Brasileira
**small repress available** Selva Discos present an official reissue of Maria Rita Stumpf's Brasileira, originally released in 1988. Brasileira has been on top of collectors and music lovers' wish lists since "Cântico Brasileiro Nº3 (Kamaiurá)" broke out and cast a spell worldwide. Lucky collectors can listen to the whole album -- with gems such as "Lamento Africano/Rictus" and "A Cidade" -- but it was clear that Brasileira is an oeuvre that more people should have access to. Selva Discos is a n…
A Divina Comédia Ou Ando Meio Desligado
"..Along with the fascinating cover art - which finds the middle ground between the lurid, low-budget, exploitation cinema of filmmakers like Jean Rollin or Mario Bava, with the higher aspirations of gothic literature, ala Edger Allen Poe - the literal English translation of the title suggests further hints towards the notions behind the album, with A Divina Comédia (ou Ando Meio Desligado) interpreted as The Divine Comedy (or I Walk a bit Disconnected), with the reference to walking disconnecte…
João Gilberto
Originally released in 1973, Joao Gilberto aka The White Album, is as a timeless classic of the genre and one of Joao's definitive masterpieces. Featuring only the minimalist drumming of NY jazz drummer Sonny Carr (and the backing vocals of 'Miucha', Gilberto's second wife and sister of Chico Buarque on the final track), Joao spins a delicate web of sound that from the first notes of Tom Jobim's anthem 'Aguas De Marco' has the listener dreaming of Bahia, even though the album was recorded in a N…
Nobody Can Live Forever
In the early 1970′s, Brazilian popular music was approaching a high water mark of creativity and popularity. Artists like Elis Regina, Chico Buarque and Milton Nascimento were delivering top-shelf Brazilian pop, while tropicalists Caetano Veloso, Gilberto Gil and Os Mutantes (see World Psychedelic Classics 1) were entertaining the college set with avant-garde fuzz-pop poetry. Enter Tim Maia with a massive cannonball into the pool. It was the only dive Tim knew. Standing just 5’7 (6′ with the Afr…
A Tábua De Esmeralda
Searing samba soul from Jorge Ben – one of his best-remembered albums of the 70s, and for good reason too! The album's got a slightly fuller feel than some of Ben's other work of the time – never slick, but with backings balanced nicely against his own raspy vocals and acoustic guitar – sweetening things up with a bit of the strings you'd find on Forca Bruta, but with a hint of the soul to come on Africa Brasil! The balance is great – thanks to arrangers Osmar Milito, Darcy De Paulo, and Hugo Be…
Clube Da Esquina II
A second great statement from the "corner club" of Milton Nascimento – that special assemblage of musicians from his home territory of Minas Gerais, augmented here in slight ways that maybe make the album an even more ambitious record than the first! All the best artists from the previous set are in place here – including the sublime Lo Borges on vocals, Wagner Tiso on keyboards, Toninho Horta on bass and guitar – but the set also features contributions from other Brazilian talents – including C…
Gal Costa
Reissue on 180gm vinyl! Originally released in 1969, Gal Costa's 2nd album is one of the finest releases to come out of Brazil's Tropicalia movement. Feat. songwriting & vocal help from 2 of the original Tropicalismos, Caetano Veloso & Gilberto Gil, she flows effortlessly between shredding psychedelia & smooth bossa nova. An essential record for anyone that appreciates the far reaches of Brazilian popular music. Incl. the classic trks "Baby" * "Não Identificado." Such a pleasant surpise to see t…
Tim Maia
Vinilisssimo present the first vinyl reissue of Tim Maia's 1977 self-titled album. Tim Maia was born in 1942 in the suburbs of Rio de Janeiro and started his musical career at an early age, along with close friends such as Roberto Carlos or Jorge Ben. Carlos would eventually help him to get a deal for his first single at CBS. During the '70s, Maia started to incorporate soul and funk elements into his style. After a two-year period involvement in the Cultura Racional in Brazil, Maia's funk…
Revolver
A bit of an oddball record from Walter Franco, and one we've really come to love over the years! Franco's clearly going for an experimental rock sound here – and while the hard jamming kind of works at odds against that at times, at others, the whole thing gels together nicely in a blend of offbeat guitar work, choppy vocals, and percussion that's almost in the mode of late 70s Peter Gabriel or early 80s Adrian Belew. Judging from the lyrics on the inner sleeve, Franco's been influenced by some …
Jorge Ben 1969
A samba soul masterpiece from Jorge Ben – one of the most brilliant records to come out the fertile late 60s Brazilian scene – and an incredible album that works with the psychedelic flourishes of Ben's contemporaries and a deeper undercurrent of soul & funk! This is one of the most amazing early Jorge Ben LPs, recorded at the end of the 60s, when Jorge was singing with a stone-cold soul sound. The sharp, tight arrangements by Rogerio Duprat & Jose Briamonte made tracks like "Pais Tropical", "Ta…
Rosa De Sangue
Re-issue of this monster rarity. Originally custom pressed in 1980, ‘Rosa de Sangue’ is the closing chapter of the amazing Recife psychedelic movement that flourished and centred around the work of Lula Côrtes, beginning in 1973 with the release of Satwa, and the creation of ‘abracadabra’, Lula’s loose art/music/design collective. “I want to close all of this with a golden key”… and a golden key it is.Entering a small local studio with a head full of songs and his freshly road tested ‘mountains …