Music from Germany

Double LP. Brotzmann  has worked quite often with Swedish drummer Peeter Uuskyla (e.g. on Dead  and Useless) since 1997 and in general the reeds/drums line-up is something he feels very comfortable with. His duos with Han Bennink, Hamid Drake, Paal Nilssen-Love and Steve Noble belong to best releases in free jazz.  Uusklya cannot quite keep up with these drummers because they are able to challenge him. Uuskyla is more the supporting kind of a drummer on this album.My favorite passage is on side …

BRÖ presents Mollie's in the Mood by Peter Brötzmann & Jason Adasiewicz, the label's third LP since its revival in 2003 and the sequel to the Brötzmann/Adasiewicz 2012 tour-only CD. Recorded in "you-are-there" fidelity, the LP captures a performance at Chicago's Hideout on the duo's 2012 U.S.A. tour. Brötzmann played alto and tenor saxophones, b-flat clarinet, and tárogató; Adasiewicz played vibraphone. This is what happens when the most original vibraphonist of his generation slams into …

Peter Brötzmann is described as mad by some and as the 'Godfather of free jazz' by others. His improvisational musical horizon ranges from violent outbursts and delicate, dreamy fantasies. The Live recording of his solo concert at the Münster of Berne from october 27th 2013 is an extraordinary contemporary document. "Solo performance has long been a vital part of Peter Brötzmann’s practice, but recordings of such sessions have been few and far between – at least until recently. Albums like 198…

Original copies of the long out of print LP, few available...A legendary album by the two experimental composers: Conrad Schnitzler has been an institution in the German electronic music scene for thirty years. He studied with Joseph Beuys in the mid 1960s, and in the late sixties joined the then fledgling German rock band Tangerine Dream. He added a bizarre, conceptual approach to Tangerine Dream that catapulted the band to legendary status, documented on the bands first album Electronic Medita…

* Very last copies * Pressed on 180-gram vinyl; presented in gatefold sleeve. Cien Fuegos presents a reissue of an untitled LP by Peter Brötzmann, Fred van Hove, and Han Bennink, originally released on FMP in 1973. Peter Brötzmann: clarinet; alto, tenor, baritone, bass saxophones. Fred van Hove: celesta, piano. Han Bennink: drums, khene, rhythm-box, selfmade clarinet, gachi, oe-oe, voice, tins, homemade junk, elong, dhung, kaffir piano, dhung-dkar. Recorded by Dietram Köster on February 25, 1973…

Limited vinyl LP box (with DVD)... Kailash is a new collection of work from Florian Fricke, leader of Popol Vuh, seminal group in the German rock scene of the 1970s (Can, Faust, Amon Duul, Ash Ra Tempel, Tangerine Dream) and creators of classic soundtracks to the films of Werner Herzog (Aguirre the Wrath of God, Nosferatu, Fitzcaraldo and others). Popol Vuh took their name from an epic mythological text from the 16th century Quiché Maya people of Guatemala, the name translates as ‘meeting p…

New Triple-LP set in luxurious fold-out cover. "Oxtlr is the result of contemporary works of Günter Schickert. Indeed, while discs of the 70's by Günter Schickert are now reissued, it seemed interesting to complement this with a production of his research today, and also its collaboration with Pharaoh Chromium. A mental journey in solar atmospheres sometimes, sometimes completely frozen. The sounds will orbit as these distant planets of our solar system, beyond the asteroid belt. An anxio…

Last copy, tiny wear on cover Milestone! Asmus Tietchens, a German electronic synthesist and musician whose interest in experimental music and musique concrète already started during his childhood. He began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. In the 1970s he met producer Okko Bekker, and the two formed a decades-long partnership. In 1980 Peter Baumann (of Tangerine Dream) heard a recording of Tietchens' music and offered to produ…

"m=minmal continues the collaboration with electronic music legend Conrad Schnitzler.We are happy, after 30 years, to re-release one of the key works from Conrads large adventurous  backcatalog.Ballet Statique is not only a musical milestone but also a highlight of music production. It was recorded in 1978 at the legendary Paragon Studio / Berlin by Peter Baumann – Tangerine Dream in the same period when other masterworks like Cluster – „Großes Wasserâ€ÂÂ…

A pair of discrete releases, each documenting a separate set of a concert given by the trio, along with "Two City Blues 1", recorded on one intense night at Tokyo's Shinjuku Pit Inn. A trio of three towering figures, German free jazz legend Peter Brötzmann, Japanese avant-garde wizard Keiji Haino, and wildly versatile American composer and musician Jim O'Rourke, recorded by Yasuo Fujimura on November 23, 2010. Brötzmann: alto and tenor saxophones, tarogato, and clarinet; Haino: guitar, voice, sh…

