Music from Germany

20 Year retrospective of Joke Lanz's Sudden Infant project featuring 49 rare and unreleased tracks, as well as some classics. Luxurious set released on 4 LP's housed in 2 seperate fullcolour gatefold-covers, featuring paintings by Joke Lanz. Comes with 12x12 booklet with a 4-page essay about S.I. by G.X. Jupitter-Larsen. Limited Edition of 500 copies. Mastered & cut by Rashad Becker at D+M, designed by Bill Kouligas.' 'Born in Switzerland, now based in Berlin, Joke Lanz (aka Sudden Infant) is on…

2024 Stock. This is Conrad Schnitzler nectar at his best! All these unreleased before tracks were composed by Conrad Schnitzler, produced by Peter Baumann, and recorded & mixed at Paragon Studios, Berlin in 1979-1982. Triple color vinyl 7inch (blue, red and green) with special plastic outer box. Housed in a special plastic box with two heavy cardboard inserts acting as a record cover. Limited 300 set with serial numbered!

The Respect Sextet, a young New York jazz group, plays music by Sun Ra and Karlheinz Stockhausen, drawing comparisons between the two composers and asking how the idea of space shaped their work.

Schnitzler’s Zug is one of the most important and first electronic minimalist works that were published in the 70s. Almost simultaneously with Kraftwerk’s groundbreaking “Autobahn” Zug appeared on the legendary “the red cassette“. The release is rounded off with a remix of Con-Fan Stefan Betke aka Pole. Pole and Kassian Troyer (Radian) have mastered the record. Another remix is contributed by “borngräber and strüver“.

Vinyl edition comes with 6 Exclusive tracks and a download coupon redeemable directly from the label* The long awaited full-length return of Markus Popp with a brand new album for Thrill Jockey, Having dropped off the radar over recent years , Markus Popp made a much-anticipated return under his Oval guise earlier on in 2010, delivering the Oh EP for Thrill Jockey. Now, the full-length is with us - all seventy-tracks and two hours of it. There's a very clear distinction between the Oval …

Legendary recordings by Johansson and friends, precursor of today´s minimalistic impro. Includes 30 minutes solo by sax player Frippe Nordström. CD I recorded at Club Litfass, Berlin, 1968; CD 2, track 1 recorded at SR, Stockholm, 1970; CD 2, tracks 2-4 recorded at Club 7, Oslo, 1972.Sven-Åke Johansson, drums, voice; Norbert Eisbrenner, guitar, alto saxophone, voice; Bengt Nordstöm, tenor saxophone (CD2 track 1); Werner Götz bass (CD 1, CD2 track 1); Peter Dyck, cello (CD2 tracks 2-4).

Very special limited edition vinyl boxset containing 4 vinyl LPs & 1 vinyl EP-single (Original studio albums 'NEU!', 'NEU! 2', 'NEU! '75' and for the first time, an official release of 'NEU! '86' plus 'NEU! '72' - a previously unreleased live maxi-single 20 minutes). A 36-page picture book and NEU! stencil. Neu! have to be one of the most influential Krautrock bands of their era. The duo, comprising the late Klaus Dinger and Michael Rother initially cut their teeth in Kraftwerk before inv…

Beautiful legit 2010 remastered reissue on Brain, deluxe gatefold cover, including a digital download coupon...Cluster II is the second full-length album by German electronic music group Cluster. It was recorded at Star-Studio in Hamburg, Germany in 1972 and was the first release for the legendary Krautrock label Brain Records, a relationship which would last until 1975 and include the subsequent album Zuckerzeit as well as the first two Harmonia albums, a group which included both remaini…

Vinyl version of Klaus Schulze's first solo album, from 1972. "After stints in the legendary bands Tangerine Dream and Ash Ra Tempel, Irrlicht was Klaus Schulze's first stab at a a solo project. He had radical ideas for the newly developed electronic music scene which are blatantly present here. Equipped with a small orchestra, 4-track, guitar, percussion, organ, and a little electronic gadgetry, he created a 'cosmic classic'. No synthesizers were used here, just a remarkable use of sampl…

amazing (an cheap) double CD set  featuring most of the Stockhausen "intuitive music" (ie quasi improvised). The first piece is Zyklus for solo percussion performed here by Tristan Fry in 1974. Zyklus was one of the first works with a graphic score allowing the performer some freedom to improvise. In the late 60s Stockhausen developed the idea of scores which determined a process rather than the exact content & his group toured the world playing this music. Several pieces are included her…

