist in various constellations and genres, Laura De Jongh now shares with us an intimate insight of what sounds like the Third Space of her daily, rooted life as a music teacher and mother of two offsprings, where she composes meandering miniatures free of ego, validation and urge.
With references to New Age, ambient and the proximity of field recordings, Laura De Jongh teaches us that music doesn't need to g…
Trees without Leaves
Paul Nova entered the British minimal synth scene in 1980 as part of Bizarre Unit, the project that produced the single Dancing / Away from the Screaming Car (1981), the lone Bizarre Unit 7" that immediately became one of the most sought-after artefacts of the early UK minimal wave movement. In 1982, working alone, he founded his own Exhibit One Records and over the next three years released four vinyl records: two 7"s, a 12", and the LP Trees Without Leaves (1984). All four are now practically …
Fluorochrome
On Fluorochrome, Sara Ayers turns a tiny kitchen studio into a prism for synth‑pop, ambient and art‑song, layering her own voice and machines into intimate electronic miniatures that feel both handmade and quietly otherworldly.
In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
Smog
On Smog, Piero Umiliani weaves Italian cinematic cool, West Coast jazz and vocal chiaroscuro into a quietly devastating portrait of early‑60s Los Angeles, with Chet Baker and Helen Merrill tracing the city’s alienated glamour in smoke.
Recordings 1980-84
Mike Vamp grew up in Frankfurt, played guitar in the early punk scene, then moved to West Berlin in 1980 and began experimenting with electronic music and synthesizers as the city's famous wall-era underground was at its most electrically charged. West Berlin in the early 1980s was defined by the painters of the Geniale Dilletanten movement and the music of Einstürzende Neubauten, Malaria!, Die Tödliche Doris, Sprung aus den Wolken, and Die Haut: a scene that celebrated difficulty and abrasion, …
The Alternative Counter Organization
Taco weaponise the very idea of “tako” - octopus, kite, bunion, drunk, bald head - into a mutating post‑punk organism, a rotating guerrilla cell whose songs behave like incidents rather than compositions.
Gungala La Pantera Nuda
Orange Vinyl. A hidden gem that earns its name. The original Cinevox pressing of this 1968 soundtrack existed in such a limited edition that few collectors ever held a copy - until now. Ruggero Deodato - then still years away from the notoriety of Cannibal Holocaust - directed Gungala La Pantera Nuda, the second entry in the Italian jungle-girl series starring Kirsten Svanholm, better known as Kitty Swan, a Danish model and acrobat briefly claimed by the Italian B-movie circuit of the late Sixti…
Truly, Slightly, Overflowing, Whereabout of Good Will
On Truly, Slightly, Overflowing, Whereabout of Good Will, Keiji Haino and Reinhold Friedl strip everything down to voice and piano interior: incantatory howls, whispered fractures and scraped strings tracing a stark ritual of tension, silence and imploding song.
In Concerts
On In Concerts, Mujician - Keith Tippett, Paul Dunmall, Paul Rogers and Tony Levin - are caught across 17 years of pure, pre‑verbal improvisation, four voices moving as one organism, forever searching and sometimes touching the truly uncanny.