The Composer Of Desafinado, Plays
Antonio Carlos Jobim’s first American album is a masterpiece of understated elegance, presenting a dozen songs that would become bossa nova standards. Despite claiming to be out of practice, Jobim’s sparse, single-hand piano style lets his flowing melodies shine. Claus Ogerman’s signature arrangements—airy flutes, brooding strings, and lush harmonies—enhance timeless gems like Desafinado, Corcovado, The Girl from Ipanema, and One Note Samba. A defining moment in bossa nova’s global ascent.
A Banda Tropicalista Do Duprat
Dated 1968 this Rogerio Duprat album still sounds as a wild mix of pop-rock elements and various forms of Brazilian music. Infectious Latin rhythms, astonishing covers of US and UK hits of the era, easy listening atmospheres and a variety of odd arrangements. A must for all Tropicalists out there!
Os Tincoãs
Creatively visionary and groundbreaking on numerous terms, 1973 'Os Tincoãs' revolutionized Brazilian music by harmonizing Afro-religious singing, heavenly vocal harmonies, and frawing on Yoruba mythology, Samba, Capoeira chants and spiritual songs.
Vento Sul
*2025 stock * A holy grail! This is one of Marcos Valle's best-ever albums – and it's certainly the one to best realize the larger scope he was heading for in the years after the bossa – that sublime mix of jazz and more expansive arrangements – a perfect fit for the growing sophistication of Valle's songwriting. The record is fantastic – done with a sweeping sound that still leaves us breathless after all these years – and put together with an approach to composition that is virtually indescrib…
Karma
*2025 stock * An obscure bit of Brazilian folk rock from the early 70s - recorded with an easygoing, laidback style that's really wonderful! The group's working mostly here in a blend of acoustic guitar and percussion and some of the guitar work is done by Jorge Amiden of O Terco, using a strange three-necked guitar that looks mighty weird in the picture! This instrument seems to be played using a bow at times - creating a "guitar strings" sort of feel that gives the record a bit more class th…
Lugar Comum
*2025 stock* A sweet electric 70s session from the mighty Joao Donato – very different than his earlier bossa work of the 60s – and with the same funky appeal as the best work on his classic Quem E Quem album! This set's got a tighter feel overall – very much in a samba soul style, with lots of great Brazilian bits mixed up with funk and jazz touches – including a range of great keyboards handled by Donato himself! Drums are by the mighty Wilson Das Neves – who brings in some breaks at a few poi…
Quem É Quem
When João Donato released “Quem é Quem” in 1973, he had already been in the music industry for over 20 years, gaining national and international recognition. Nevertheless, the album marked the beginning of a new phase in his career: the surprising multi-instrumentalist included lyrics in his songs for the first time. It is one of his most important albums, which now returns to shelves pressed on 180gr matte green coloured vinyl.
Samba Esquema Novo
Back in print ! First released in 1963 on Phillips Records, this was Jorge Ben's debut album. "Samba Esquema Novo", which translates to 'New Style Samba' deliberately sets a new standard in Brazilian music. A beautiful, fresh and vital combination of Ben's percussive guitar and smooth/rough voice backed by Big Band style horns, percussion (the great Dom Um Romao) and strings. In 2007, it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history, but It would be enough…
Milton Nascimento
2025 stock ** "Milton Nascimento (1969) is the third eponymous album by Milton Nascimento after the excellent Travessia (1967) and the very average Courage (1968) and before the exceptional Clube Da Esquina (1972). With this album, Milton Nascimento continues the experimental and exploratory work undertaken previously. Milton Nascimento is a record built around moving compositions, mainly Ballads, carried by the sensitive voice of its performer and by the impressive arrangements of Luiz Eça (Tam…
Tim Maia 1970
*2025 reissue* This is the first full-length LP by the famous Brazilian musician and songwriter Sebastião "Tim" Rodrigues Maia, known for his iconoclastic, ironic, outspoken, and humorous musical style. This album includes the classics "Azul da Cor do Mar", "Coroné Antônio Bento", and "Primavera", which topped the charts for 24 weeks in Rio de Janeiro.
