Music from Canada

Truly excellent and obscure 1986 album collecting noise/sound experiments recorded between 1978 and 1984 by Canadian improviser / electro-acoustic musician and privately released on Applied Science. Never re-issued on either LP or CD.

Sole full album of dark electronic and acoustic sound manipulations by Canadian experimental noise project, released in Japan by Noctovision in 1989.

*100 copies limited edition* Utisetur I is the sixth album by Canadian ritual project Undirheimar. Marking the beginning of an ambitious trilogy, this new work delves deeper than ever into the project’s uncompromising spiritual and sonic vision. Utisetur I unfolds as a six-part ritual chant rooted in the ancient meditative practice of Utiseta. Stripping away all instrumentation, Undirheimar constructs the entire album exclusively from layered overtone singing, creating a dense, immersive field o…

On Delusions, Corpusse turns late‑’80s Montreal into a one‑man gothic fever dream, declaiming like a punk Rasputin over blaring Korg/organ dirges that feel equal parts dungeon synth, suicide note and cracked rock‑and‑roll theatre.

If Vol. 1 was the secret handshake, Vol. II is the full initiation rite. The anonymous Quebec duo's sophomore album landed in April 2026 with the weight of near-impossible expectations - sold-out tours across two continents, a viral KEXP session with millions of views, Pitchfork and Fantano circling the wagons - and the remarkable thing is that Angine De Poitrine didn't flinch. Six new tracks, same formula on paper - Khn's microtonal double-neck and loop pedals, Klek's ferocious yet calculated d…

Two masked creatures from Saguenay, Quebec, who communicate only in guttural alien grunts, have managed to become the most talked-about band on the planet - and the funniest part is that nobody can explain exactly why. Maybe because Angine De Poitrine - Khn de Poitrine on a custom-built double-neck microtonal guitar/bass with loop pedals, Klek de Poitrine on drums and percussion - are simply too good to ignore. Behind the papier-mâché masks, the polka-dot costumes and the pyramid hand signs lies…

Piano music by the Canadian composer self-released on Apparition Records in 1982.

1983 LP on Centrediscs with excerpts from the 11-hours percussion-driven sacred drama by Canadian acoustic ecology pioneer.

Few groups working today have built their catalog with this kind of sustained intention. Founded in Ottawa in 2013, Atlantis Jazz Ensemble have spent a decade assembling one of the most coherent bodies of work in contemporary spiritual jazz - three albums, each mapped to a mythological realm, each pushing further than the last. Oceanic Suite charted the tides: a debut of remarkable assurance that quietly became an underground classic, establishing the group's language of modal fire and Afro-infl…

This is the first widely distributed release for Isabel Pine after a series of self released EP’s and singles on Bandcamp. She studied classical music on viola from the age of 3 through into college, where she was on a path to be a performer in a large ensemble, but eventually left after feeling frustrated and limited in a world that did not provide much of an outlet for individual creativity. But the doors of perception really opened when she moved to British Columbia and was exposed to the raw…

Perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale. “winter chords” opens with slow serenity and a faint suggestion of hiber…

Let us take you back. Waaay back. According to early Greek mythology, the three powerful sons of the god Kronos divided up the cosmos after overthrowing their father: Poseidon ruled the sea, Zeus commanded the heavens, and Hades reigned over the underworld. Conversely, this latest offering from the Atlantis Jazz Ensemble completes the group's corresponding trilogy - Oceanic Suite (2016), Celestial Suite (2023), and now Mystic Suite (2026). As you might expect, this Mystic Suite, inspired by Hade…

On Celestial Suite, Atlantis Jazz Ensemble stretch their spiritual soul-jazz into a full skyward arc, an unbroken studio suite where modal grooves, Afro-Latin currents and meditative codas move like one long, rising breath.

On Oceanic Suite, Atlantis Jazz Ensemble ride a warm, late‑night current of modal grooves and spiritual inflections, with trumpet, alto, Rhodes, bass and drums flowing together in live‑off‑the‑floor conversations that feel both loose and meticulously steered.

Alan Michael Bloor was making experimental music before he started developing his now long-running harsh noise project Knurl. These recordings see Bloor using homemade instruments to create sounds that are like if John Carpenter was part of the 70s Berlin School gone lo-fi. All tracks recorded in October 1991, on the verge of harsh sound explorations that would soon become Knurl. Sourced from the original master tape in Bloor’s archive.

Holy to Dogs, the newest album from The MIDI Janitor, is a haunted, downtempo odyssey of outsider electronics and dusty, dreamlike beats. Vancouver’s Jonathan Orr repurposes scavenged MIDI controllers and obsolete synths, producing spectral melodies, melancholy textures, and a pulsating DIY spirit that veers between ambient, hauntology, and rusted techno.​

The Tinnitus Chorus, a new album from Michael Scott Dawson, is a collaborative ambient project reflecting on his personal experience with tinnitus. Joining forces with an eclectic cast from the worlds of experimental folk, jazz, and electronics, Dawson weaves tape loops, gentle melodies, and field recordings into a quietly unified journey through sound and vulnerability.​

Sonde is a group of Montreal electroacoustic composers and performers. Their compositions were generally conceived for live performance on original sound sculptures. Through meditative improvisation, the group’s aim was to produce new music with sounds revealed by electroacoustic amplification and transformation. Very active from 1976 to 1986, the members of the group included Andrew Culver, Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard, Michael O’Neill and Linda Pavelka. Since t…

*2025 stock* This CD is the re-edition of an LP made by Music Gallery Editions in 1978. It is (still) dedicated to the composer Mario Bertoncini who was the band main inspiration at the start for Sonde, a Quebec band active from 1976 to 1986. For most of the tracks in this recording the band was Andrew Culver, Keith Daniel, Charles de Mestral, Pierre Dostie, Chris Howard and Linda Pavelka. The notes on the back of the original cover mentioned: 'Live concert improvisations. Some of the pieces are…

Earth Ball’s ‘Actual Earth Music Vol. 1 & 2’ captures raw live energy and experimental collaboration, from Vancouver chaos with Wolf Eyes to a transformative, improvised London summit with Beresford and Corsano.