One of two different sets, along with "Two City Blues 1", recorded on one intense night at Tokyo's Shinjuku Pit Inn. A trio of three towering figures, German free jazz legend Peter Brötzmann, Japanese avant-garde wizard Keiji Haino, and wildly versatile American composer and musician Jim O'Rourke, recorded by Yasuo Fujimura on November 23, 2010. Brötzmann: alto and tenor saxophones, tarogato, and clarinet; Haino: guitar, voice, shamisen; O'Rourke: guitar.

Doxy presents a reissue of "Les Concerts du Domaine Musical", originally released by the French label Véga in 1956. Le Domaine Musical was a concert society established by Pierre Boulez in Paris, which was active from 1954 to 1973. Boulez intended to provide opportunities for new music, after a general musical migration from Germany and Austria to Paris in the wake of those countries' legacy of war-torn decades without music. Le Domaine Musical created an exciting milieu in which the best an…

For their 3rd album together, the trio of saxophonist Peter Brotzmann, bassist John Edwards and drummer Steve Noble are caught live at the 2013 Ljubljana Jazz Festival for three blistering works of free improvisation. This is the second album by the Peter Brotzmann trio with John Edwards and Steve Noble, following “The Worse the Better” (they’re also together in a third one, “Mental Shake”, but with the addition of Jason Adasiewicz and his vibraphone). And just like that first opus, recorded …

When you saw those two names – Achim Wollscheid and Bernhard Schreiner – side by side on a piece of paper, you probably thought "Of course, this collaboration makes so much sense!" Unless you went "Who?"True, Wollscheid and Schreiner are not what you would call household names of the experimental music scene. Although the former gained serious "street" credit on the Industrial scene in the '80s with his moniker S.B.O.T.H.I. and his collaborations with P16.D4. Wollscheid also cofounded the influe…

Kallabris and Lepenik have been collaborating on an unnamed project for years. At one point, wasn't even sure that it will see the light of the day at all. But, never provoke with destiny! Different musical personalities but with many common musical points, offered extremely polarized piece of art, some kind of kaleidoscope of musical suprises and always on the edge of disintegration. A record that mixes a wide range of styles, opening with slow ambiesque vignettes, elegiac passages, continuing …

The box set includes four mini-LP's Jan Jelinek has released on his own Faitiche label, inclusing works commissioned by museums and archives (Cosmo Caixa – Barcelona, Cinesonic / Stichting Film & Media Festival – Amsterdam), music for dance choreography (Slvain E´mard – Montreal), radio collages and radio plays (Ars Acustica, SWR Radio), as well as live recordings with Japanese vibraphone player Masayoshi Fujita. "On the occasion of the label anniversary, Faitiche presents Jan Jelinek’s Te…

From the archives of Sven-Ake Johansson artist and musician, original recordings from 1978, five tracks centered around voice and accordion, recorded in the studios of artist Martin Kippenberger in 1978. Historical!

Felix Kubin, the nuclear powered horseman of apocalyptical dance music, brings forth a new solo album. Zemsta Plutona strikes through our living room like lightning, leaving scorch marks and enlightened souls. The opening track, Lightning Strikes sets the path: The rhythm from a distorted human beatbox, enervating synth lines and an operatic chorus result in a Kubin hit par excellence. Atomium Vertigo opens the door to a magnetic groove to which Nicolas Ekla (Lem, Les Brochettes) murmurs …

Conrad Schnitzler's green album (aka Grün), originally released in 1981 on Edition Block. "Schnitzler's tracks in the 1970s were lengthy and shared a musical pattern which varied only minimally. Hence the green album has just one track on each side and any changes in melodic structure are subtle in nature. Both pieces are very much typical of Schnitzler in style, but less so tonally. An analog rhythm machine ploughs almost brutally through the astoundingly delicate electronic veil of 'Der…

Conrad Schnitzler's yellow album (aka Gelb), originally released in 1981 on Edition Block. "The chronology of Schnitzler's solo releases in the 1970s -- and even more so in the '80s -- resembles a book with seven seals. Schnitzler regularly issued his music on analogue cassette or LP, often on his own as 'private releases', without any help from a label or professional distributor. The yellow album, for example, was issued on vinyl in 1981 by René Block in Berlin on his art gallery label …