Tropicalia
*Back in print ! 2025 repress* "The Tropicalia art movement of the late 1960s, with flourishes in visual art, poetry, theatre and music, is one of Brazil's most adored cultural concoctions. It was a movement which began out of necessity, shortly after a repressive military dictatorship seized power after 20 years of peaceful democracy. The term Tropicalia first came from the mind of Brazilian visual artist Helio Oiticica, whose eponymous piece consisted of a sandy maze bordered by tropical Brazi…
10 Anos Depois
10 Anos Depois is the tenth album by Brazilian musical artist Jorge Ben, released in 1973. It is a collection of popular songs from the first decade of his career re-recorded as medleys.
Construcao
Construção (Portuguese for 'Construction') is the eighth studio album by Brazilian singer-songwriter Chico Buarque, released in December 1971. It was composed in periods between Buarque's exile in Italy and his return to Brazil. Lyrically, the album is loaded with criticisms of the Brazilian military dictatorship, especially with regard to the censorship imposed by the government at the time. It is widely regarded by music critics as one of the greatest Brazilian albums of all time.
Secos & Molhados (1973) Lp
Secos & Molhados is the debut album of the group of the same name, released in August 1973. The album includes poetry works of authors such as Vinícius de Moraes, Manuel Bandeira and João Apolinário, and dances and songs from Portuguese folklore and Brazilian traditions. The album, as well as the band itself, emerged in the midst of a time of censorship and military dictatorship in Brazil, inspiring the band to portray themes such as freedom of expression, racism and war as a form of protest. It…
A Tábua De Esmeralda
During the mid-1970s, Jorge Ben could do no wrong. Known as the father of samba rock, Ben gained an international audience with an infectious singing style marked by bright optimism and funny satire; A Tábua de Esmeralda deviated from the script by delving into the alchemy of the Middle Ages, as well as the second coming of Jesus, but the production is so nuanced and his voice so agreeable that the album was a surefire hit, and Ben manages to squeeze in some groovy numbers saluting womanhood, an…
Ben
The long unavailable ninth album by Brazilian star Jorge Ben. Released in 1972, "Ben" comes from one of Jorge Ben’s most artistically important phases, the early 70s. The album has some of Ben’s most famous songs, “Taj Mahal” (plagiarized by Rod Stewart on his song “Da Ya Think I’m Sexy?”, as the British singer admitted himself in 2012), and “Fio Maravilha”, paying homage to Flamengo’s iconic football player Fio Maravilha.
Dez Anos Depois
Nara Leão's Dez Anos Depois, released in 1971, is a stunning double album that revisits her musical journey and celebrates her contributions to Brazilian music. Known as the "Muse of Bossa Nova," Leão recorded this reflective and intimate collection of reinterpreted classics in both Paris and Rio de Janeiro. The album features timeless tracks like "Chega de Saudade," "O Barquinho," and "Corcovado," showcasing her gentle yet emotionally powerful vocals paired with minimalist acoustic arrangements…
Novos Baianos F.C.
*2024 stock * After the release of “Acabou Chorare”, the Novos Baianos band moved to a farm in Jacarepaguá and recorded the excellent “Novos Baianos F.C.” there (1973). In this place they lived between music and soccer, which is why they gave the album this title. The album features 10 unreleased tracks, with the exception of “Samba da Minha Terra”, by Dorival Caymmi. Among the songs are “Sorrir e Cantar Como Bahia”, “Vagabundo não é Fácil”, “Os Pingos da Chuva” and the instrumentals “Alimente” …
Nelson Angelo E Joyce
In 1972, Joyce and Nelson recorded the LP Nelson Angelo e Joyce, her only professional recording between 1971 and 1975. Sophisticated in its simplistic sound, the album explores Joyce’s tender voice and Angelo’s melancholic mantra-shaped melodies. The duo fuse bossa nova and acoustic psychedelic rock in arrangements that incorporate nature sounds and ritual drumming. The opening track stands out with its angular chord changes and pretty melody, a perfect start. They trade tunes, Joyce sings Hote…
The Astrud Gilberto Album
180 gram Vinyl Edition. The debut studio album by singer Astrud Gilberto, featuring Antônio Carlos Jobim on guitar and arrangements by Marty Paich, The Astrud Gilberto Album was released by Verve Records in 1965. It peaked at number 41 on the Billboard 200 chart and, in 2017, National Public Radio placed it at number 73 on the "150 Greatest Albums Made by Women" list. The album received a ****½ rating on AllMusic, with reviewer John Bush stating that “her voice was yet more sweet than had been h…