Music from United States

Keith Jarrett plays Bach's Well-Tempered Clavier Book I (BWV 846-869) in concert at the Troy Savings Bank Music Hall, New York, on 7 March 1987. Archival recording first released in 2019.

Keith Jarrett's solo piano concert at the Theatro Municipal, Rio de Janeiro, recorded live on 9 April 2011: fifteen improvisations, including encores, on two CDs.

Six-CD box with all six sets played by Keith Jarrett, Gary Peacock and Jack DeJohnette at the Blue Note, New York, on 3, 4 and 5 June 1994. Produced by Manfred Eicher, engineered by Jan Erik Kongshaug; released by ECM in 1995.

Six-CD box of five complete solo piano concerts by Keith Jarrett, recorded in Kyoto, Osaka, Nagoya, Tokyo and Sapporo in November 1976, plus a disc of encores. Produced by Manfred Eicher; first issued on ten LPs in 1978.

3-CD box collecting Codona's three ECM albums (Codona, Codona 2, Codona 3) by Collin Walcott, Don Cherry and Naná Vasconcelos, recorded at Tonstudio Bauer, Ludwigsburg, in 1978, 1980 and 1982, produced by Manfred Eicher.

Sounding like an archaic echo, If, Bwana could be the title of a Bob Hope-Bing Crosby vehicle that never got made. A little investigation reveals it as the oddly worded cover for Al Margolis, who is perhaps better known as a tireless activist in the 1980s American cassette underground and, later, as the co-founder of experimental music label Pogus Productions. Derived from an acronym for It's Funny, But We Are Not Amused, the name sticks out like a cartoon-swollen sore thumb alongside such artis…

Morton Feldman's Rothko Chapel with music by Satie and Cage, played by Kim Kashkashian (viola), Sarah Rothenberg (piano, celesta), Steven Schick (percussion) and the Houston Chamber Choir under Robert Simpson, recorded in Houston in May 2012 and February 2013.

Live in-person collaboration of mid-ranged feedback hell laden with raw human drones of cosmic existential turbulence from from Matthew Bower (legend of Total, Skullflower, Ramleh, etc.) Marcia Bassett (Double Leopards, Zaimph, GHQ, etc.) and Dominick Fernow (Vegas Martyrs, Nihilist Assault Group, Ash Pool, etc.).

Carolin Widmann (violin) and Simon Lepper (piano) play duos by Feldman (Spring of Chosroes), Zimmermann (Sonata, 1950), Schoenberg (Phantasy op. 47) and Xenakis (Dikhthas). Recorded October and December 2006 at the WDR Funkhaus, Cologne.

Harry Partch (like his friend Anaïs Nin) considered his life's work to be a letter to the world. His last act was going to be to add the enclosures. He never got around to it. After 20 years of working on the Partch archives, Philip Blackburn has now completed the seven-part 'Enclosures' series as it were on his behalf. Enclosure 7, the culminating DVD of this multimedia series, is a monumental tribute to the most significant works of this American original and iconoclast. It includes n…

This massive 4CD set is the second "enclosure" in the series. It is sub-titled "Historic Speech-Music Recordings from the Harry Partch archives," and includes "archival recordings, including works from the 30s & 40s, a lecture on just intonation, excerpts from the 1935 hobo journal Bitter Music, and a sound documentary featuring Partch at the piano

String quartets by Kaija Saariaho (Nymphéa, with live electronics), John Cage and Bruno Maderna played by the Cikada String Quartet, recorded in August 2001 at Sofienberg Church, Oslo, and released by ECM New Series in 2005.

The act of conjuring remarkable sound from found objects is at the very heart of this recording from American musicians Greg Davis and Jeph Jerman. Having met in Arizona some years back, Davis and Jerman commenced working together on a series of recording projects. Improvising with a range of implements and devices ranging from sticks, stones and lo-fi electronics to prepared instruments, gongs and broken percussion, the pair sought to develop a personal language that reflected their individual …

Gordon Mumma (born 1935) has played a pioneering role in the development and evolution of 'live-electronic' music. 'Live-electronics' as a concept and practice appears to have originated in the United States in the late 1950s, outside the few institutional electronic studios and often in the context of innovative theatre activity. From its inception, it frequently involved two processes: (1) live performance with accompanying or interacting sound materials on magnetic tape; and (2) the use of el…

A collection of six compositions made in electronic music studios from 1959 to 1984. All were composed for concert hall or theater performance with choreography, as well as for distribution on recordings. Music from the Venezia Space Theatre, The Dresden Interleaf, and Echo-D were composed for quadraphonic theater systems, and were later spatially remodeled for release on stereophonic recordings. A collection of six compositions made in electronic music studios from 1959 to 1984. All were compos…

Subtitled "Describing Planes Of an Expanding Hypersphere". Recorded in 1984 but held up in a post-production stasis until now, this is music for 5 guitars, mallet guitar, violin, drums, bass, keyboards, that is being touted as the "most dense, cacophonous Branca symphony yet." Glenn's music gets quite often inaccurately described as wall-of-sound/noise/guitars/whatever. A wall exists for the purpose of containment. 'Symphony No. 5' is expansive beyond limits, smashing the wall (at least sonicall…

Keith Jarrett plays seven keyboard suites by Georg Friedrich Händel on piano, recorded in September 1993 at the State University of New York, Purchase, produced by Manfred Eicher and released by ECM New Series in 1995.

Organ works by Arvo Pärt, Peter Maxwell Davies and Philip Glass played by Christopher Bowers-Broadbent, recorded in October 1990 at the Grossmünster, Zürich, and produced by Manfred Eicher.

Shostakovich's Viola Sonata Op. 147 with Linda Bouchard's Pourtinade and Paul Chihara's Redwood, played by Kim Kashkashian (viola), Robert Levin (piano) and Robyn Schulkowsky (percussion), recorded in June and October 1990.

Two George Crumb works of the 1970s: Black Angels in an arrangement for string quartet and string orchestra, with Cuarteto Latinoamericano, and Makrokosmos III for two amplified pianos and percussion, conducted by Juan Pablo Izquierdo.