Music from United Kingdom

Yunque Records proudly presents the first official release of the explosive Theme For A Dream LP by British heavy rockers Agnes Strange. Recorded in 1974 at Meridian Studios — a year before the band laid down their cult classic Strange Flavour — this powerful LP captures Agnes Strange at their rawest and most uncompromising. Engineered by Colin Thurston, the sessions deliver crushing riffs, searing guitars, and the untamed energy that defined the early British heavy underground. The album featur…

*2026 stock* Peanut Rubble was a power trio from Buckinhamshire, a rural area a few miles northwest of London. This Radio Luxembourg Studios recordings were made back in 1968, being an early sample of british heavy music one year before Led Zeppelin released their first album. They used to play in college/university circuit, airbases and youth clubs with 100w Marshall stacks, being too loud for some of those clubs. They supported bands such as Status Quo, The Pretty Things, Arthur Brown or Pink …

Friends and colleagues since the late 1970s, Evan Parker and John Zorn are two of contemporary music’s most uncompromising saxophone innovators, and here they collaborate on a surprising and long overdue studio project. Recorded in New York and Britain from 2025 to 2026 Those Landings is an achingly beautiful exploration of modern reed music with an ambient touch from two radical musical philosophers who use the saxophone as a sound source. Astonishing!

2025 stock Black vinyl. Here we have the third solo LP by London's Alison Cotton, following on previous successes, All Quiet at the Ancient Theatre (FTR 424LP, 2019) and Only Darkness Now (FTR 564LP, 2020). And as with each of Cotton's projects it is a stylistic advance as well as another example of her dark signature sound. Alison's work with bands is well documented by recordings with Saloon, 18th Day of May, Trimdon Grange Explosion, and her current, ecstatic folk/psych duo, The Left Outsides…

*300 copies limited edition* Sutcliffe No More: the album for 2026. P/E in best SJ/SNM tradition. If you need to know more you don't need this album!

*300 copies limited edition* For the Raven was due to be the next release after Ligeliahorn on the Nekrophile Rekords label. Sadly the project fell through and, even more sadly, it coincided with a number of the celebrants being rounded up to enjoy a short holiday at Her Majesty's Pleasure, expense and, indeed, insistence. By the time our intrepid Disciples Of Doom re emerged the momentum had been lost and For the Raven was consigned to the Metgumbnervaults to, until recently, only make an occas…

*300 copies limited edition* Ligeliahorn was the second release from Metgumbnerbone, the first being the cassette Dreun (recently re released as a handsome double album on the Infinite Fog label). Ligeliahorn was originally released on the A Mission record label in 1984. The whole album was the product of but one night.. Improvised in a derelict factory down on the fog enshrouded banks of The River Tyne in north east England. The instrumentation comprised mainly of what was already there augment…

The 40th anniversary edition of Andrew Poppy’s The Beating of Wings, originally released on ZTT Records. Hailed as “a major landmark in pop-classical genre-blending and post-minimalism” (Robert Davidson, Topology) and “… ahead of his time … he’d fit right in with the Max Richters and Nils Frahms of today” (Steven Wilson; Porcupine Tree, The Album Years podcast). Composed and produced by Andrew Poppy and performed by his bespoke ensembles, The Beating of Wings contains four mesmeric tracks that m…

Sophie Agnel on piano and John Butcher on saxophones, live at the 40th Victoriaville festival on 18 May 2024: spontaneous compositions of inside-piano sounds, extended techniques and quick, attentive interplay.

Endless Happiness reissues the 1968 British jazz classic Phase III by The Don Rendell/Ian Carr Quintet, showcasing their creative peak and innovative spirit.

*2026 repress* John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne -…

The great master, improvisational pianist, and musical polymath Steve Beresford; John Edwards, one of the most important double bassists on the global free improv scene; and Mandhira de Saram, an exquisite violinist and former member of the renowned Ligetti Quartet, come together. “Felix” is the recording debut of this trio, which, since its formation a few years ago, has become a regularly performing ensemble. Recorded at London’s Vortex club in January of last year, the album demonstrates how …

"There is a familiar species of experience. I believe it is nearly universal. Here’s the brief: we have not seen a person in a long time, someone with whom we were once close. For no good reason – no falling out, no unpleasantries at all – our paths have not crossed. Then, in an instant, we are together, thrown or brought or drawn. Circumstance has landed us proximate and here we are, face to face. Within seconds, we recognize the person. I mean really recognize them. Not just their external app…

“Stone Angel” is the self-titled album by the English folk group Stone Angel, released in 1971 on Seashell record. The group hailed from the rural counties of Suffolk and Norfolk, and the album deeply reflects that setting: deeply rooted traditional English folk, but with a psychedelic touch typical of the era. Simple acoustic arrangements (guitar, dulcimer, female vocals),intimate and pastoral atmospheres, featuring ballads and ancient melodies, a slight ‘acid folk’ vein, similar to bands such …

Feral Grace was written around old childhood places reclaimed by nature, or replaced by new housing estates. Places long forgotten, their purpose discarded as the world moved on. Yet the memories stay there, caught in the undergrowth, thought of once in a while. We remember gathering leaf moss from the woods for our tomato plants. Building dams in shallow streams. Filling our wellies with frog spawn and carrying it home like treasure. Small acts that felt large at the time. Fishing banks where w…

Stephen Thrower is a British musician, composer and author. In 1984 he appeared as a guest on the first Coil album, Scatology, then joined the group until his departure in 1992, contributing to seven Coil albums in total. Between 1999 and 2015 he worked as Cyclobe, a duo formed with his partner Ossian Brown (also a former Coil member). Cyclobe released four albums – Luminous Darkness, The Visitors, Wounded Galaxies Tap At The Window and Sulphur-Tarot-Garden – on their own record label Phantomcod…

500 units, deluxe remastered edition. Some records are made in the present tense. The Civil Surface was made in the past perfect - a band returning from its own ending to commit to tape the music it had never quite managed to record. By the time these sessions took place at Worthing's Saturn Studios in the summer of 1974, Egg had already been finished for two years. The trio - organist Dave Stewart, bassist and horn player Mont Campbell, drummer Clive Brooks - had cut two singular albums of orga…

Pink Floyd Live at the Oakland Coliseum, is a landmark triple-album release featuring a recording of Pink Floyd’s May 9, 1977 show at the Oakland Coliseum during their “In the Flesh” tour, staged to promote the album Animals. Delivering the full force of the band at their creative peak, the release captures a night of bold energy and unforgettable live atmosphere. Roger Waters, David Gilmour, Richard Wright, and Nick Mason are joined by Snowy White (electric guitar, 12-string guitar, bass, and b…

First-ever release of Ted Dicks's jazz score for Clinic Exclusive, the 1971 British film later shown as Sex Clinic. The man who wrote Bernard Cribbins's Right Said Fred turns in a restrained after-hours set of piano, brushed drums and vibraphone.

Milkweed’s new album draws from ‘The Táin’ Irish epic, mixing “Slacker Trad” with global sounds. Critically acclaimed, their music merges Appalachian folk, hauntology, and experimentation.