Beautiful double CD set, containing a mindblowing Mikrophonie version... Mikrophonie is the title given by Karlheinz Stockhausen to two of his compositions, written in 1964 and 1965, in which “normally inaudible vibrations . . . are made audible by an active process of sound detection (comparable to the auscultation of a body by a physician); the microphone is used actively as a musical instrument, in contrast to its former passive function of reproducing sounds as faithfully as possible” (Stock…

Heavy solo release from deep as Marianas Trench Swedish drummer Sven-Ake Johansson. Johansson is primarily known in the US as the drummer on the two hugely influential Brotzmann recordings: For Adolphe Sax and Machine Gun. However, the Berlin-based percussionist/composer/filmmaker/performance artist/painter -- all of which he is remarkably adept at -- also has numerous FMP releases and a well documented relationship with Alexander Schlippenbach. Notable contributions to the canon of exper…

A long overdue meeting of two of the titans of the saxophone. Alan Wilkinson (alto, Baritone & Voice) and Peter Brotzmann (clarinet, tarogato & tenor) together with Willi Kellers (drums) and Simon H. Fell (bass) blow up one hell of a storm. The individuals on this recording consciously commit, putting themselves 'out there', over the edge. The energy, the electricity, generated by saxophonists Wilkinson and Brötzmann, is a result of their fearless approach to the precipice and their willingness …

Sven-Ake Johansson (percussion, and crackle box on one track) and Christine Shenaoui (saxophone) recorded in Berlin 2009.

Probably the rawest krautrock release. Malcolm Mooney's singing is trance inducing yet soulful, keeping the songs together when everyone else seems to freak out. Nineteen Century Man an it's over the top distortion, combined with the 'Inner Space' mantra, and it's half a minute jazz impromptu prelude Pnoom, push the listener into bliss every time.

Popol Vuh's soundtrack work for the films of Werner Herzog in 1970's and 1980's are some of the most stunning in the field. Editions Mego is pleased to present two re-workings of classic Vuh tracks. Mika Vainio takes 'Nachts: Schnee' from the 1987 soundtrack 'Cobra Verde', and delivers a skillfully constructed ambient piece of beauty, which shifts and turns over 10 minutes. Haswell & Hecker turn the majestic 'Aguirre' from the 1972 soundtrack 'Aguirre - The Wrath Of God' into possibly the first …

'The first collaboration by these two renowned sound artists. Fabrication saw its beginning during the production of Re-Post-Refabricated, a project in which artists were selected by Richard Chartier to rework-create new works from his 1998 CD Postfabricated for its reissue in 2003. As it was intended as an open project, Asmus Tietchens continued to explore the source materials and suggested further formal collaboration. This evolved into the collaborative work Fabrication. The CD comes in a ful…

RESTOCKED Four years after the release of his dedicatory for record, Carsten Nicolai as alva noto returned to assemble a second recording of compositions devoted to a number of creative figures including industrial designer Dieter Rams, filmmaker Andrei Tarkovsky and German dramatist Heiner Müller.Opener "garment", inspired by a translucent textile designed in connecting sections, may serve well as a metaphor for this collection of tracks that take as their source of inspiration shifting zones a…

'Guitars warped so hard they dissolve into pure consciousness ! Seriously, this record had to happen because these two are the NOW of transcendental guitar weirdness. In families like ours where deformed music of one kind or another pours out of the speakers all day long, Toronto's Aidan Baker is a household name. He is no doubt one of the most imaginative experimental musicians of the new generation, quickly creating a universe of limitless sound with his bursting discography. He offers …

Aidan Baker has tried his hand in many different areas of music and it’s always amazing to here the outcome, as more often than not the results are excellent. There have been records that dabble more in psych, kraut, ambient, drone, and so on. However here on Scalpel, Baker has combined a familiar ambiance within his body of work with folk music for something that is loosely being dubbed as his “folk/drone” album. I really didn’t know what to make of that at first. I suppose a descri…